{"id":18694,"date":"2018-04-22T01:03:29","date_gmt":"2018-04-22T00:03:29","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=18694"},"modified":"2018-04-22T12:05:08","modified_gmt":"2018-04-22T11:05:08","slug":"weekend-links-409","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2018\/04\/22\/weekend-links-409\/","title":{"rendered":"Weekend links 409"},"content":{"rendered":"<p><a href=\"http:\/\/www.impawards.com\/1974\/steppenwolf_xlg.html\" target=\"_blank\"><img decoding=\"async\" alt=\"steppenwolf.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2018\/04\/steppenwolf.jpg\" \/><\/a><\/p>\n<p><em>Poster for <a href=\"https:\/\/www.imdb.com\/title\/tt0072206\/\" target=\"_blank\">Steppenwolf<\/a> (1974), a film directed by Fred Haines (his only one) based on the novel by Herman Hesse, and starring Max von Sydow and Dominique Sanda. No artist or designer credited.<\/em><\/p>\n<p>\u2022 &#8220;&#8230;in her 20s, she heard two elderly folk singers and was struck by their &#8216;gentle dignity&#8217;. It cemented her own philosophy: &#8216;No dramatising a song, no selling it to an audience, no overdecorating in a way that was alien to English songs, and most of all, singing <em>to<\/em> people, not <em>at<\/em> them.'&#8221; <a href=\"https:\/\/www.theguardian.com\/books\/2018\/apr\/18\/all-in-the-downs-by-shirley-collins-review-the-english-folk-revivalists-revival\" target=\"_blank\">Laura Snapes<\/a> on Shirley Collins and her memoir, <a href=\"http:\/\/strangeattractor.co.uk\/shoppe\/all-in-the-downs\/\" target=\"_blank\"><em>All in the Downs<\/em><\/a>.<\/p>\n<p>\u2022 Many of the BBC&#8217;s sound effects were available for years in necessarily small collections <a href=\"https:\/\/www.discogs.com\/label\/521396-BBC-Sound-Effects\" target=\"_blank\">on vinyl, tape and CD<\/a>. Now you can download over 16,000 of them for free <a href=\"http:\/\/bbcsfx.acropolis.org.uk\/\" target=\"_blank\">here<\/a>. The interface is still primitive so try typing some words into the search box to see what shows up.<\/p>\n<p>\u2022 <a href=\"http:\/\/www.vulture.com\/2018\/04\/natalie-frank-story-of-o.html\" target=\"_blank\">Carl Swanson<\/a> on Natalie Frank&#8217;s paintings based on Pauline R\u00e9age&#8217;s <em>Story of O<\/em>, and the problems these caused when she tried to exhibit them.<\/p>\n<p>\u2022 Pictures of the Jazz Age: <a href=\"http:\/\/www.nybooks.com\/articles\/2018\/05\/10\/berenice-abbott-pictures-jazz-age\/\" target=\"_blank\">Regina Marler<\/a> reviews three books about photographer Berenice Abbott.<\/p>\n<p>\u2022 &#8220;The late Juraj Herz was a one-man wave of Czechoslovak horror,&#8221; says <a href=\"http:\/\/www.bfi.org.uk\/news-opinion\/sight-sound-magazine\/comment\/obituaries\/juraj-herz-czechoslovak-horror-cremator-morgiana\" target=\"_blank\">Kat Ellinger<\/a>.<\/p>\n<p>\u2022 <a href=\"https:\/\/boingboing.net\/2014\/08\/05\/william-s-burroughs-and-the-d.html\" target=\"_blank\">Mark Dery<\/a> on William S. Burroughs and the dead-end horror of the Centipede God.<\/p>\n<p>\u2022 Mixes of the week: FACT mix 648 by <a href=\"http:\/\/www.factmag.com\/2018\/04\/16\/laraaji-fact-mix\/\" target=\"_blank\">Laraaji<\/a>, and XLR8R Podcast 538 by <a href=\"https:\/\/www.xlr8r.com\/podcasts\/2018\/04\/podcast-538-fluxion\/\" target=\"_blank\">Fluxion<\/a>.<\/p>\n<p>\u2022 <a href=\"https:\/\/formingthevoid.bandcamp.com\/track\/kashmir\" target=\"_blank\"><em>Kashmir<\/em><\/a> by Forming The Void, and <a href=\"https:\/\/www.xlr8r.com\/news\/2018\/04\/brian-eno-shares-previously-unreleased-kazakhstan-track\/\" target=\"_blank\"><em>Kazakhstan<\/em><\/a> by Brian Eno.<\/p>\n<p>\u2022 At Dennis Cooper&#8217;s: <a href=\"https:\/\/denniscooperblog.com\/dominique-sanda-day-2\/\" target=\"_blank\">Dominique Sanda Day<\/a>.<\/p>\n<p>\u2022 <a href=\"https:\/\/kronbits.itch.io\/pixatool\" target=\"_blank\">PixaTool<\/a> by Kronbits.<\/p>\n<p>\u2022 <em><a href=\"https:\/\/www.youtube.com\/watch?v=-Pfb9vYwc6E\" target=\"_blank\">Born To Be Wild<\/a><\/em> (1968) by Steppenwolf | <em><a href=\"https:\/\/www.youtube.com\/watch?v=UYZnz55bpag\" target=\"_blank\">Steppenwolf<\/a><\/em> (1976) by Hawkwind | Der <em><a href=\"https:\/\/www.youtube.com\/watch?v=tMcSRui8SWY\" target=\"_blank\">Steppenwolf<\/a><\/em> (2015) by Selofan<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Poster for Steppenwolf (1974), a film directed by Fred Haines (his only one) based on the novel by Herman Hesse, and starring Max von Sydow and Dominique Sanda. No artist or designer credited. \u2022 &#8220;&#8230;in her 20s, she heard two elderly folk singers and was struck by their &#8216;gentle dignity&#8217;. It cemented her own philosophy: &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2018\/04\/22\/weekend-links-409\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Weekend links 409&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,42,28,29,7,22,3,44,12,15],"tags":[5256,145,5964,3109,9439,9443,9444,9436,222,9437,5097,9442,5662,9440,2389,9438,9441,2669,9362,9445,5350,9435,7002,1190],"class_list":["post-18694","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-burroughs","category-electronica","category-film","category-horror","category-music","category-painting","category-photography","category-technology","tag-berenice-abbott","tag-brian-eno","tag-carl-swanson","tag-dennis-cooper","tag-dominique-sanda","tag-fluxion","tag-forming-the-void","tag-fred-haines","tag-hawkwind","tag-herman-hesse","tag-juraj-herz","tag-kat-ellinger","tag-laraaji","tag-laura-snapes","tag-mark-dery","tag-max-von-sydow","tag-natalie-frank","tag-pauline-reage","tag-regina-marler","tag-selofan","tag-shirley-collins","tag-steppenwolf","tag-steppenwolf-group","tag-william-burroughs"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4Rw","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18694","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=18694"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18694\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=18694"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=18694"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=18694"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}