{"id":18688,"date":"2018-04-15T01:02:35","date_gmt":"2018-04-15T00:02:35","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=18688"},"modified":"2025-09-20T19:10:17","modified_gmt":"2025-09-20T18:10:17","slug":"weekend-links-408","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2018\/04\/15\/weekend-links-408\/","title":{"rendered":"Weekend links 408"},"content":{"rendered":"<p><a href=\"http:\/\/www.spoon-tamago.com\/2018\/04\/12\/ultra-dense-pen-drawings-by-yasuto-sasada\/\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2018\/04\/sasada.jpg\" alt=\"sasada.jpg\" \/><\/a><\/p>\n<p><em>Kujaku (2018) by <a href=\"http:\/\/www.spoon-tamago.com\/2018\/04\/12\/ultra-dense-pen-drawings-by-yasuto-sasada\/\" target=\"_blank\" rel=\"noopener\">Yasuto Sasada<\/a>.<\/em><\/p>\n<p>\u2022 &#8220;The Ernst picture [<a href=\"https:\/\/artuk.org\/discover\/artworks\/men-shall-know-nothing-of-this-les-hommes-nen-sauront-rien-198652\" target=\"_blank\" rel=\"noopener\"><em>Of This Men Shall Know Nothing<\/em><\/a>] has also been interpreted as depicting sexual alchemy, which also ties in with much of Peter Grey\u2019s writing on Babalon and the goddess\u2019 connection to sexual magic and the three \u2018Fs\u2019: f(e)asting, flagellation and fucking!&#8221; <a href=\"https:\/\/folkhorrorrevival.com\/2018\/04\/12\/hawthonn-interviewed\/\" target=\"_blank\" rel=\"noopener\">Hawthonn&#8217;s Phil &amp; Layla Legard<\/a> talk to Folk Horror Revival about their superb new album, <a href=\"https:\/\/xetb.bandcamp.com\/album\/red-goddess-of-this-men-shall-know-nothing\" target=\"_blank\" rel=\"noopener\"><em>Red Goddess (of this men shall know nothing)<\/em><\/a>.<\/p>\n<p>\u2022 South London &#8220;Psychic Circuit&#8221;: A walk with London writer <a href=\"https:\/\/www.youtube.com\/watch?v=rSNdrIF0i2I\" target=\"_blank\" rel=\"noopener\">Iain Sinclair<\/a> inspired by cult writer Steve Moore\u2014from Shooter&#8217;s Hill and the Shrewsbury burial mound to Charlton House then Maryon Park and the locations used in Antonioni&#8217;s <em>Blow Up<\/em>.<\/p>\n<p>\u2022 Czech filmmaker Juraj Herz, director of <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/08\/20\/the-cremator-by-juraj-herz\/\"><em>The Cremator<\/em><\/a> (1969) and <em>Morgiana<\/em> (1972), died last week. One of his later films, <em>The Ninth Heart<\/em> (1978), featured <a href=\"https:\/\/www.youtube.com\/watch?v=6UMVC093dU0\" target=\"_blank\" rel=\"noopener\">an animated title sequence<\/a> by Jan \u0160vankmajer and Eva \u0160vankmajerova.<\/p>\n<p>\u2022 The week in psychedelic visuals: <a href=\"https:\/\/www.collectorsweekly.com\/articles\/lightman-fantastic\/\" target=\"_blank\" rel=\"noopener\">Ben Marks<\/a> on Bill Ham&#8217;s San Francisco light shows (a piece from 2016), and Dangerous Minds on Astralvision&#8217;s <a href=\"https:\/\/dangerousminds.net\/comments\/check_out_the_primitive_psychedelic_visuals_from_this_trippy_1979_betamax_t\" target=\"_blank\" rel=\"noopener\"><em>Electric Light Voyage<\/em><\/a> (1979), a light show on Betamax tape.<\/p>\n<p>\u2022 &#8220;From glaciers to nuclear bunkers, photographer <a href=\"https:\/\/www.theguardian.com\/artanddesign\/2018\/apr\/12\/frozen-with-fear-a-new-photographic-journey-into-the-icy-landscape-of-frankenstein\" target=\"_blank\" rel=\"noopener\">Chloe Dewe Mathews<\/a> descends into the dark heart of the Swiss mountains that inspired Mary Shelley.&#8221;<\/p>\n<p>\u2022 Mix of the week: Secret Thirteen Mix 250 by <a href=\"https:\/\/secretthirteen.org\/stm-250-sote\/\" target=\"_blank\" rel=\"noopener\">Sote<\/a>, and XLR8R Podcast 537 by <a href=\"https:\/\/www.xlr8r.com\/podcasts\/2018\/04\/podcast-537-snts\/\" target=\"_blank\" rel=\"noopener\">SNTS<\/a>.