{"id":19012,"date":"2019-02-03T01:05:50","date_gmt":"2019-02-03T01:05:50","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=19012"},"modified":"2019-02-03T01:05:50","modified_gmt":"2019-02-03T01:05:50","slug":"weekend-links-450","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2019\/02\/03\/weekend-links-450\/","title":{"rendered":"Weekend links 450"},"content":{"rendered":"

\"redon.jpg\"<\/a><\/p>\n

Orpheus (c. 1903\u20131910) by Odilon Redon. One of 30,000 public-domain images from the Cleveland Museum of Art’s collection.<\/em><\/p>\n

\u2022 Network DVD has announced the premiere home release of Orson Welles’ Great Mysteries<\/em><\/a>, a British TV series that ran from 1973 to 74. Welles’ involvement was limited to introducing each episode but the series itself was one I enjoyed a great deal: 26 short adaptations of period mystery stories<\/a> that featured a wealth of British and American acting talent<\/a>. The theme by John Barry<\/a> was an additional bonus.<\/p>\n

\u2022 The trailer for Apollo 11<\/a><\/em>, a documentary by\u00a0Todd Douglas Miller which presents for the first time the 70mm footage recording the Earth-bound parts of the Moon mission. Related: Michelle Santiago Cort\u00e9s<\/a> on how NASA used art to shape our vision of the future.<\/p>\n

\u2022 At Dangerous Minds: a preview of Third Noise Principle<\/em><\/a>, the latest in an excellent series of electronic music compilations from Cherry Red<\/a>, and Cosey Fanni Tutti<\/a> talks about her first solo album since 1983.<\/p>\n

“The way I understood theory, primarily through popular culture, is generally detested in universities,” Mark [Fisher] told me in 2005, when I interviewed him for the Village Voice<\/em><\/a>. “Most dealings with the academy have been literally clinically depressing.” He darkly surmised that his blog, K-Punk, and the surrounding blogosphere, “seemed like the space\u2014the only space\u2014in which to maintain a kind of discourse that had started in the music press and the art schools, but which had all but died out, with appalling cultural and political consequences.” Mark and the Village Voice<\/em> are both dead now, leaving unfathomable voids in their wake.<\/p>\n

Geeta Dayal<\/a> on Mark Fisher<\/em><\/p><\/blockquote>\n

\u2022 At The Witch Wave: Peter Bebergal and Pam Grossman<\/a> discuss Bebergal’s latest book (also my current reading), Strange Frequencies: The Extraordinary Story of the Technological Quest for the Supernatural<\/em>.<\/p>\n

\u2022 At Bandcamp: another release<\/a> from the retro-synth cosmos of Jenzeits, and Ufology<\/a><\/em> , an investigation of Britain’s flying-saucer landscape by Grey Frequency.<\/p>\n

\u2022 Surprising collaboration of the week: Beth Gibbons and Krzysztof Penderecki<\/a> have made a new recording of Henryk G\u00f3recki’s Third Symphony<\/em>.<\/p>\n

\u2022 Alchemy<\/em><\/a> (1969) the debut album by the Third Ear Band, receives an expanded reissue next month.<\/p>\n

\u2022 The Burn<\/em><\/a>: a science-fiction story by Peter Tieryas with illustrations by Arik Roper.<\/p>\n

\u2022 Mix of the week: Self-Titled Needle Exchange 275 by Black To Comm<\/a>.<\/p>\n

\u2022 Amy Turk<\/a> plays Bach’s Toccata and Fugue in D Minor<\/em> on her harp.<\/p>\n

\u2022 Chrismarker.org<\/a> is seeking donations.<\/p>\n

\u2022 Mystery Train<\/a><\/em> (1955) by Elvis Presley |\u00a0Mystery R.P.S. (No 8)<\/a><\/em> (1981) by Holger Czukay, Jah Wobble, Jaki Liebezeit | Mystery Room<\/a><\/em> (1985) by Helios Creed<\/p>\n","protected":false},"excerpt":{"rendered":"

Orpheus (c. 1903\u20131910) by Odilon Redon. One of 30,000 public-domain images from the Cleveland Museum of Art’s collection. \u2022 Network DVD has announced the premiere home release of Orson Welles’ Great Mysteries, a British TV series that ran from 1973 to 74. Welles’ involvement was limited to introducing each episode but the series itself was … Continue reading “Weekend links 450”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,29,7,3,16,20,13,15,19],"tags":[559,9909,9904,338,6016,5967,9906,88,9902,1986,5078,1393,6723,9670,1716,9907,2276,3877,4541,9556,9903,9910,1638,1405,569,126,762,3552,1018,9908,4435,9905],"class_list":["post-19012","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-electronica","category-film","category-music","category-occult","category-science-fiction","category-science","category-technology","category-television","tag-alchemy","tag-amy-turk","tag-apollo-11","tag-arik-roper","tag-beth-gibbons","tag-black-to-comm","tag-cherry-red","tag-chris-marker","tag-cleveland-museum-of-art","tag-cosey-fanni-tutti","tag-elvis-presley","tag-geeta-dayal","tag-grey-frequency","tag-helios","tag-helios-creed","tag-henryk-gorecki","tag-holger-czukay","tag-jah-wobble","tag-jaki-liebezeit","tag-jenzeits","tag-john-barry","tag-js-bach","tag-krzysztof-penderecki","tag-mark-fisher","tag-nasa","tag-odilon-redon","tag-orson-welles","tag-pam-grossman","tag-peter-bebergal","tag-peter-tieryas","tag-third-ear-band","tag-todd-douglas-miller"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4WE","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/19012","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=19012"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/19012\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=19012"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=19012"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=19012"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}