{"id":18701,"date":"2018-04-27T01:23:36","date_gmt":"2018-04-27T00:23:36","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=18701"},"modified":"2018-04-27T01:26:10","modified_gmt":"2018-04-27T00:26:10","slug":"the-artists-of-future-life","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2018\/04\/27\/the-artists-of-future-life\/","title":{"rendered":"The artists of Future Life"},"content":{"rendered":"<p><img decoding=\"async\" alt=\"future.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2018\/04\/future.jpg\" \/><\/p>\n<p>My earlier post about <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2018\/04\/13\/future-life-magazine\/\" target=\"_blank\"><em>Future Life<\/em> magazine<\/a> mentioned the regular Portfolio series which featured interviews with illustrators and space artists, the latter group being the people who providing conceptual paintings for astronomy books and government entities such as NASA. Since <a href=\"https:\/\/archive.org\/download\/StarlogFutureLifeMagazine17\" target=\"_blank\">the magazine files at the Internet Archive<\/a> aren&#8217;t searchable I thought it worth making note of the interviews here, for my own benefit as much as anything else. (This blog has often served as a useful notebook.)<\/p>\n<p><img decoding=\"async\" alt=\"fl01-bonestell.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2018\/04\/fl01-bonestell.jpg\" \/><\/p>\n<p><em>Issue 1: Chesley Bonestell.<\/em><\/p>\n<p>Many of the artists featured in <em>Future Life<\/em> were receiving their first (in some cases, only) high-profile feature at a time when little attention was given to the producers of this kind of work even in popular science-fiction magazines. The story magazines have always run interviews with writers but prior to <em>Future Life<\/em>, <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2017\/02\/09\/science-fiction-monthly\/\"><em>Science Fiction Monthly<\/em><\/a> was the only magazine that I&#8217;d seen with a regular illustration feature, and that title didn&#8217;t last very long. <em>Future Life<\/em> covered some of the same people, Chris Foss, for example, while seeking out the prominent figures of the US illustration world. Not all the art is to my taste at all but the interviews are of interest even if you don&#8217;t like the pictures. One surprise was finding an interview in one of the issues that I&#8217;d missed with <a href=\"http:\/\/www.ludekpesek.ch\/\" target=\"_blank\">Ludek Pesek<\/a>, a Czech artist whose\u00a0views of the Solar System and depictions of the evolution of life on Earth I knew from the Puffin books he worked on with Peter Ryan. Those books were aimed at a young readership and were great favourites of mine before I&#8217;d seen anything by Foss and co. Another of the space artists interviewed is <a href=\"http:\/\/www.astroart.org\/\" target=\"_blank\">David Hardy<\/a>, a British contemporary of Pesek&#8217;s whose view of an alien planet will be familiar to Hawkwind enthusiasts on the back cover of <a href=\"https:\/\/www.discogs.com\/release\/1797067-Hall-Of-The-Mountain-Grill\/images\" target=\"_blank\"><em>Hall Of The Mountain Grill<\/em><\/a>. Another notable feature of the series is the lack of women artists, although this isn&#8217;t so surprising given that women creating pictures of space hardware are few even today. All the same, they might have featured Rowena Morrill, a popular cover artist for SF and fantasy novels at the time, and someone whose work I prefer to many of the people they did profile.<\/p>\n<p><img decoding=\"async\" alt=\"fl03-boris.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2018\/04\/fl03-boris.jpg\" \/><\/p>\n<p><em>Issue 3: Boris Vallejo.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"fl04-mccall.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2018\/04\/fl04-mccall.jpg\" \/><\/p>\n<p><em>Issue 4: Robert McCall.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"fl05-nagaoka.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2018\/04\/fl05-nagaoka.jpg\" \/><\/p>\n<p><em>Issue 5: Shusei Nagaoka.<\/em><\/p>\n<p>A Japanese artist best known in the West for his <a href=\"https:\/\/www.discogs.com\/artist\/2019852-Shusei-Nagaoka\" target=\"_blank\">album-cover art<\/a> for ELO, Earth, Wind and Fire, and many others.<\/p>\n<p><img decoding=\"async\" alt=\"fl06-miller.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2018\/04\/fl06-miller.jpg\" \/><\/p>\n<p><em>Issue 6: Ron Miller.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"fl07-hildebrandt.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2018\/04\/fl07-hildebrandt.jpg\" \/><\/p>\n<p><em>Issue 7: The Brothers Hildebrandt.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"fl08-hardy.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2018\/04\/fl08-hardy.jpg\" \/><\/p>\n<p><em>Issue 8: David Hardy.<\/em><\/p>\n<p><!--more--><\/p>\n<p><img decoding=\"async\" alt=\"fl09-difate.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2018\/04\/fl09-difate.jpg\" \/><\/p>\n<p><em>Issue 9: Vincent DiFate.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"fl10-mead.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2018\/04\/fl10-mead.jpg\" \/><\/p>\n<p><em>Issue 10: Syd Mead.<\/em><\/p>\n<p>The great Syd Mead was featured several times, with a centre-spread painting in an earlier issue (the centre-spread Gallery being a smaller, regular art feature although the art wasn&#8217;t always up to Mead&#8217;s standards), and in one of the last issues talking about his work on <em>Blade Runner<\/em>. This car design, incidentally, is now 50 years old.<\/p>\n<p><img decoding=\"async\" alt=\"fl11-foss.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2018\/04\/fl11-foss.jpg\" \/><\/p>\n<p><em>Issue 11: Chris Foss.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"fl12-olson.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2018\/04\/fl12-olson.jpg\" \/><\/p>\n<p><em>Issue 12: Jack Olson.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"fl13-berkey.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2018\/04\/fl13-berkey.jpg\" \/><\/p>\n<p><em>Issue 13: John Berkey.