{"id":1901,"date":"2007-05-10T00:55:31","date_gmt":"2007-05-09T23:55:31","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=1901"},"modified":"2009-01-21T19:40:48","modified_gmt":"2009-01-21T19:40:48","slug":"the-art-of-patten-wilson-1868-1928","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/05\/10\/the-art-of-patten-wilson-1868-1928\/","title":{"rendered":"The art of Patten Wilson, 1868\u20131928"},"content":{"rendered":"

\"wilson3.jpg\"<\/p>\n

The Four Seasons (1897). <\/em><\/p>\n

Typically gorgeous work from the unjustly neglected Victorian illustrator. There’s more scans<\/a> of the Coleridge illustrations (shown below) at Dr Chris Mullen’s excellent Visual Telling of Stories<\/a> site.<\/p>\n

<\/p>\n

\"wilson1.jpg\"<\/a><\/p>\n

Coleridge (1898). <\/em><\/p>\n

\"wilson2.jpg\"<\/a><\/p>\n

The Rime of the Ancient Mariner: “Beyond the shadow of the ship,
\nI watched the water snakes.”<\/em><\/p>\n

\"wilson4.jpg\"<\/a><\/p>\n

Kubla Khan: “In Xanadu did Kubla Khan \/ A stately pleasure-dome decree.” <\/em><\/p>\n

See also:
\n\u2022 Best Stories to Tell to Children<\/a> by Sara Cone Bryant
\n(illustrated by Patten Wilson)<\/p>\n

Elsewhere on { feuilleton }
\n\u2022 The illustrators archive<\/a><\/p>\n

Previously on { feuilleton }
\n\u2022 T&H: At the Sign of the Dolphin<\/a>
\n\u2022 Alla Nazimova’s Salom\u00e9<\/a>
\n\u2022 Austin Osman Spare<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

The Four Seasons (1897). Typically gorgeous work from the unjustly neglected Victorian illustrator. There’s more scans of the Coleridge illustrations (shown below) at Dr Chris Mullen’s excellent Visual Telling of Stories site.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,30,42,48],"tags":[785,2469,316,2084,123],"class_list":["post-1901","post","type-post","status-publish","format-standard","hentry","category-art","category-black-white","category-books","category-illustrators","tag-alla-nazimova","tag-austin-osman-spare","tag-austin-spare","tag-patten-wilson","tag-salome"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-uF","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/1901","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=1901"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/1901\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=1901"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=1901"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=1901"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}