{"id":18934,"date":"2018-11-18T00:57:47","date_gmt":"2018-11-18T00:57:47","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=18934"},"modified":"2018-11-18T00:57:47","modified_gmt":"2018-11-18T00:57:47","slug":"weekend-links-439","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2018\/11\/18\/weekend-links-439\/","title":{"rendered":"Weekend links 439"},"content":{"rendered":"

\"sadismo.jpg\"<\/p>\n

Cammell & Roeg’s Performance (1970) was marketed in Italy with all the restraint for which the Italian film industry has long been celebrated.<\/em><\/p>\n

\u2022 “To the good men I offer the hand of friendship, to the foes of our sex I offer resistance and annihilation!” We Women Have no Fatherland<\/em><\/a> (1899), a novel by Ilse Frapan, is the latest title from Rixdorf Editions.<\/p>\n

\u2022 More Edward Gorey: Mark Derey<\/a> discusses his biography on the Virtual Memories Show podcast. Related: Edward Gorey’s Calling Cards<\/a>, a spoiler-heavy investigation.<\/p>\n

\u2022 “It starts how most horror films end, and it just keeps building and building, crescendo on crescendo…” Ben Cobb<\/a> on the original (and, for me, only) Suspiria<\/em>.<\/p>\n

\u2022 The next compilation release from the excellent Light In The Attic label will be Kankyo Ongaku: Japanese Ambient, Environmental & New Age Music 1980\u20131990<\/em><\/a>.<\/p>\n

\u2022 Saint Flournoy Lobos-Logos and the Eastern Europe Fetus Taxing Japan Brides in West Coast Places Sucking Alabama Air<\/em><\/a> (1970) is a short film by Will Hindle.<\/p>\n

\u2022 Film producer Sandy Lieberson and author Jay Glennie<\/a> on Donald Cammell & Nicolas Roeg’s Performance<\/em>.<\/p>\n

\u2022 “Wes Anderson<\/a>‘s offbeat debut as a curator drove a storied museum’s staff crazy. The results are enchanting.”<\/p>\n

\u2022 Above Water, Inside<\/em><\/a>, a video by James Ginzburg from his recent album, Six Correlations<\/em>.<\/p>\n

\u2022 For the LRB Podcast: Iain Sinclair and Patrick Wright<\/a> discuss living with buildings.<\/p>\n

\u2022 Not necessarily the best ambient and space music of 2018: a list by Dave Maier<\/a>.<\/p>\n

\u2022 “The net is not a good guide to book prices,” says Mark Valentine<\/a>.<\/p>\n

\u2022 David Bennun<\/a> on 30 years of the Pet Shop Boys’ Introspective<\/em>.<\/p>\n

\u2022 Mix of the week: XLR8R Podcast 568 by Young Marco<\/a>.<\/p>\n

\u2022 At Dennis Cooper’s: Chris Marker Day<\/a>.<\/p>\n

\u2022 Introspection Pt. 1<\/a><\/em> (1969) by The End | Introspection<\/a><\/em> (1984) by Minimal Compact | Intro-Spectiv<\/a><\/em> (1996) by Chris & Cosey<\/p>\n","protected":false},"excerpt":{"rendered":"

Cammell & Roeg’s Performance (1970) was marketed in Italy with all the restraint for which the Italian film industry has long been celebrated. \u2022 “To the good men I offer the hand of friendship, to the foes of our sex I offer resistance and annihilation!” We Women Have no Fatherland (1899), a novel by Ilse … Continue reading “Weekend links 439”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,42,29,7,22,3],"tags":[9401,1805,88,2482,9589,3109,371,2313,218,9796,4130,9729,8466,9797,2903,1613,306,9800,3302,9106,9799,7752,9802,1582,9798,9801],"class_list":["post-18934","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-electronica","category-film","category-horror","category-music","tag-ben-cobb","tag-chris-cosey","tag-chris-marker","tag-dave-maier","tag-david-bennun","tag-dennis-cooper","tag-donald-cammell","tag-edward-gorey","tag-iain-sinclair","tag-ilse-frapan","tag-james-ginzburg","tag-jay-glennie","tag-light-in-the-attic","tag-mark-derey","tag-mark-valentine","tag-minimal-compact","tag-nicolas-roeg","tag-patrick-wright","tag-pet-shop-boys","tag-rixdorf-editions","tag-sandy-lieberson","tag-suspiria","tag-the-end-group","tag-wes-anderson","tag-will-hindle","tag-young-marco"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4Vo","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18934","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=18934"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18934\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=18934"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=18934"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=18934"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}