{"id":18732,"date":"2018-05-27T01:01:08","date_gmt":"2018-05-27T00:01:08","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=18732"},"modified":"2018-05-27T01:01:08","modified_gmt":"2018-05-27T00:01:08","slug":"weekend-links-414","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2018\/05\/27\/weekend-links-414\/","title":{"rendered":"Weekend links 414"},"content":{"rendered":"

\"polackova-vyletalova.jpg\"<\/a><\/p>\n

Czech poster for Robert Bresson\u2019s Une Femme Douce (1969) by Olga Pol\u00e1ckov\u00e1-Vyletalov\u00e1. There’s more about Pol\u00e1ckov\u00e1-Vyletalov\u00e1’s striking poster designs (and this one in particular) at Mubi<\/a>. See also the Pol\u00e1ckov\u00e1-Vyletalov\u00e1 collection at Terry Posters<\/a>.<\/em><\/p>\n

\u2022 “I heard that in Japan the tendency is to hammer down the nails that stick out. I think that Haruomi Hosono is a nail that sticks out. And has maintained that.” Van Dyke Parks on Haruomi Hosono, best known in the West for being one third of Yellow Magic Orchestra but a prolific artist in his own right. Hosono’s early solo albums are being reissued by Light In The Attic<\/a> later this year.<\/p>\n

\u2022 Hua Hsu<\/a> on The Spectacular Personal Mythology of Rammellzee. “Rammellzee will always feel like part of the underground,” says Geeta Dayal <\/a>in a review of the Rammellzee exhibition currently showing in New York.<\/p>\n

\u2022 Mixes of the week: Hassell’s Children, a Fourth World mix by Ban Ban Ton Ton<\/a>, The Island of Bright Tombs by SeraphicManta<\/a>, and a Radio Belbury mix by The Advisory Circle<\/a>.<\/p>\n

\u2022 More Robert Aickman: The Fully-Conducted Tour<\/em><\/a>, a complete short story. Related: Matthew Cheney<\/a> reviews the new Aickman collection, Compulsory Games<\/em>.<\/p>\n

\u2022 Another Kickstarter bid, this time for a reprint of Art Nouveau designs and illustrations by Carl Otto Czeschka<\/a>.<\/p>\n

\u2022 Oliver Burkeman<\/a> reviews How to Change Your Mind: The New Science of Psychedelics<\/em> by Michael Pollan.<\/p>\n

\u2022 Art\/design\/architecture magazines<\/a> online at the International Advertising & Design Database.<\/p>\n

\u2022 Tonedeaf in our nose: Gerri Kimber<\/a> on the musicality of James Joyce’s writing.<\/p>\n

\u2022 More William Hope Hodgson: Greydogtales<\/a> examines Hodgson’s poetry.<\/p>\n

\u2022 The Art of Elsewhere: Jed Perl<\/a> on the world of Edward Gorey.<\/p>\n

\u2022 At Dennis Cooper’s: Records<\/a>.<\/p>\n

\u2022 Beat Bop<\/a><\/em> (1983) by Rammellzee vs. K-Rob | Equation<\/a><\/em> (1989) by Material ft. Rammellzee | No Guts No Galaxy<\/a><\/em> (1999) by Ramm Ell Zee & phonosycographDISK<\/p>\n","protected":false},"excerpt":{"rendered":"

Czech poster for Robert Bresson\u2019s Une Femme Douce (1969) by Olga Pol\u00e1ckov\u00e1-Vyletalov\u00e1. There’s more about Pol\u00e1ckov\u00e1-Vyletalov\u00e1’s striking poster designs (and this one in particular) at Mubi. See also the Pol\u00e1ckov\u00e1-Vyletalov\u00e1 collection at Terry Posters. \u2022 “I heard that in Japan the tendency is to hammer down the nails that stick out. I think that Haruomi … Continue reading “Weekend links 414”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,58,2,42,4,851,29,7,22,48,3,17],"tags":[9518,1046,3109,2313,1393,9521,7744,8218,9519,135,2355,212,1459,8466,2595,7338,6991,9517,9520,5746,5323,8701,1458,2947,9516,6793,1253,3800,1951,4255],"class_list":["post-18732","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art-nouveau","category-art","category-books","category-design","category-drugs","category-electronica","category-film","category-horror","category-illustrators","category-music","category-psychedelia","tag-ban-ban-ton-ton","tag-carl-otto-czeschka","tag-dennis-cooper","tag-edward-gorey","tag-geeta-dayal","tag-gerri-kimber","tag-greydogtales","tag-haruomi-hosono","tag-hua-hsu","tag-james-joyce","tag-jed-perl","tag-jon-hassell","tag-k-rob","tag-light-in-the-attic","tag-material-group","tag-matthew-cheney","tag-michael-pollan","tag-olga-polackova-vyletalova","tag-oliver-burkeman","tag-phonosycographdisk","tag-radio-belbury","tag-ramm-ell-zee","tag-rammellzee","tag-robert-aickman","tag-robert-bresson","tag-seraphicmanta","tag-the-advisory-circle","tag-van-dyke-parks","tag-william-hope-hodgson","tag-yellow-magic-orchestra"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4S8","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18732","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=18732"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18732\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=18732"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=18732"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=18732"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}