{"id":18773,"date":"2018-07-08T00:55:32","date_gmt":"2018-07-07T23:55:32","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=18773"},"modified":"2018-07-08T00:55:32","modified_gmt":"2018-07-07T23:55:32","slug":"weekend-links-420","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2018\/07\/08\/weekend-links-420\/","title":{"rendered":"Weekend links 420"},"content":{"rendered":"<p><img decoding=\"async\" alt=\"nighttide.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2018\/07\/nighttide.jpg\" \/><\/p>\n<p>\u2022 I&#8217;ve wondered for years why there was such a difference in quality between <em>Plight &amp; Premonition<\/em> (1988) and <em>Flux + Mutability<\/em> (1989), a pair of instrumental albums by David Sylvian and Holger Czukay. The former warrants repeated listening while the latter&#8230;doesn&#8217;t. <a href=\"http:\/\/thequietus.com\/articles\/24916-david-sylvian-holger-czukay-plight-premonition\" target=\"_blank\">David Sylvian<\/a>&#8216;s reminiscences about the recording sessions are enlightening.<\/p>\n<p>\u2022 &#8220;There\u2019s something evil and dangerous that is too old to comprehend.&#8221; <a href=\"http:\/\/www.bfi.org.uk\/news-opinion\/sight-sound-magazine\/interviews\/endless-justin-benson-aaron-moorhead-death-cult-time-loop-ancient-evil-mystery\" target=\"_blank\">Justin Benson and Aaron Moorhead<\/a>, directors of <em>The Endless<\/em>, talk to Virginie S\u00e9lavy about the creepiness of recorded media, the science of the supernatural and their belated readings of HP Lovecraft.<\/p>\n<p>\u2022 &#8220;I hope my site will inspire people to see the world a different way,&#8221; says <a href=\"https:\/\/www.theguardian.com\/film\/2018\/jul\/04\/nicolas-winding-refn-apocalyptic-times-cult-movies-can-save-us-bynwr\" target=\"_blank\">Nicolas Winding Refn<\/a>, writing about the forthcoming launch of <a href=\"https:\/\/www.bynwr.com\/\" target=\"_blank\">byNWR.com<\/a>, a home for his collection of restored cult films. Good to see <em>Night Tide<\/em> (1961) by Curtis Harrington among the titles.<\/p>\n<p>\u2022 <a href=\"https:\/\/denniscooperblog.com\/mine-for-yours-my-favorite-fiction-poetry-non-fiction-film-art-and-internet-of-2018-so-far\/\" target=\"_blank\">Dennis Cooper<\/a>&#8216;s favourite fiction, poetry, non-fiction, film, art, and internet of 2018 so far. Thanks again for the link here! Also: <a href=\"https:\/\/denniscooperblog.com\/laura-dern-day\/\" target=\"_blank\">Laura Dern Day<\/a>.<\/p>\n<p>\u2022 Mixes of the week: FACT Mix 660 by <a href=\"http:\/\/www.factmag.com\/2018\/07\/02\/7fo-fact-mix-rvng\/\" target=\"_blank\">7FO<\/a>, and Light Entertainment Programme: PRExotica 1914\u20131952 by <a href=\"https:\/\/soundcloud.com\/jesus-bacalao\/jesus-bacalaos-light-entertainment-programme-prexotica-1914-1952\" target=\"_blank\">Jes\u00fas Bacal\u00e3o<\/a>.<\/p>\n<p>\u2022 <a href=\"http:\/\/thequietus.com\/articles\/24893-akira-film-review-anniversary\" target=\"_blank\">David Bennun<\/a> on thirty years of the animated masterpiece that is Katsuhiro Otomo&#8217;s <em>Akira<\/em>.<\/p>\n<p>\u2022 <a href=\"https:\/\/www.theparisreview.org\/blog\/2018\/07\/05\/the-rare-women-in-the-rare-book-trade\/\" target=\"_blank\">Diane Mehta<\/a> on the rare women in the rare book trade. Related: <a href=\"https:\/\/pyewacketbooks.com\/\" target=\"_blank\">Pyewacket Books<\/a>.<\/p>\n<p>\u2022 At Greydogtales: One hundred years of <a href=\"http:\/\/greydogtales.com\/blog\/one-hundred-years-of-philip-jose-farmer\/\" target=\"_blank\">Philip Jos\u00e9 Farmer<\/a>.<\/p>\n<p>\u2022 In Paris, <a href=\"https:\/\/hyperallergic.com\/448900\/in-paris-an-omnivorous-asian-phantasmagoria\/\" target=\"_blank\">an omnivorous Asian phantasmagoria<\/a>.<\/p>\n<p>\u2022\u00a0<a href=\"http:\/\/thequietus.com\/articles\/24863-jon-hassell-interview-strange-world\" target=\"_blank\">The Strange World of&#8230;Jon Hassell<\/a>.<\/p>\n<p>\u2022 <em><a href=\"https:\/\/www.youtube.com\/watch?v=ZARO5n-C_wU\" target=\"_blank\">Night Tide<\/a><\/em> (1994) by Scorn | <em><a href=\"https:\/\/www.youtube.com\/watch?v=oQ8aeebRctI\" target=\"_blank\">Dark Noontide<\/a><\/em> (2002) by Six Organs Of Admittance | <em><a href=\"https:\/\/www.youtube.com\/watch?v=ACl08OKTW1g\" target=\"_blank\">Flowery Noontide<\/a><\/em> (2004) by Espers<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u2022 I&#8217;ve wondered for years why there was such a difference in quality between Plight &amp; Premonition (1988) and Flux + Mutability (1989), a pair of instrumental albums by David Sylvian and Holger Czukay. The former warrants repeated listening while the latter&#8230;doesn&#8217;t. David Sylvian&#8216;s reminiscences about the recording sessions are enlightening. \u2022 &#8220;There\u2019s something evil &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2018\/07\/08\/weekend-links-420\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Weekend links 420&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[52,2,42,7,22,3,20],"tags":[9586,9584,1375,9589,411,3109,9590,1844,9587,7744,2276,1687,9588,212,9583,9494,9585,5614,253,9591,3932,6857],"class_list":["post-18773","post","type-post","status-publish","format-standard","hentry","category-animation","category-art","category-books","category-film","category-horror","category-music","category-science-fiction","tag-7fo","tag-aaron-moorhead","tag-curtis-harrington","tag-david-bennun","tag-david-sylvian","tag-dennis-cooper","tag-diane-mehta","tag-espers","tag-exotica","tag-greydogtales","tag-holger-czukay","tag-hp-lovecraft","tag-jesus-bacalao","tag-jon-hassell","tag-justin-benson","tag-katsuhiro-otomo","tag-laura-dern","tag-nicolas-winding-refn","tag-philip-jose-farmer","tag-scorn-group","tag-six-organs-of-admittance","tag-virginie-selavy"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4SN","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18773","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=18773"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18773\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=18773"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=18773"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=18773"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}