{"id":18723,"date":"2018-05-18T01:12:09","date_gmt":"2018-05-18T00:12:09","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=18723"},"modified":"2023-12-17T13:43:17","modified_gmt":"2023-12-17T13:43:17","slug":"aubrey-beardsley-and-his-world","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2018\/05\/18\/aubrey-beardsley-and-his-world\/","title":{"rendered":"Aubrey Beardsley and His World"},"content":{"rendered":"

\"beardsley.jpg\"<\/a><\/p>\n

This US TV programme isn’t the greatest quality, and it’s blighted throughout with a large watermark, but it’s a revelatory piece both for Aubrey Beardsley enthusiasts and Oscar Wilde aficionados. Camera Three<\/em> was a CBS arts show which presented Aubrey Beardsley and His World<\/em> on 12th March, 1967, as a preview for the Beardsley exhibition which had just opened in New York. This was the same landmark exhibition that made such a splash the year before at the V&A in London, and V&A curator Brian Reade appears in the programme to discuss Beardsley’s importance with host James Macandrew. It’s good to see Reade again (he was also in a later BBC documentary<\/a>) since his Beardsley monograph is a great favourite of mine; as is typical of the period, he looks and sounds very upper class but his scholarship is always authoritative.<\/p>\n

Ordinarily this would be enough to satisfy me, even though the programme only runs for 27 minutes and doesn’t tell me anything about Aubrey that I didn’t know already. The great revelation comes near the end with the appearance of Vyvyan Holland, the younger son of Oscar Wilde. Holland not only admired Beardsley’s work but actually met him in 1895 shortly before the artist’s untimely death. Holland was 9 years old at the time, and was taken to visit Aubrey by his mother; he was 81 in 1967, and died himself later that year so we’re very fortunate that he was captured on tape at all. The programme also includes a short extract from Alla Nazimova’s 1923 film of Salom\u00e9<\/em><\/a>, with costumes and decor all based on Beardsley’s drawings. Watch it here<\/a>.<\/p>\n

Elsewhere on { feuilleton }
\n\u2022 The Aubrey Beardsley archive<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

This US TV programme isn’t the greatest quality, and it’s blighted throughout with a large watermark, but it’s a revelatory piece both for Aubrey Beardsley enthusiasts and Oscar Wilde aficionados. Camera Three was a CBS arts show which presented Aubrey Beardsley and His World on 12th March, 1967, as a preview for the Beardsley exhibition … Continue reading “Aubrey Beardsley and His World”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,50,30,7,19],"tags":[785,94,798,9508,116,123,493,1379],"class_list":["post-18723","post","type-post","status-publish","format-standard","hentry","category-art","category-beardsley","category-black-white","category-film","category-television","tag-alla-nazimova","tag-aubrey-beardsley","tag-brian-reade","tag-james-macandrew","tag-oscar-wilde","tag-salome","tag-the-savoy","tag-vyvyan-holland"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4RZ","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18723","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=18723"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18723\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=18723"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=18723"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=18723"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}