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"fl14-sokolov.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2018\/04\/fl14-sokolov.jpg\" \/><\/p>\n<p><em>Issue 14: Andrei Sokolov.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"fl15-lee.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2018\/04\/fl15-lee.jpg\" \/><\/p>\n<p><em>Issue 15: Duke Lee.<\/em><\/p>\n<p>Not an artist but a micro-photographer.<\/p>\n<p><img decoding=\"async\" alt=\"fl16-lomberg.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2018\/04\/fl16-lomberg.jpg\" \/><\/p>\n<p><em>Issue 16: Jon Lomberg.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"fl17-sternbach.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2018\/04\/fl17-sternbach.jpg\" \/><\/p>\n<p><em>Issue 17: Rick Sternbach.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"fl18-dixon.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2018\/04\/fl18-dixon.jpg\" \/><\/p>\n<p><em>Issue 18: Don Dixon.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"fl19-dollens.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2018\/04\/fl19-dollens.jpg\" \/><\/p>\n<p><em>Issue 19: Morris Scott Dollens.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"fl20-kofoed.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2018\/04\/fl20-kofoed.jpg\" \/><\/p>\n<p><em>Issue 20: Karl Kofoed.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"fl21-pesek.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2018\/04\/fl21-pesek.jpg\" \/><\/p>\n<p><em>Issue 21: Ludek Pesek.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"fl22-schaller.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2018\/04\/fl22-schaller.jpg\" \/><\/p>\n<p><em>Issue 22: Adolf Schaller.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"fl23-cobb.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2018\/04\/fl23-cobb.jpg\" \/><\/p>\n<p><em>Issue 23: Ron Cobb.<\/em><\/p>\n<p>Ron Cobb&#8217;s feature shows a couple of his early designs for Ridley Scott&#8217;s <em>Alien<\/em>.<\/p>\n<p><img decoding=\"async\" alt=\"fl24-allison.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2018\/04\/fl24-allison.jpg\" \/><\/p>\n<p><em>Issue 24: John Allison.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"fl25-dodd.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2018\/04\/fl25-dodd.jpg\" \/><\/p>\n<p><em>Issue 25: Steve Dodd.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"fl26-figley.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2018\/04\/fl26-figley.jpg\" \/><\/p>\n<p><em>Issue 26: Dale M. Figley.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"fl27-various.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2018\/04\/fl27-various.jpg\" \/><\/p>\n<p><em>Issue 27: Ron Miller.<br \/>\n<\/em><\/p>\n<p><img decoding=\"async\" alt=\"fl28-egge.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2018\/04\/fl28-egge.jpg\" \/><\/p>\n<p><em>Issue 28: David Egge.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"fl29-page.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2018\/04\/fl29-page.jpg\" \/><\/p>\n<p><em>Issue 29: Keith Page.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"fl30-hall.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2018\/04\/fl30-hall.jpg\" \/><\/p>\n<p><em>Issue 30: Ronald Hall.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"fl31-barlowe.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2018\/04\/fl31-barlowe.jpg\" \/><\/p>\n<p><em>Issue 31: Wayne Barlowe.<\/em><\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-illustrators-archive\/\">The illustrators archive<\/a><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2018\/04\/13\/future-life-magazine\/\">Future Life magazine<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2017\/02\/09\/science-fiction-monthly\/\">Science Fiction Monthly<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>My earlier post about Future Life magazine mentioned the regular Portfolio series which featured interviews with illustrators and space artists, the latter group being the people who providing conceptual paintings for astronomy books and government entities such as NASA. Since the magazine files at the Internet Archive aren&#8217;t searchable I thought it worth making note &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2018\/04\/27\/the-artists-of-future-life\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;The artists of Future Life&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[2,42,21,48,43,44,12,20,13],"tags":[9464,9466,9456,1861,9447,9446,721,9469,9470,9452,9460,9457,222,1854,9454,9467,9455,9458,9462,9471,9463,9461,569,9459,747,9448,9465,9450,9472,2786,9449,9468,1862,9451,9453,1323],"class_list":["post-18701","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-fantasy","category-illustrators","category-magazines","category-painting","category-photography","category-science-fiction","category-science","tag-adolf-schaller","tag-alien-film","tag-andrei-sokolov","tag-blade-runner","tag-boris-vallejo","tag-chesley-bonestell","tag-chris-foss","tag-dale-m-figley","tag-david-egge","tag-david-hardy","tag-don-dixon","tag-duke-lee","tag-hawkwind","tag-internet-archive","tag-jack-olson","tag-john-allison","tag-john-berkey","tag-jon-lomberg","tag-karl-kofoed","tag-keith-page","tag-ludek-pesek","tag-morris-scott-dollens","tag-nasa","tag-rick-sternbach","tag-ridley-scott","tag-robert-mccall","tag-ron-cobb","tag-ron-miller","tag-ronald-hall","tag-rowena-morrill","tag-shusei-nagaoka","tag-steve-dodd","tag-syd-mead","tag-the-brothers-hildebrandt","tag-vincent-difate","tag-wayne-barlowe"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4RD","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18701","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=18701"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18701\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=18701"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=18701"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=18701"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}