<\/p>\n<p>\u2022 <em><a href=\"https:\/\/www.youtube.com\/watch?v=bcgPXhFSUKg\" target=\"_blank\" rel=\"noopener\">When The Horses Were Shorn Of Their Hooves<\/a><\/em>, new music by Dylan Carlson.<\/p>\n<p>\u2022 <a href=\"https:\/\/lithub.com\/edward-goreys-illustrated-covers-for-literary-classics\/\" target=\"_blank\" rel=\"noopener\">Emily Temple<\/a> on Edward Gorey&#8217;s illustrated covers for literary classics.<\/p>\n<p>\u2022 <a href=\"https:\/\/archive.org\/details\/Hidden_Hydrology\" target=\"_blank\" rel=\"noopener\">Hidden Hydrology<\/a>: Coil&#8217;s <em>Lost Rivers<\/em> studio sessions.<\/p>\n<p>\u2022 <a href=\"https:\/\/tube.quinzel.tech\" target=\"_blank\" rel=\"noopener\">Tube<\/a>: Minimalist YouTube search<\/p>\n<p>\u2022 <a href=\"https:\/\/mailchi.mp\/13b755613c65\/sukhdev-sandhu-is-in-wild-air\" target=\"_blank\" rel=\"noopener\">Sukhdev Sandhu<\/a> is In Wild Air<\/p>\n<p>\u2022\u00a0<em><a href=\"https:\/\/www.youtube.com\/watch?v=BXpw9puJ1m4\" target=\"_blank\" rel=\"noopener\">Lost Roads<\/a><\/em> (1988) by Bill Laswell |\u00a0<em><a href=\"https:\/\/www.youtube.com\/watch?v=u0cJ_Nb36yM\" target=\"_blank\" rel=\"noopener\">Lost Sanctum<\/a><\/em> (1994) by Lull | <em><a href=\"https:\/\/www.youtube.com\/watch?v=7h4SHCoWsno\" target=\"_blank\" rel=\"noopener\">Lost Ways<\/a><\/em> (2016) by Pye Corner Audio<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Kujaku (2018) by Yasuto Sasada. \u2022 &#8220;The Ernst picture [Of This Men Shall Know Nothing] has also been interpreted as depicting sexual alchemy, which also ties in with much of Peter Grey\u2019s writing on Babalon and the goddess\u2019 connection to sexual magic and the three \u2018Fs\u2019: f(e)asting, flagellation and fucking!&#8221; Hawthonn&#8217;s Phil &amp; Layla Legard &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2018\/04\/15\/weekend-links-408\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Weekend links 408&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[52,2,42,29,7,48,3,16,44,12,17,19],"tags":[6188,9427,466,9428,2272,3555,3317,2313,9120,1464,8496,7372,218,9258,375,5097,6693,6615,2266,112,4519,4428,4222,9430,9429,1429,4031,9426],"class_list":["post-18688","post","type-post","status-publish","format-standard","hentry","category-animation","category-art","category-books","category-electronica","category-film","category-illustrators","category-music","category-occult","category-painting","category-photography","category-psychedelia","category-television","tag-ben-marks","tag-bill-ham","tag-bill-laswell","tag-chloe-dewe-mathews","tag-coil-group","tag-dangerous-minds","tag-dylan-carlson","tag-edward-gorey","tag-emily-temple","tag-eva-svankmajerova","tag-folk-horror-revival","tag-hawthonn","tag-iain-sinclair","tag-in-wild-air","tag-jan-svankmajer","tag-juraj-herz","tag-layla-legard","tag-lull-musician","tag-mary-shelley","tag-max-ernst","tag-michelangelo-antonioni","tag-phil-legard","tag-pye-corner-audio","tag-snts","tag-sote","tag-steve-moore","tag-sukhdev-sandhu","tag-yasuto-sasada"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4Rq","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18688","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=18688"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18688\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=18688"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=18688"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=18688"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}