{"id":18889,"date":"2018-10-21T00:56:47","date_gmt":"2018-10-20T23:56:47","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=18889"},"modified":"2024-05-05T12:49:15","modified_gmt":"2024-05-05T11:49:15","slug":"weekend-links-435","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2018\/10\/21\/weekend-links-435\/","title":{"rendered":"Weekend links 435"},"content":{"rendered":"

\"moss.jpg\"<\/a><\/p>\n

An illustration by “Lapthorn” for Little Green Apples: the Chronicle of a Fallen Man (1930) by Geoffrey Moss<\/a>.<\/em><\/p>\n

\u2022 Jean-Michel Jarre & Michel Granger<\/a>: how we made Oxyg\u00e8ne<\/em>. “[It] was initially rejected by record company after record company. They all said: ‘You have no singles, no drummer, no singer, the tracks last 10 minutes and it\u2019s French!’ Even my mother said: ‘Why did you name your album after a gas and put a skull on the cover?'”<\/p>\n

\u2022 “When we ignore or demean consensual BDSM erotica, or stories about female sexual submission, we inadvertently contribute to a cultural legacy that routinely pathologizes, demeans, or erases women\u2019s sexual desires.” Hayley Phelan<\/a> on why we need erotica.<\/p>\n

\u2022 “More than a literal reconstruction of an imagined collaboration between Eno and Morricone, Ghost Box<\/em> opens a door onto a world where ambient music and country-western make for natural bedfellows.” Ghost Box<\/em><\/a> (Expanded) by Suss.<\/p>\n

\u2022 Peter Bebergal and Janaka Stucky<\/a> discuss Bebergal’s new book, Strange Frequencies: The Extraordinary Story of the Technological Quest for the Supernatural<\/em>. There’s more at the Occulture podcast<\/a>.<\/p>\n

\u2022 Great Noises That Fill The Air<\/em><\/a> (1988), an album by Bow Gamelan Ensemble, receives its first release on CD next month. Related: the group in 1987<\/a> staging one of their pyrotechnic performances.<\/p>\n

\u2022 Mixes of the week: Bleep Mix #45 by Lawrence English & William Basinski<\/a> \u2013 Casting Voices Mixtape, DJ Food Solid Steel mix by Matt Berry<\/a>, and The S\u00e9ance<\/a> \u2013 13th October 2018.<\/p>\n

\u2022 “…the social position filled by art and aesthetics is increasingly best understood in terms of magic.” Marina Warner and Eleanor Birne<\/a> discuss forms of enchantment.<\/p>\n

\u2022 From 2104: Ten little tales of terror for late of a Halloween night by Levi Stahl<\/a>.<\/p>\n

\u2022 Words I Heard<\/a><\/em> by Julia Holter.<\/p>\n

\u2022 The Cosmodrome Futurists<\/a><\/em><\/p>\n

\u2022 Urban Gamelan (Pt. 1)<\/a><\/em> (1984) by 23 Skidoo | Chez Les Futuristes Russes<\/a><\/em> (1984) by\u00a0Aksak Maboul | Oxygen<\/a><\/em> (1997) by Gas<\/p>\n","protected":false},"excerpt":{"rendered":"

An illustration by “Lapthorn” for Little Green Apples: the Chronicle of a Fallen Man (1930) by Geoffrey Moss. \u2022 Jean-Michel Jarre & Michel Granger: how we made Oxyg\u00e8ne. “[It] was initially rejected by record company after record company. They all said: ‘You have no singles, no drummer, no singer, the tracks last 10 minutes and … Continue reading “Weekend links 435”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,50,42,29,22,3,16,20],"tags":[5255,6172,209,6129,145,4941,5756,4189,617,9754,9748,172,9750,8305,7724,3372,8696,9531,532,9752,9749,1018,9751,8729,5678],"class_list":["post-18889","post","type-post","status-publish","format-standard","hentry","category-art","category-beardsley","category-books","category-electronica","category-horror","category-music","category-occult","category-science-fiction","tag-23-skidoo","tag-aksak-maboul","tag-ambient-music","tag-bow-gamelan-ensemble","tag-brian-eno","tag-dj-food","tag-eleanor-birne","tag-ennio-morricone","tag-gamelan","tag-gas-group","tag-geoffrey-moss","tag-ghost-box","tag-hayley-phelan","tag-janaka-stucky","tag-jean-michel-jarre","tag-julia-holter","tag-lawrence-english","tag-levi-stahl","tag-marina-warner","tag-matt-berry","tag-michel-granger","tag-peter-bebergal","tag-suss-group","tag-the-seance","tag-william-basinski"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4UF","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18889","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=18889"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18889\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=18889"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=18889"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=18889"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}