{"id":18741,"date":"2018-06-03T01:07:16","date_gmt":"2018-06-03T00:07:16","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=18741"},"modified":"2018-06-03T01:07:16","modified_gmt":"2018-06-03T00:07:16","slug":"weekend-links-415","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2018\/06\/03\/weekend-links-415\/","title":{"rendered":"Weekend links 415"},"content":{"rendered":"

\"varo.jpg\"<\/a><\/p>\n

The Creation of the Birds (1957) by Remedios Varo.<\/em><\/p>\n

\u2022 “I think my music is very modern and very old. Together.” Sandy Robertson interviewed Popol Vuh’s Florian Fricke<\/a> for Sounds<\/em> in 1981. The Fricke-directed Sei Still Wisse ICH BIN<\/em> referred to in the feature may be viewed here<\/a>. Further Vuh-ing: Popol Vuh on Beat Club<\/em><\/a>, 1971;\u00a0a news clip<\/a> of the group from the same year; a filmed improvisation<\/a> from around the same time (Florian still had his Moog); and the group miming to recorded music<\/a> from a year or two later.<\/p>\n

\u2022 More Rammellzee (see last week): Gothic Futurism<\/em><\/a>, a video collage based on Rammellzee’s treatise of the same name<\/a>. Probably the only place you’ll ever see Rammellzee, the late Glenn Branca and<\/em> art historian Kenneth Clark thrown together.<\/p>\n

\u2022 After releasing 5 albums, Disjointed Oddities And Other Such Things<\/em> is the first EP of “odd strange electronics, psych, Radiophonics, drone and quirky folk” by Keith Seatman<\/a>.<\/p>\n

\u2022 Alina Cohen<\/a> on Remedios Varo, a Spanish Surrealist painter whose work has been receiving increased attention in recent years but whose life remains under-examined.<\/p>\n

\u2022 More German music: “I grew up in total ruins”\u2014Irmin Schmidt of Can<\/a> on LSD, mourning and musical adventures.<\/p>\n

\u2022 Mixes of the week: FACT mix 655 by Matthewdavid<\/a>, and The Monday Is Okay mix by JQ<\/a>.<\/p>\n

\u2022 Olivia Laing, Sarah Wood and Philip Hoare<\/a> discuss Modern Nature<\/em> by Derek Jarman.<\/p>\n

\u2022 National Geographic<\/em> has digitized its collection of 6,000+ vintage maps<\/a>.<\/p>\n

\u2022 At Bandcamp: The Transcendental Sound of Moroccan Gnawa Music<\/a>.<\/p>\n

\u2022 Joe Fletcher<\/a> on the nightmarish dream logic of Bruno Schulz.<\/p>\n

\u2022 Levi Stahl<\/a> on the mind of Donald E. Westlake.<\/p>\n

\u2022 Affenstunde<\/a><\/em> (1970) by Popol Vuh | Toy Planet<\/a><\/em> (1981) by\u00a0Irmin Schmidt & Bruno Spoerri | Adithaim<\/a><\/em> (2005) by The Cracow Klezmer Band<\/p>\n","protected":false},"excerpt":{"rendered":"

The Creation of the Birds (1957) by Remedios Varo. \u2022 “I think my music is very modern and very old. Together.” Sandy Robertson interviewed Popol Vuh’s Florian Fricke for Sounds in 1981. The Fricke-directed Sei Still Wisse ICH BIN referred to in the feature may be viewed here. Further Vuh-ing: Popol Vuh on Beat Club, … Continue reading “Weekend links 415”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,29,7,5,3,44,18,19],"tags":[9526,220,7866,2271,511,9532,1899,9511,2697,9530,9527,7707,9525,9531,124,8401,9529,8674,592,1900,1458,1431,9524,9528,9533],"class_list":["post-18741","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-electronica","category-film","category-gay","category-music","category-painting","category-surrealism","category-television","tag-alina-cohen","tag-bruno-schulz","tag-bruno-spoerri","tag-can-group","tag-derek-jarman","tag-donald-e-westlake","tag-florian-fricke","tag-glenn-branca","tag-irmin-schmidt","tag-joe-fletcher","tag-jq-musician","tag-keith-seatman","tag-kenneth-clark","tag-levi-stahl","tag-lsd","tag-matthewdavid","tag-national-geographic","tag-olivia-laing","tag-philip-hoare","tag-popol-vuh","tag-rammellzee","tag-remedios-varo","tag-sandy-robertson","tag-sarah-wood","tag-the-cracow-klezmer-band"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4Sh","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18741","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=18741"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18741\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=18741"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=18741"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=18741"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}