{"id":19003,"date":"2019-01-27T01:05:29","date_gmt":"2019-01-27T01:05:29","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=19003"},"modified":"2024-06-08T16:05:29","modified_gmt":"2024-06-08T15:05:29","slug":"weekend-links-449","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2019\/01\/27\/weekend-links-449\/","title":{"rendered":"Weekend links 449"},"content":{"rendered":"<p><a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2019\/01\/orpheus-big.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2019\/01\/orpheus.jpg\" alt=\"orpheus.jpg\" \/><\/a><\/p>\n<p><em>UK poster, 1950. Cocteau&#8217;s film receives <a href=\"https:\/\/shop.bfi.org.uk\/orphee-blu-ray.html#.XEyfTYU9U3p\" target=\"_blank\" rel=\"noopener\">a UK blu-ray release<\/a> this week.<\/em><\/p>\n<p>\u2022 Into the Zone: 4 days inside Chernobyl\u2019s secretive &#8220;stalker&#8221; subculture by <a href=\"https:\/\/www.calvertjournal.com\/features\/show\/10946\/into-the-zone-4-days-inside-chernobyls-secretive-stalker-subculture\" target=\"_blank\" rel=\"noopener\">Aram Balakjian<\/a>. (Again. There&#8217;s an implication in Balakjian&#8217;s piece that illicit Chernobyl tourism is a new thing even though <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/02\/01\/hiking-in-the-cez\/\">people have been doing this for a while now<\/a>.) Related: <a href=\"https:\/\/imgur.com\/a\/naiMOS0\" target=\"_blank\" rel=\"noopener\">Jonathan&#8217;s visit to the Chernobyl reactor control room<\/a>, and <a href=\"http:\/\/blog.presentandcorrect.com\/27986-2\" target=\"_blank\" rel=\"noopener\">photos of Soviet-era control rooms<\/a> (plus a couple of stray American examples).<\/p>\n<p>\u2022 \u201cHe\u2019s a very interesting author: a disabled, gay writer during the Third Reich&#8230;who somehow survived only to be shot by a Red Army patrol days before the end of the war.\u201d <em>At the Edge of the Night<\/em> (1933) by <a href=\"https:\/\/www.theguardian.com\/books\/2019\/jan\/23\/acclaimed-german-novel-banned-by-nazis-gets-first-english-translation\" target=\"_blank\" rel=\"noopener\">Friedo Lampe<\/a> will receive its first English-language publication via <a href=\"http:\/\/www.hesperuspress.com\/at-the-edge-of-the-night.html\" target=\"_blank\" rel=\"noopener\">Hesperus Press<\/a> next month.<\/p>\n<p>\u2022 &#8220;The tradition of the painted still life has been reinvented by contemporary photographers with pictures that pose a puzzle and slow the viewer down,&#8221; says <a href=\"http:\/\/www.eyemagazine.co.uk\/opinion\/article\/awkward-objects\" target=\"_blank\" rel=\"noopener\">Rick Poynor<\/a>.<\/p>\n<p>\u2022 Comic artist Matt Howarth has been writing short reviews of electronic music for many years. <a href=\"http:\/\/www.soniccuriosity.com\/\" target=\"_blank\" rel=\"noopener\">Sonic Curiosity<\/a> is his archive site.<\/p>\n<p>\u2022 <a href=\"https:\/\/www.theguardian.com\/artanddesign\/2019\/jan\/20\/bauhaus-at-100-what-it-means-to-me-by-norman-foster-margaret-howell-and-others\" target=\"_blank\" rel=\"noopener\">Bauhaus at 100<\/a>: what it means to me by Norman Foster, Margaret Howell and others.<\/p>\n<p>\u2022 RIP <a href=\"https:\/\/www.theguardian.com\/film\/2019\/jan\/24\/jonas-mekas-last-interview-godfather-underground-film-avant-garde-john-yoko-dali-warhol\" target=\"_blank\" rel=\"noopener\">Jonas Mekas<\/a>. Related: a conversation between <a href=\"https:\/\/www.anothermag.com\/design-living\/9589\/jonas-mekas-filmmaker-jim-jarmusch-director-interview\" target=\"_blank\" rel=\"noopener\">Jonas Mekas and Jim Jarmusch<\/a>.