{"id":18957,"date":"2018-12-09T01:05:16","date_gmt":"2018-12-09T01:05:16","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=18957"},"modified":"2018-12-09T01:05:16","modified_gmt":"2018-12-09T01:05:16","slug":"weekend-links-442","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2018\/12\/09\/weekend-links-442\/","title":{"rendered":"Weekend links 442"},"content":{"rendered":"

\"buzzcocks.jpg\"<\/a><\/p>\n

Orgasm Addict<\/a> (1977). Design by Malcolm Garrett; collage by Linder.<\/em><\/p>\n

\u2022 RIP Pete Shelley<\/a>, Buzzcock<\/a> and Homosapien<\/a>. Shelley is celebrated for being in the vanguard of Britain’s punk movement, of course. (Buzzcocks’ Spiral Scratch<\/em> was the UK’s first independent single.) But he also loved Can, recorded an album of electronic drones (Sky Yen<\/em><\/a>), and in 1983 successfully blended home-computer graphics with his own brand of superior electronic pop music<\/a>. Related: Malcolm Garrett’s Buzzcocks band logo<\/a> at Fonts In Use; B’dum, B’dum<\/em><\/a>: Tony Wilson in 1978 talking to Pete Shelley and Howard Devoto about Buzzcocks and Magazine.<\/p>\n

\u2022 Winter demands ghost stories so Adam Scovell<\/a> suggests 10 great winter ghost films. Related: Alexandra Heller-Nicholas<\/a> presents an A\u2013Z of Women’s Horror Filmmaking.<\/p>\n

\u2022 Carey Dunne<\/a> on the rise of underground LSD guides for psychotherapy. Related: “Psychedelics change the perception of time,” says Shayla Love<\/a>.<\/p>\n

\u2022 Ex-Neu! guitarist Michael Rother<\/a> receives the box-set treatment early next year when the Groenland label reissues his early solo albums.<\/p>\n

\u2022 Jodorowsky<\/em><\/a>, an exhibition devoted to the writer and director, will be staged at El Museo del Barrio, New York, from February next year.<\/p>\n

\u2022 “From Georges M\u00e9li\u00e8s to Bill and Ted, movie hells remain seriously in hock to the Judeo-Christian playbook,” says Anne Billson<\/a>.<\/p>\n

\u2022 The Owl’s Legacy<\/em><\/a>, Chris Marker’s 13-part documentary series on Greek culture, receives its debut DVD release.<\/p>\n

\u2022 Topic II<\/a><\/em> (1989), a short film by Pascal Baes of pixilated dancers in the night streets of Prague.<\/p>\n

\u2022 Mix of the week: Secret Thirteen Mix 274 by Koray Kantarcioglu<\/a>.<\/p>\n

\u2022 We are the first humans to hear the winds of the planet Mars<\/a>.<\/p>\n

\u2022 Patrick Magee reads The Third Policeman<\/em><\/a> by Flann O’Brien.<\/p>\n

\u2022 At Dennis Cooper’s: Jean-Louis Trintignant Day<\/a>.<\/p>\n

\u2022 Mongolian biker rock: Wolf Totem<\/a><\/em> by The HU.<\/p>\n

\u2022 The Quietus albums of the year<\/a>.<\/p>\n

\u2022 Hell<\/a><\/em> (2001) by Techno Animal ft. D\u00e4lek | Hell’s Winter<\/a><\/em> (2011) by Earth | Hell A<\/a><\/em> (2017) by The Bug vs. Earth<\/p>\n","protected":false},"excerpt":{"rendered":"

Orgasm Addict (1977). Design by Malcolm Garrett; collage by Linder. \u2022 RIP Pete Shelley, Buzzcock and Homosapien. Shelley is celebrated for being in the vanguard of Britain’s punk movement, of course. (Buzzcocks’ Spiral Scratch was the UK’s first independent single.) But he also loved Can, recorded an album of electronic drones (Sky Yen), and in … Continue reading “Weekend links 442”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[52,2,56,4,851,29,7,22,3,17,31,13,15,19],"tags":[7444,718,7800,4179,9824,7022,88,9832,3109,3316,9829,1662,3440,9830,9828,9823,124,3438,752,1671,976,9827,4839,2628,9826,5744,6404,9831,2439,9825],"class_list":["post-18957","post","type-post","status-publish","format-standard","hentry","category-animation","category-art","category-dance","category-design","category-drugs","category-electronica","category-film","category-horror","category-music","category-psychedelia","category-religion","category-science","category-technology","category-television","tag-adam-scovell","tag-alejandro-jodorowsky","tag-alexandra-heller-nicholas","tag-anne-billson","tag-buzzcocks","tag-carey-dunne","tag-chris-marker","tag-dalek","tag-dennis-cooper","tag-earth-group","tag-flann-obrien","tag-georges-melies","tag-howard-devoto","tag-jean-louis-trintignant","tag-koray-kantarcioglu","tag-linder","tag-lsd","tag-magazine-group","tag-malcolm-garrett","tag-michael-rother","tag-neu","tag-pascal-baes","tag-patrick-magee","tag-pete-shelley","tag-shayla-love","tag-techno-animal","tag-the-bug-musician","tag-the-hu","tag-the-quietus","tag-tony-wilson"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4VL","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18957","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=18957"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18957\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=18957"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=18957"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=18957"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}