![\"hodgson.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2018\/03\/hodgson.jpg\")
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Cover art for the 1921 edition by W. Otway Cannell.<\/em><\/p>\n \u2022 “An exiled recluse, an ancient abode in the remote west of Ireland, nightly attacks by malevolent swine-things from a nearby pit, and cosmic vistas beyond time and space. The House on the Borderland<\/em> has been praised by China Mi\u00e9ville, Terry Pratchett, and Clark Ashton Smith, while HP Lovecraft wrote, ‘Few can equal [Hodgson] in adumbrating the nearness of nameless forces and monstrous besieging entities through casual hints and significant details, or in conveying feelings of the spectral and abnormal.’<\/p>\n “‘Almost from the moment that you hear the title,’ observes Alan Moore, ‘you are infected by the novel\u2019s weird charisma. Knock and enter at your own liability.’ The House on the Borderland<\/em> remains one of Hodgson\u2019s most celebrated works. This new edition features an introduction by Alan Moore, an afterword by Iain Sinclair, and illustrations by John Coulthart.” The long-gestating illustrated edition of William Hope Hodgson’s The House on the Borderland<\/em> is now available for pre-order from Swan River Press<\/a>. This is limited to 350 copies so I’d advise anyone interested to order as soon as they can; there’s been a lot of interest in the edition, and with the print run being a small one it’s liable to sell out quickly.<\/p>\n \u2022 “Art et Libert\u00e9 was a movement that came into being in 1938 in Cairo. It was affiliated to Surrealism through contact with Andr\u00e9 Breton in Paris, and shared Surrealism\u2019s spirit of rebellion and provocation, its desire for dream knowledge and penchant for manifestos.” Marina Warner<\/a> on the neglected history of Egyptian Surrealism.<\/p>\n \u2022 Titan Comics follow their recent collection of Philippe Druillet’s first six Lone Sloane stories with Gail<\/em><\/a>, a book which I don’t think has received an English translation until now.<\/p>\n \u2022 Mixes of the week: FACT mix 641 by Alva Noto<\/a>, a mix by Chris Carter<\/a> for Bleep\/NTS, and Through A Landscape Of Mirrors Vol. I: Sweden by David Colohan<\/a>.<\/p>\n \u2022 200 years after the first publication of Frankenstein<\/em>, the city of Bath is to unveil a plaque commemorating Mary Shelley<\/a>‘s time spent there while writing the book.<\/p>\n \u2022 Southern Lord co-founder Gregg Anderson<\/a> talks to Red Bull Radio about running a record label devoted to avant-garde metal.<\/p>\n \u2022 Twelve illustrated dust jackets from Martin Salisbury’s The Illustrated Dust Jacket: 1920\u20131970<\/em><\/a>.<\/p>\n \u2022 At MetaFilter: Links to Hokusai’s drawing guides<\/a> and similar books.<\/p>\n \u2022 Canada Modern<\/a><\/p>\n \u2022 Grief<\/a><\/em> (1999) by Tactile | In The Cellar<\/a><\/em> (2005) by Nostalgia | The House On The Borderland<\/a><\/em> (2008) by Electric Wizard<\/p>\n","protected":false},"excerpt":{"rendered":" Cover art for the 1921 edition by W. Otway Cannell. \u2022 “An exiled recluse, an ancient abode in the remote west of Ireland, nightly attacks by malevolent swine-things from a nearby pit, and cosmic vistas beyond time and space. The House on the Borderland has been praised by China Mi\u00e9ville, Terry Pratchett, and Clark Ashton … Continue reading “Weekend links 402”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,9,4,29,22,3,44,20,18,23],"tags":[103,8899,350,1032,1804,1279,7160,4674,250,9370,9372,1687,218,8691,532,9371,2266,4673,863,9369,8228,4671,9368,1951],"class_list":["post-18644","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-comics","category-design","category-electronica","category-horror","category-music","category-painting","category-science-fiction","category-surrealism","category-work","tag-alan-moore","tag-alva-noto","tag-andre-breton","tag-china-mieville","tag-chris-carter","tag-clark-ashton-smith","tag-david-colohan","tag-electric-wizard","tag-frankenstein","tag-gregg-anderson","tag-hokusai","tag-hp-lovecraft","tag-iain-sinclair","tag-lone-sloane","tag-marina-warner","tag-martin-salisbury","tag-mary-shelley","tag-nostalgia-group","tag-philippe-druillet","tag-southern-lord","tag-swan-river-press","tag-tactile-group","tag-w-otway-cannell","tag-william-hope-hodgson"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4QI","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18644","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=18644"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18644\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=18644"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=18644"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=18644"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}