<\/p>\n<p>\u2022 Beyond the Buzzcocks: Geeta Dayal remembers <a href=\"http:\/\/4columns.org\/dayal-geeta\/pete-shelley\" target=\"_blank\" rel=\"noopener\">Pete Shelley<\/a>&#8216;s electronic side.<\/p>\n<p>\u2022 Where to begin with <a href=\"https:\/\/www.bfi.org.uk\/news-opinion\/news-bfi\/features\/where-begin-jean-cocteau\" target=\"_blank\" rel=\"noopener\">Jean Cocteau<\/a>: Alex Barrett goes through the mirror.<\/p>\n<p>\u2022 Mix of the week: Secret Thirteen Mix 278 by <a href=\"https:\/\/secretthirteen.org\/stm-278-sarah-louise\/\" target=\"_blank\" rel=\"noopener\">Sarah Louise<\/a>.<\/p>\n<p>\u2022 At Dennis Cooper&#8217;s: <a href=\"https:\/\/denniscooperblog.com\/jud-yalkut-day\/\" target=\"_blank\" rel=\"noopener\">Jud Yalkut<\/a> Day.<\/p>\n<p>\u2022\u00a0<em><a href=\"https:\/\/www.youtube.com\/watch?v=7TsdWKT2yJk\" target=\"_blank\" rel=\"noopener\">Undulating Terrain<\/a><\/em> (1995) by Robert Rich &amp; B. Lustmord | <em><a href=\"https:\/\/www.youtube.com\/watch?v=ahZYq46NzNo\" target=\"_blank\" rel=\"noopener\">Darkstalker<\/a><\/em> (2000) by Bohren &amp; Der Club Of Gore | <em><a href=\"https:\/\/www.youtube.com\/watch?v=tTPNCEMhS30\" target=\"_blank\" rel=\"noopener\">Stalker Dub<\/a><\/em> (2012) by John Zorn<\/p>\n","protected":false},"excerpt":{"rendered":"<p>UK poster, 1950. Cocteau&#8217;s film receives a UK blu-ray release this week. \u2022 Into the Zone: 4 days inside Chernobyl\u2019s secretive &#8220;stalker&#8221; subculture by Aram Balakjian. (Again. There&#8217;s an implication in Balakjian&#8217;s piece that illicit Chernobyl tourism is a new thing even though people have been doing this for a while now.) Related: Jonathan&#8217;s visit &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2019\/01\/27\/weekend-links-449\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Weekend links 449&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,42,9,4,29,7,5,3,12,15],"tags":[8927,9895,4562,2028,9824,9896,3109,9897,1393,132,4334,3046,5030,5958,1905,9899,9898,2077,2628,1463,4315,9900,1333],"class_list":["post-19003","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-comics","category-design","category-electronica","category-film","category-gay","category-music","category-photography","category-technology","tag-alex-barrett","tag-aram-balakjian","tag-b-lustmord","tag-bohren-der-club-of-gore","tag-buzzcocks","tag-chernobyl","tag-dennis-cooper","tag-friedo-lampe","tag-geeta-dayal","tag-jean-cocteau","tag-jim-jarmusch","tag-john-zorn","tag-jonas-mekas","tag-jud-yalkut","tag-lustmord","tag-margaret-howell","tag-matt-howarth","tag-norman-foster","tag-pete-shelley","tag-rick-poynor","tag-robert-rich","tag-sarah-louise","tag-stalker"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4Wv","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/19003","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=19003"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/19003\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=19003"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=19003"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=19003"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}