![\"univers.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2018\/08\/univers.jpg\")
<\/p>\n<\/p>\n
Univers de la tendresse (1918).<\/em><\/p>\n This Polish artist came to my attention recently while looking for something in a book about Surrealist art. As before, the web has its uses especially when it comes to discovering more about artists such as Biegas who were never prominent enough to be given more than a passing mention in art histories. Biegas isn’t really a Surrealist, however, although Apollinaire apparently liked some of his stylised sculptures. The paintings Biegas produced from around 1920 separate into two surprisingly different groups: semi-abstract portraits rather like the later wholly abstract works of Franti\u0161ek Kupka, and the Symbolist-styled nocturnes featured here. I naturally prefer the latter, not least because some of them nod to the dark cypresses and islands that populate many of Arnold B\u00f6cklin’s paintings, but the portraits and sculptures are often very good as well. There’s an artist’s website<\/a> although the reproductions there are small and watermarked.<\/p>\n Lord Byron (1919).<\/em><\/p>\n Chopin (1919).<\/em><\/p>\n Grotto of the Temple of Secrets (1924).<\/em><\/p>\n <\/p>\n Ch\u00e2teau des Tr\u00e9sors (c. 1925).<\/em><\/p>\n Ch\u00e2teau enchant\u00e9 (c. 1925\u20131926).<\/em><\/p>\n Ch\u00e2teau de la petite d\u00e9esse solitaire.<\/em><\/p>\n Fleurs enchant\u00e9es.<\/em><\/p>\n Sc\u00e8ne fantastique.<\/em><\/p>\n Scales of Mystery.<\/em><\/p>\n Temple des noces d’amour ou Nocturne.<\/em><\/p>\n Previously on { feuilleton } Univers de la tendresse (1918). This Polish artist came to my attention recently while looking for something in a book about Surrealist art. As before, the web has its uses especially when it comes to discovering more about artists such as Biegas who were never prominent enough to be given more than a passing mention … Continue reading “The art of Boles\u0142aw Biegas (1877\u20131954)”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,44,45],"tags":[267,9663],"class_list":["post-18823","post","type-post","status-publish","format-standard","hentry","category-art","category-painting","category-symbolists","tag-arnold-bocklin","tag-boleslaw-biegas"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4TB","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18823","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=18823"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18823\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=18823"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=18823"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=18823"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"byron.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2018\/08\/byron.jpg\")
<\/p>\n![\"chopin.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2018\/08\/chopin.jpg\")
<\/p>\n![\"grotto.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2018\/08\/grotto.jpg\")
<\/p>\n![\"chateau.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2018\/08\/chateau.jpg\")
<\/p>\n![\"chateau2.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2018\/08\/chateau2.jpg\")
<\/p>\n![\"chateau3.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2018\/08\/chateau3.jpg\")
<\/p>\n![\"fleurs.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2018\/08\/fleurs.jpg\")
<\/p>\n![\"scene.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2018\/08\/scene.jpg\")
<\/p>\n![\"skaly.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2018\/08\/skaly.jpg\")
<\/p>\n![\"temple.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2018\/08\/temple.jpg\")
<\/p>\n
\nThe art of Jacek Malczewski, 1854\u20131929<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"