![\"becher.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2019\/01\/becher.jpg\")
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Gas Tanks 1965\u20132009 by Bernd Becher and Hilla Becher.<\/em><\/p>\n \u2022 At Dangerous Minds: the drawings produced by Moebius<\/a> for Maxwell House in 1989 are better than the coffee whose sales they were intended to assist.<\/p>\n \u2022 Jarman Volume 2: 1987\u20131994<\/em><\/a>, the BFI’s second collection of Derek Jarman films, is now available for pre-order.<\/p>\n \u2022 More Gorey: Cara Giaimo<\/a> on Edward Gorey’s hoards and collections.<\/p>\n That movie [Susan Slade<\/em>]\u2014and I even have the paperback novelization of it\u2014is a moment. That\u2019s a perfect example. They would never release that image as a still of the movie. Come see a baby catch on fire! To me, I\u2019m kind of rewriting the films as these scenes. That was a real shock to me as a teenager when I saw that. And I thought, Did that just happen? Her baby caught on fire? I remember in Serial Mom<\/em> I had a big fight with a film executive who said that you can\u2019t have her set her kid\u2019s friend on fire. You can\u2019t do that. And I said, \u201cWhy, it\u2019s been in movies forever.\u201d And I\u2019m thinking of Susan Slade<\/em>, but I\u2019m thinking there\u2019s no point using that in the argument.<\/p>\n John Waters<\/a> talking to Gina Telaroli about his films but mostly about his works for the art gallery<\/em><\/p><\/blockquote>\n \u2022 Georgina Guthrie<\/a> on how green became cinema’s loneliest colour.<\/p>\n \u2022 Tom Crewe reviews Edward Burne-Jones<\/a> at Tate Britain.<\/p>\n \u2022 Mix of the week: FACT Mix 688 by Steve Hauschildt<\/a>.<\/p>\n \u2022 At Strange Flowers<\/a>: 19 books for 2019.<\/p>\n \u2022 Jenzeits Cosmic Worlds<\/em><\/a> by Jenzeits.<\/p>\n \u2022\u00a0Green Onions<\/a><\/em> (1962) by Booker T. & The MGs | Green<\/a><\/em> (1966) by Ken Nordine | Green Fuz<\/a><\/em> (1969) by Randy Alvey And The Green Fuz<\/p>\n","protected":false},"excerpt":{"rendered":" Gas Tanks 1965\u20132009 by Bernd Becher and Hilla Becher. \u2022 At Dangerous Minds: the drawings produced by Moebius for Maxwell House in 1989 are better than the coffee whose sales they were intended to assist. \u2022 Jarman Volume 2: 1987\u20131994, the BFI’s second collection of Derek Jarman films, is now available for pre-order. \u2022 More … Continue reading “Weekend links 448”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[8,2,42,29,7,5,48,3,44,12],"tags":[9885,9892,9887,511,2372,2313,9889,9888,9886,3450,9556,1812,9893,9894,9891,2419,9890],"class_list":["post-18998","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-electronica","category-film","category-gay","category-illustrators","category-music","category-painting","category-photography","tag-bernd-becher","tag-booker-t-the-mgs","tag-cara-giaimo","tag-derek-jarman","tag-edward-burne-jones","tag-edward-gorey","tag-georgina-guthrie","tag-gina-telaroli","tag-hilla-becher","tag-jean-giraud-moebius","tag-jenzeits","tag-john-waters","tag-ken-nordine","tag-randy-alvey-and-the-green-fuz","tag-steve-hauschildt","tag-strange-flowers","tag-tom-crewe"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4Wq","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18998","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=18998"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18998\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=18998"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=18998"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=18998"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}