{"id":18826,"date":"2018-08-26T01:01:29","date_gmt":"2018-08-26T00:01:29","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=18826"},"modified":"2018-08-26T01:01:29","modified_gmt":"2018-08-26T00:01:29","slug":"weekend-links-427","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2018\/08\/26\/weekend-links-427\/","title":{"rendered":"Weekend links 427"},"content":{"rendered":"

\"davis.jpg\"<\/a><\/p>\n

Inside an O’Neill Cylinder, an orbital megastructure. Painting by Don Davis<\/a>, 1975.<\/em><\/p>\n

\u2022 RIP Lindsay Kemp<\/a>: dancer, actor, choreographer and (if we have to drop names) mentor to David Bowie and Kate Bush. Kemp’s work has been featured here on a number of occasions, particularly his landmark productions of an all-male Salom\u00e9<\/em>, and Flowers, A Pantomime for Jean Genet<\/em>. There was also considerable overlap with Kemp’s troupe and the films of Derek Jarman via appearances by Kemp himself, David Haughton and the irrepressible Jack Birkett. The Genet production was filmed in 1982, and is now available on DVD<\/a>. (There’s also a rougher copy<\/a> with unmatched audio and video.) From 1970: Pierrot in Turquoise, or The Looking Glass Murders<\/em><\/a>, a Commedia dell\u2019arte<\/em> performance for Scottish TV featuring David Bowie. And reversing roles, Mick Rock’s video for Bowie’s John, I’m Only Dancing<\/em><\/a> featuring Kemp and company.<\/p>\n

\u2022 At Expanding Mind: Erik Davis in conversation with activist and writer\u00a0David Nickles<\/a>\u00a0about “the DMT Nexus, psychedelic militancy, extraction tek, the\u00a0Statement on Open Science for Psychedelic Medicines<\/a>, MAPS,\u00a0and the trouble with for-profit psilocybin companies”.<\/p>\n

\u2022 From the end of August to January 2019: Spellbound<\/em><\/a> at the Ashmolean; “Spellbinding stories, fascinating objects…from crystal balls and magic mirrors to witch bottles and curse poppets”.<\/p>\n

On Earth, as on the International Space Station, the collective misperception of a flat plane helps build community and culture. We are all equal in our geometric relationship to one another. The reality, of course, is that we do not stand parallel. Each of our bodies corresponds with a distinct radial vector on the surface of a sphere, pointing away from a common center that we can never perceive or occupy. Our vectors diverge by imperceptible angles.<\/p>\n

In \u201cinside-out\u201d worlds like the Bernal Sphere and the concave Earth, the situation is reversed. Our feet all point outward, into an inaccessible, but technologically habitable void, while our heads point inward, some of us apparently \u201cupside-down.\u201d Standing, we rise toward a visible center, which can be reached simply by climbing a hill, strapping on wings, and jumping into the air, as low-tech as Icarus.<\/p>\n

The Shape of Space by Fred Scharmen<\/a><\/em><\/p><\/blockquote>\n

\u2022 Michael Moorcock<\/a> again, interviewed this time by Bernard Braden in 1968. I think this one was for a Braden TV series which was never broadcast.<\/p>\n

\u2022 “Stupid things are best”: Neil Fox<\/a> on Conny Plank: The Potential of Noise<\/em>, a documentary about the great music producer.<\/p>\n

\u2022 Mixes of the week: XLR8R Podcast 556 by Helios<\/a>, and An Ode to Eris<\/a> with An Other Ode to Eris<\/a> by The Ephemeral Man.<\/p>\n

\u2022 A monstrous primer on the works of HP Lovecraft by Emma Stefansky<\/a>. With illustrations by Michael Bukowski.<\/p>\n

\u2022 Silent Agents<\/em> by Julius-Christian Schreiner<\/a>: photographs of hostile architecture from around the world.<\/p>\n

\u2022 Back to the Futuro: Mark Hodgkinson<\/a> on the spaceship house that landed in Yorkshire.<\/p>\n

\u2022 The Great Chinese Art Heist by Alex W. Palmer<\/a>.<\/p>\n

\u2022 Rhizome<\/em><\/a>: a new recording by Drew McDowall.<\/p>\n

\u2022 The Starman Tarot<\/a><\/p>\n

\u2022 Mad Pierrot<\/a><\/em> (1978) by Yellow Magic Orchestra | Spellbound<\/a><\/em> (1981) by Siouxsie And The Banshees | Sphere<\/a><\/em> (2011) by Emptyset<\/p>\n","protected":false},"excerpt":{"rendered":"

Inside an O’Neill Cylinder, an orbital megastructure. Painting by Don Davis, 1975. \u2022 RIP Lindsay Kemp: dancer, actor, choreographer and (if we have to drop names) mentor to David Bowie and Kate Bush. Kemp’s work has been featured here on a number of occasions, particularly his landmark productions of an all-male Salom\u00e9, and Flowers, A … Continue reading “Weekend links 427”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,42,4,851,29,5,22,26,3,16,12,13,46],"tags":[9674,9668,3462,1301,3676,9666,511,9665,7609,9671,3188,1686,9667,9664,9670,1687,1374,751,9672,2719,1178,9673,8596,65,7943,9669,123,8705,7269,9514,5321,4255],"class_list":["post-18826","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-design","category-drugs","category-electronica","category-gay","category-horror","category-lovecraft","category-music","category-occult","category-photography","category-science","category-theatre","tag-alex-w-palmer","tag-bernard-braden","tag-conny-plank","tag-david-bowie","tag-david-haughton","tag-david-nickles-about-the-dmt-nexus","tag-derek-jarman","tag-don-davis","tag-drew-mcdowall","tag-emma-stefansky","tag-emptyset","tag-erik-davis","tag-fred-scharmen","tag-gerard-oneill","tag-helios","tag-hp-lovecraft","tag-jack-birkett","tag-jean-genet","tag-julius-christian-schreiner","tag-kate-bush","tag-lindsay-kemp","tag-mark-hodgkinson","tag-michael-bukowski","tag-michael-moorcock","tag-mick-rock","tag-neil-fox","tag-salome","tag-siouxsie","tag-siouxsie-and-the-banshees","tag-spaceship","tag-the-ephemeral-man","tag-yellow-magic-orchestra"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4TE","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18826","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=18826"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18826\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=18826"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=18826"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=18826"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}