{"id":18833,"date":"2018-09-02T01:04:20","date_gmt":"2018-09-02T00:04:20","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=18833"},"modified":"2018-09-02T01:04:20","modified_gmt":"2018-09-02T00:04:20","slug":"weekend-links-428","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2018\/09\/02\/weekend-links-428\/","title":{"rendered":"Weekend links 428"},"content":{"rendered":"

\"willink.jpg\"<\/a><\/p>\n

Straat met standbeeld (1934) by Carel Willink<\/a>.<\/em><\/p>\n

\u2022 “[Edward] Gorey, who died in 2000 at 75, was the unequaled master of\u2014of what? Gothic whimsy? The high-camp macabre? Existential black comedy in the Firbankian mode? Essentially unclassifiable, he was, at the end of the day (and it\u2019s always twilight, in Gorey\u2019s stories), simply, inimitably Edwardian<\/em>.” Mark Dery’s Born to be Posthumous: The Eccentric Life and Mysterious Genius of Edward Gorey<\/em><\/a>, the first full-length biography, will be published in November.<\/p>\n

\u2022 “In an East Prussian manor house, a Bohemian library, a Bulgarian railway station; in a Venetian citadel, a Breton harbour, a city in the Caucasus, characters encounter not only the vicissitudes of history but also the subtle influences of the uncanny.” Inner Europe<\/em><\/a> by John Howard and Mark Valentine.<\/p>\n

\u2022 “To the good men I offer the hand of friendship, to the foes of our sex I offer resistance and annihilation!” The next title from Rixdorf Editions (due in November) will be We Women Have no Fatherland<\/em><\/a> (1899), a novel by Ilse Frappan.<\/p>\n

\u2022 At Dangerous Minds: “The career of Penny Slinger<\/a>, intrepid surrealist artist of the 1970s, is ripe for rediscovery,” says Martin Schneider.<\/p>\n

\u2022 Mixes of the week: \u00a0FACT mix 668 by Smerz<\/a>, and XLR8R Podcast 557 by re:ni<\/a>.<\/p>\n

\u2022 Dreaming of Walter Benjamin on Walter Benjamin Platz by Roger Gathman<\/a>.<\/p>\n

\u2022 Alison Kinney<\/a> on Ludwig II\u2019s obsession with the operas of Richard Wagner.<\/p>\n

\u2022 A trailer for The Other Side of the Wind<\/em><\/a>, the final film by Orson Welles.<\/p>\n

\u2022 A happy tenth anniversary to The Quietus<\/a>.<\/p>\n

\u2022 Wizards<\/a><\/em> (1982) by JD Emmanuel.<\/p>\n

\u2022 The Wizard<\/a><\/em> (1964) by Albert Ayler Trio | The Wizard<\/em><\/a> (1970) by Black Sabbath | Dancin’ Wizard<\/em><\/a> (1973) by Sopwith Camel<\/p>\n","protected":false},"excerpt":{"rendered":"

Straat met standbeeld (1934) by Carel Willink. \u2022 “[Edward] Gorey, who died in 2000 at 75, was the unequaled master of\u2014of what? Gothic whimsy? The high-camp macabre? Existential black comedy in the Firbankian mode? Essentially unclassifiable, he was, at the end of the day (and it\u2019s always twilight, in Gorey\u2019s stories), simply, inimitably Edwardian.” Mark … Continue reading “Weekend links 428”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,42,29,7,3,44,12,18],"tags":[9683,9681,1471,2156,2313,9677,9682,9676,1574,2389,2903,7861,762,9654,9679,587,9106,9680,9678,6934,2439,1241],"class_list":["post-18833","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-electronica","category-film","category-music","category-painting","category-photography","category-surrealism","tag-albert-ayler-trio","tag-alison-kinney","tag-black-sabbath","tag-carel-willink","tag-edward-gorey","tag-ilse-frappan","tag-jd-emmanuel","tag-john-howard","tag-ludwig-ii","tag-mark-dery","tag-mark-valentine","tag-martin-schneider","tag-orson-welles","tag-penny-slinger","tag-reni","tag-richard-wagner","tag-rixdorf-editions","tag-roger-gathman","tag-smerz","tag-sopwith-camel","tag-the-quietus","tag-walter-benjamin"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4TL","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18833","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=18833"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18833\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=18833"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=18833"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=18833"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}