{"id":18744,"date":"2018-06-08T01:03:29","date_gmt":"2018-06-08T00:03:29","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=18744"},"modified":"2018-06-08T01:03:29","modified_gmt":"2018-06-08T00:03:29","slug":"the-south-bank-show-dracula","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2018\/06\/08\/the-south-bank-show-dracula\/","title":{"rendered":"The South Bank Show: Dracula"},"content":{"rendered":"<p><a href=\"https:\/\/www.youtube.com\/watch?v=YrigB5sbFEk\" target=\"_blank\"><img decoding=\"async\" alt=\"sbs1.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2018\/06\/sbs1.jpg\" \/><\/a><\/p>\n<p>While <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2018\/06\/01\/illustrating-dracula\/\">illustrating <em>Dracula<\/em><\/a> earlier this year I was listening to Wojciech Kilar&#8217;s soundtrack to Francis Coppola&#8217;s <em>Dracula<\/em> to sustain the vampiric mood. I also watched Coppola&#8217;s film again, it&#8217;s an adaptation I enjoy a great deal despite its flaws. (<a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2011\/02\/08\/symbolist-cinema\/\">This post<\/a> detailed some of the plus points.) <a href=\"https:\/\/www.youtube.com\/watch?v=YrigB5sbFEk\" target=\"_blank\"><em>The South Bank Show<\/em>&#8216;s programme devoted to Dracula<\/a> on page and screen was broadcast in early 1993, timed for the opening of Coppola&#8217;s film in the UK. I watched this when it was first shown, and remembered it being a good one but neglected to go searching for it back in January. I also remembered it being more about Coppola&#8217;s film than it is, although there&#8217;s still enough to make it a substantial promo piece.<\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=YrigB5sbFEk\" target=\"_blank\"><img decoding=\"async\" alt=\"sbs2.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2018\/06\/sbs2.jpg\" \/><\/a><\/p>\n<p>The territory here may be familiar but the evolution of Stoker&#8217;s novel is contextualised by some expert commentators\u2014Leonard Wolf, Elaine Showalter (with a copy of Bram Dijkstra&#8217;s <em>Idols of Perversity<\/em> at her side) and Christopher Frayling\u2014while discussion of the film adaptations includes Christopher Lee, Francis Coppola, James V. Hart (the screenwriter of Coppola&#8217;s film), Gary Oldman, Winona Ryder and others. Among the film clips there are several scenes from <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/10\/27\/count-dracula\/\"><em>Count Dracula<\/em><\/a>, Gerald Savory&#8217;s 1977 adaptation for the BBC. This is surprising since <em>The South Bank Show<\/em> was screened by the BBC&#8217;s rival, ITV. But Savory&#8217;s <em>Count Dracula<\/em> is still the most faithful screen adaptation that I&#8217;ve seen (and possibly the most\u00a0faithful to date) so it&#8217;s a worthwhile choice, and one whose naturalism makes a sober contrast to Coppola&#8217;s <em>Sturm und Drang<\/em>.<\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2018\/06\/01\/illustrating-dracula\/\">Illustrating Dracula<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2018\/02\/28\/illustrating-frankenstein\/\">Illustrating Frankenstein<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/06\/12\/dracula-and-i-by-christopher-lee\/\">Dracula and I by Christopher Lee<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/04\/09\/the-dracula-annual\/\">The Dracula Annual<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/10\/29\/nightmare-the-birth-of-horror\/\">Nightmare: The Birth of Horror<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/10\/28\/albin-graus-nosferatu\/\">Albin Grau\u2019s Nosferatu<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/10\/27\/count-dracula\/\">Count Dracula<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2011\/02\/08\/symbolist-cinema\/\">Symbolist cinema<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>While illustrating Dracula earlier this year I was listening to Wojciech Kilar&#8217;s soundtrack to Francis Coppola&#8217;s Dracula to sustain the vampiric mood. I also watched Coppola&#8217;s film again, it&#8217;s an adaptation I enjoy a great deal despite its flaws. (This post detailed some of the plus points.) The South Bank Show&#8216;s programme devoted to Dracula &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2018\/06\/08\/the-south-bank-show-dracula\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;The South Bank Show: Dracula&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[42,7,22,3,19],"tags":[1763,2739,4276,977,9535,2089,1119,4620,9536,9534,8911,9537,2243],"class_list":["post-18744","post","type-post","status-publish","format-standard","hentry","category-books","category-film","category-horror","category-music","category-television","tag-bram-dijkstra","tag-christopher-frayling","tag-christopher-lee","tag-dracula","tag-elaine-showalter","tag-francis-coppola","tag-gary-oldman","tag-gerald-savory","tag-james-v-hart","tag-leonard-wolf","tag-the-south-bank-show","tag-winona-ryder","tag-wojciech-kilar"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4Sk","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18744","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=18744"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18744\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=18744"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=18744"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=18744"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}