{"id":18882,"date":"2018-10-14T00:57:02","date_gmt":"2018-10-13T23:57:02","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=18882"},"modified":"2018-10-14T00:57:02","modified_gmt":"2018-10-13T23:57:02","slug":"weekend-links-434","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2018\/10\/14\/weekend-links-434\/","title":{"rendered":"Weekend links 434"},"content":{"rendered":"

\"klint.jpg\"<\/a><\/p>\n

Group X, No. 1, Altarpiece (1915) by Hilma af Klint.<\/em><\/p>\n

“Like Kandinsky, and other pioneers of abstract art, af Klint was deeply immersed in theosophy and anthroposophy. But she seems to have taken that interest much further than her male counterparts, participating in (and later leading) s\u00e9ances with a group of women friends. Whatever the spirits said, af Klint did.” Nana Asfour<\/a> on pioneering abstract painter, Hilma af Klint.<\/p>\n

\u2022 Four electronic artists reflect on the influence of composer Laurie\u00a0Spiegel<\/a>. Spiegel’s The Expanding Universe<\/em> (1980) is reissued by Unseen Worlds<\/a> next month. Related: Laurie Spiegel in 1977<\/a> playing the Bell Labs Digital Synthesizer.<\/p>\n

\u2022 At Expanding Mind: Gurdjieffean writer and DuVersity director Anthony Blake<\/a> talks with Erik Davis about dialogue, synergy, mind between brains, the trouble with teachers, and the gymnasium of beliefs in higher intelligence. <\/em><\/p>\n

\u2022 Mixes of the week: Flashing Noise Mix by Tim Gane<\/a>, Secret Thirteen Mix 268 by B\u00e9rang\u00e8re Maximin<\/a>, and\u00a0Samhain S\u00e9ance Seven: A Very Dark Place \u2013 Prologue by The Ephemeral Man<\/a>.<\/p>\n

\u2022 Geeta Dayal<\/a> on Broken Music<\/em> (1989), a book about sound art edited by Ursula Block and Michael Glasmeier which is now available in a new edition from Primary Information<\/a>.<\/p>\n

\u2022 The Sainsbury Archive<\/a> showcases the graphic design of several decades of the supermarket chain’s products.<\/p>\n

\u2022 More of the usual suspects: Michael Moorcock and Alan Moore<\/a> in 2006 discussing Moorcock’s career.<\/p>\n

\u2022 “Karloff the Uncanny”: Joe Dante<\/a> talks to Stephanie Sporn about the attraction of old film posters.<\/p>\n

\u2022 Mexico City<\/em><\/a>, another preview (and a psychedelic one) of Randall Dunn’s forthcoming solo album.<\/p>\n

\u2022 At Haute Macabre: Timeless Phantom Interludes: The Photography of Jason Blake<\/a>.<\/p>\n

\u2022 Mark Valentine<\/a> on the current state of Britain’s secondhand book shops.<\/p>\n

\u2022 At I Love Typography: Unicorns, Frogs and the Sausage Supper Affair<\/a>.<\/p>\n

\u2022 “I never wanted to be a cult film-maker,” says John Waters<\/a>.<\/p>\n

\u2022 Artist Arik Roper<\/a> chooses some favourite album covers.<\/p>\n

\u2022 Broken Head<\/a><\/em> (1978) by Eno, Moebius, Roedelius | Broken Horse<\/a><\/em> (1984) by Rain Parade | Broken Aura<\/a><\/em> (2000) by Coil<\/p>\n","protected":false},"excerpt":{"rendered":"

Group X, No. 1, Altarpiece (1915) by Hilma af Klint. “Like Kandinsky, and other pioneers of abstract art, af Klint was deeply immersed in theosophy and anthroposophy. But she seems to have taken that interest much further than her male counterparts, participating in (and later leading) s\u00e9ances with a group of women friends. Whatever the … Continue reading “Weekend links 434”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,4,29,7,22,3,16,44,12,17,20,10],"tags":[103,9740,338,9741,985,145,2272,3461,1686,1393,7505,9352,4961,9745,7040,1812,3853,2903,9743,65,9739,8185,7888,9744,5321,8030,9742],"class_list":["post-18882","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-design","category-electronica","category-film","category-horror","category-music","category-occult","category-painting","category-photography","category-psychedelia","category-science-fiction","category-typography","tag-alan-moore","tag-anthony-blake","tag-arik-roper","tag-berangere-maximin","tag-boris-karloff","tag-brian-eno","tag-coil-group","tag-dieter-moebius","tag-erik-davis","tag-geeta-dayal","tag-hans-joachim-roedelius","tag-haute-macabre","tag-hilma-af-klint","tag-jason-blake","tag-joe-dante","tag-john-waters","tag-laurie-spiegel","tag-mark-valentine","tag-michael-glasmeier","tag-michael-moorcock","tag-nana-asfour","tag-rain-parade","tag-randall-dunn","tag-stephanie-sporn","tag-the-ephemeral-man","tag-tim-gane","tag-ursula-block"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4Uy","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18882","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=18882"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18882\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=18882"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=18882"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=18882"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}