{"id":18849,"date":"2018-09-16T00:55:24","date_gmt":"2018-09-15T23:55:24","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=18849"},"modified":"2018-09-16T00:55:24","modified_gmt":"2018-09-15T23:55:24","slug":"weekend-links-430","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2018\/09\/16\/weekend-links-430\/","title":{"rendered":"Weekend links 430"},"content":{"rendered":"<p><a href=\"https:\/\/www.cvltnation.com\/the-iona-tarot-by-giona-fiochi\/\" target=\"_blank\"><img decoding=\"async\" alt=\"fiochi.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2018\/09\/fiochi.jpg\" \/><\/a><\/p>\n<p><em>Il Mago from the <a href=\"https:\/\/www.cvltnation.com\/the-iona-tarot-by-giona-fiochi\/\" target=\"_blank\">IONA Tarot<\/a> by Giona Fiochi.<\/em><\/p>\n<p>\u2022 &#8220;Russia&#8217;s answer to James Bond: did he trigger Putin&#8217;s rise to power?&#8221; <a href=\"https:\/\/www.theguardian.com\/tv-and-radio\/2018\/sep\/11\/russias-answer-to-james-bond-did-he-trigger-putins-rise-to-power-seventeen-moments-spring\" target=\"_blank\">Andrew Male<\/a> on Max Otto von Stierlitz and <em>Seventeen Moments of Spring<\/em>. The whole series is on <a href=\"https:\/\/www.youtube.com\/watch?v=Z1Fi7vLLV-g\" target=\"_blank\">YouTube<\/a> (with subtitles).<\/p>\n<p>\u2022 <a href=\"http:\/\/www.4columns.org\/dayal-geeta\/high-static-dead-lines\" target=\"_blank\">Geeta Dayal<\/a> reviews <em>High Static, Dead Lines: Sonic Spectres and the Object Hereafter<\/em> by Kristen Gallerneaux, a new book about the eeriness of sound technology.<\/p>\n<p>\u2022 Published next month: <a href=\"https:\/\/www.penguinrandomhouse.com\/books\/539767\/strange-frequencies-by-peter-bebergal\/9780143111825\/\" target=\"_blank\"><em>Strange Frequencies: The Extraordinary Story of the Technological Quest for the Supernatural<\/em><\/a> by Peter Bebergal.<\/p>\n<blockquote><p>Let me first introduce an aside: I hate the word \u201cqueer\u201d and all its new iterations. \u201cGay\u201d was awful enough. \u201c\u2018Gays\u2019 makes us sound like bliss ninnies,\u201d Christopher Isherwood said once. \u201cQueer\u201d will always be for men of my generation a word of violence and hatred, and it separates generations. And while I\u2019m digressing, let me commit blasphemy: the over-emphasis on the Stonewall riots depletes and distorts our history of resistance and the art produced, which is determinedly referred to as \u201cpre-Stonewall.\u201d Resistance occurred years before Stonewall (but there were lots of writers in New York at the time to write about those riots), in San Francisco, Los Angeles, other cities, powerful confrontations with the police, powerful demonstrations. \u201cPre-Stonewall\u201d writers include William Burroughs, Allen Ginsberg, strong radical voices confronting the grave dangers of the time, violence, prison.<\/p>\n<p><em><a href=\"https:\/\/lareviewofbooks.org\/article\/interview-john-rechy\/\" target=\"_blank\">John Rechy<\/a> talking to Eric Newman about his latest novel, <\/em>Pablo!<em>, written in 1948 but only now seeing publication<\/em><\/p><\/blockquote>\n<p>\u2022 <a href=\"https:\/\/www.youtube.com\/watch?v=JU9CHbkIwJM\" target=\"_blank\">Tangerine Dream<\/a> performing <em>Identity Proven Matrix<\/em>, one of the standout pieces from recent album <a href=\"https:\/\/burningshed.com\/tangerine-dream_quantum-gate-quantum-key_2cd\" target=\"_blank\"><em>Quantum Gate<\/em><\/a>, live in the studio.<\/p>\n<p>\u2022 <em>Beloved<\/em> is the debut solo album by <a href=\"https:\/\/www.figureightrecords.com\/copy-of-t-th\" target=\"_blank\">Randall Dunn<\/a>, record producer and member of the masterful Master Musicians of Bukkake.<\/p>\n<p>\u2022 &#8220;How will police solve murders on Mars?&#8221; <a href=\"https:\/\/www.theatlantic.com\/science\/archive\/2018\/09\/mars-pd\/569668\/\" target=\"_blank\">Geoff Manaugh<\/a> on the new frontier of interplanetary law enforcement.<\/p>\n<p>\u2022 <a href=\"http:\/\/www.anothermag.com\/design-living\/11113\/how-verner-panton-changed-the-way-the-world-sees-furniture-design\" target=\"_blank\">Milly Burroughs<\/a> on how Verner Panton changed the way the world sees furniture design.<\/p>\n<p>\u2022 <a href=\"https:\/\/www.newstatesman.com\/politics\/health\/2018\/09\/new-science-psychedelics\" target=\"_blank\">Tim Martin<\/a> on the new science of psychedelics.<\/p>\n<p>\u2022 <a href=\"https:\/\/www.c82.net\/werner\/\" target=\"_blank\">Werner\u2019s Nomenclature of Colours<\/a><\/p>\n<p>\u2022 <em><a href=\"https:\/\/www.youtube.com\/watch?v=NV-22Dtcm9Y\" target=\"_blank\">Next Stop Mars<\/a><\/em> (1966) by Sun Ra &amp; His Arkestra | <em><a href=\"https:\/\/www.youtube.com\/watch?v=0cmzmp9nhrk\" target=\"_blank\">Mars, The Bringer Of War<\/a><\/em> (1976) by Isao Tomita | <em><a href=\"https:\/\/www.youtube.com\/watch?v=2wObju9NT7E\" target=\"_blank\">Mars Garden<\/a><\/em> (2013) by Juan Atkins &amp; Moritz Von Oswald<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Il Mago from the IONA Tarot by Giona Fiochi. \u2022 &#8220;Russia&#8217;s answer to James Bond: did he trigger Putin&#8217;s rise to power?&#8221; Andrew Male on Max Otto von Stierlitz and Seventeen Moments of Spring. The whole series is on YouTube (with subtitles). \u2022 Geeta Dayal reviews High Static, Dead Lines: Sonic Spectres and the Object &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2018\/09\/16\/weekend-links-430\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Weekend links 430&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,4,851,29,5,3,16,14,17,13,19],"tags":[9697,8471,2331,9695,1393,1928,9693,8205,431,4779,5646,9694,7887,9696,7422,1018,7888,579,9698,889,552,6571,5529,1199],"class_list":["post-18849","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-design","category-drugs","category-electronica","category-gay","category-music","category-occult","category-politics","category-psychedelia","category-science","category-television","tag-abraham-gottlob-werner","tag-andrew-male","tag-christopher-isherwood","tag-eric-newman","tag-geeta-dayal","tag-geoff-manaugh","tag-giona-fiochi","tag-isao-tomita","tag-james-bond","tag-john-rechy","tag-juan-atkins","tag-kristen-gallerneaux","tag-master-musicians-of-bukkake","tag-milly-burroughs","tag-moritz-von-oswald","tag-peter-bebergal","tag-randall-dunn","tag-sun-ra","tag-sun-ra-his-arkestra","tag-tangerine-dream","tag-tarot","tag-tim-martin","tag-tomita","tag-verner-panton"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4U1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18849","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=18849"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18849\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=18849"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=18849"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=18849"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}