{"id":18873,"date":"2018-10-07T00:53:08","date_gmt":"2018-10-06T23:53:08","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=18873"},"modified":"2018-10-07T00:54:55","modified_gmt":"2018-10-06T23:54:55","slug":"weekend-links-433","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2018\/10\/07\/weekend-links-433\/","title":{"rendered":"Weekend links 433"},"content":{"rendered":"

\"ginzburg.jpg\"<\/a><\/p>\n

Cover art for Six Correlations, a solo album by Emptyset’s James Ginzburg<\/a> which is released later this month. Photo by Clayton Welham.<\/em><\/p>\n

\u2022 “Every single leather S&M club in London was raided by the police at least once, but they couldn\u2019t get any convictions because juries wouldn\u2019t convict us.” Ed Siddons<\/a> on the death of London’s gay leather scene.<\/p>\n

\u2022 I’ve been listening to a lot of Stereolab this week so this post from Dangerous Minds<\/a> last year was useful: “The intriguing origins of \u2018Cliff,\u2019 the cartoon character that\u2019s all over Stereolab\u2019s early album art”.<\/p>\n

\u2022 Available for pre-order: Performance \u2013 The Making of a Classic<\/em><\/a>, a book by Jay Glennie celebrating the 50th anniversary of Donald Cammell & Nicolas Roeg’s cult feature film.<\/p>\n

\u2022 Out later this month from Strange Attractor: The Haunted Writings of Lionel Johnson, the Decadent Era\u2019s Dark Angel<\/em><\/a>, edited by Nina Antonia.<\/p>\n

\u2022 Mixes of the week: Rosemary Hill \u2013 an Autumn Autobiography by cafekaput<\/a>, and Secret Thirteen Mix 267 by Drew McDowall<\/a>.<\/p>\n

\u2022 The top 100 albums of The Quietus’ existence<\/a>, as picked by tQ’s writers.<\/p>\n

\u2022 RC Harvey<\/a> on the 50th anniversary of (American) underground comix.<\/p>\n

\u2022 At Haute Macabre: An enigmatic baroness and her collection of skulls<\/a>.<\/p>\n

\u2022 Miyu Kojima<\/a> creates miniature replicas of lonely deaths.<\/p>\n

\u2022 Scratches in Kubrick’s 2001: A Space Odyssey<\/em><\/a>.<\/p>\n

\u2022 Richard Thompson’s favourite albums<\/a>.<\/p>\n

\u2022 Wrong Airport Ghost<\/em><\/a> by Sam Slater.<\/p>\n

\u2022 Mark Valentine’s 3 Wyrd Things<\/a>.<\/p>\n

\u2022\u00a04\/4 In Leather<\/a><\/em> (1981) by Eurythmics |\u00a0The Girl With The Patent Leather Face<\/a><\/em> (1981) by Soft Cell | Leather Bound<\/a><\/em> (1982) by Patrick Cowley<\/p>\n","protected":false},"excerpt":{"rendered":"

Cover art for Six Correlations, a solo album by Emptyset’s James Ginzburg which is released later this month. Photo by Clayton Welham. \u2022 “Every single leather S&M club in London was raided by the police at least once, but they couldn\u2019t get any convictions because juries wouldn\u2019t convict us.” Ed Siddons on the death of … Continue reading “Weekend links 433”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,9,4,29,7,5,25,3,12,20,41],"tags":[169,9724,3403,3555,371,7609,9720,3188,4347,4130,9729,9721,2903,9726,306,9722,3697,9723,9725,9727,9728,3066,3040,2407,98],"class_list":["post-18873","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-comics","category-design","category-electronica","category-film","category-gay","category-kubrick","category-music","category-photography","category-science-fiction","category-sculpture","tag-2001-a-space-odyssey","tag-cafekaput","tag-clayton-welham","tag-dangerous-minds","tag-donald-cammell","tag-drew-mcdowall","tag-ed-siddons","tag-emptyset","tag-eurythmics","tag-james-ginzburg","tag-jay-glennie","tag-lionel-johnson","tag-mark-valentine","tag-miyu-kojima","tag-nicolas-roeg","tag-nina-antonia","tag-patrick-cowley","tag-performance-film","tag-rc-harvey","tag-richard-thompson","tag-sam-slater","tag-soft-cell","tag-stanley-kubrick","tag-stereolab","tag-strange-attractor"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4Up","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18873","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=18873"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18873\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=18873"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=18873"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=18873"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}