{"id":18625,"date":"2018-02-18T02:03:18","date_gmt":"2018-02-18T01:03:18","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=18625"},"modified":"2018-02-18T02:03:18","modified_gmt":"2018-02-18T01:03:18","slug":"weekend-links-400","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2018\/02\/18\/weekend-links-400\/","title":{"rendered":"Weekend links 400"},"content":{"rendered":"<p><img decoding=\"async\" alt=\"bernard.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2018\/02\/bernard.jpg\" \/><\/p>\n<p><em>Le R\u00e9pit (La Mort allaitant une chauve-souris) (1895) by Val\u00e8re Bernard.<\/em><\/p>\n<p>\u2022 <a href=\"https:\/\/www.youtube.com\/watch?v=193Pica3VoY\" target=\"_blank\">Playhouse 90 presents <em>Heart of Darkness<\/em> by Joseph Conrad<\/a>. An American TV production from 1957 starring Boris Karloff, Roddy McDowall, Eartha Kitt and others; introduced by Sterling Hayden. It&#8217;s bizarre. <a href=\"https:\/\/acidemic.blogspot.co.uk\/2018\/02\/ride-snake-boris-karloffs-heart-of.html\" target=\"_blank\">Acidemic<\/a> goes into the detail.<\/p>\n<p>\u2022 Erik Davis talks to occult writer and drug geek <a href=\"https:\/\/techgnosis.com\/getting-higher\/\" target=\"_blank\">Julian Vayne<\/a> about Baphomet, the (sur)reality of spirits, evolution, ritualizing entheogens, and his new book <em>Getting Higher: The Manual of Psychedelic Ceremony<\/em>.<\/p>\n<p>\u2022 &#8220;Unsurprisingly, <em>1. Outside<\/em> was the record that the #BowieBookClub readers most readily associated with <em>Hawksmoor<\/em>.&#8221; <a href=\"https:\/\/www.lrb.co.uk\/blog\/2018\/02\/09\/anna-aslanyan\/hawksmoor-revisited\/\" target=\"_blank\">Anna Aslanyan<\/a> revisits Peter Ackroyd&#8217;s architectural mystery.<\/p>\n<p>\u2022 <a href=\"https:\/\/multoghost.wordpress.com\/2018\/02\/16\/the-flowers-of-dorian-gray-part-one\/\" target=\"_blank\">The Flowers of Dorian Gray<\/a>: part one of a series of posts examining one of Oscar Wilde&#8217;s favourite symbols.<\/p>\n<p>\u2022 At Haute Macabre, an interview with <a href=\"http:\/\/hautemacabre.com\/2018\/02\/interview-dellamorte-co\/\" target=\"_blank\">Michael Locascio &amp; Heather Jean Skawold of Dellamorte &amp; Co<\/a>.<\/p>\n<p>\u2022 <em><a href=\"https:\/\/vimeo.com\/253742573\" target=\"_blank\">One Minute Art History<\/a><\/em>, an animated film by Cao Shu.<\/p>\n<p>\u2022 <a href=\"https:\/\/hrc.contentdm.oclc.org\/digital\/collection\/p15878coll84\/search\" target=\"_blank\">Film posters<\/a> at the Harry Ransom Center, UT-Austin.<\/p>\n<p>\u2022 Mix of the week: FACT mix 639 by <a href=\"http:\/\/www.factmag.com\/2018\/02\/12\/black-milk-fact-mix\/\" target=\"_blank\">Black Milk<\/a>.<\/p>\n<p>\u2022 <a href=\"http:\/\/thequietus.com\/articles\/24040-susanna-interview-favourite-albums\" target=\"_blank\">Susanna<\/a>&#8216;s favourite albums.<\/p>\n<p>\u2022 Welcome to <a href=\"https:\/\/spoodoir.com\/2018\/02\/12\/welcome-to-the-spoodoir\/\" target=\"_blank\">The Spoodoir<\/a>.<\/p>\n<p>\u2022\u00a0<em><a href=\"https:\/\/www.youtube.com\/watch?v=mYk8KPAPGCA\" target=\"_blank\">Flowers Of Evil<\/a><\/em> (1983) by Cortex | <em><a href=\"https:\/\/www.youtube.com\/watch?v=GH7_EiHsJng\" target=\"_blank\">Baphomet<\/a><\/em> (1989) by Foetus Inc. | <em><a href=\"https:\/\/www.youtube.com\/watch?v=aNBx3darUyo\" target=\"_blank\">Heart Of Darkness<\/a><\/em> (1989) by Syd Straw<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le R\u00e9pit (La Mort allaitant une chauve-souris) (1895) by Val\u00e8re Bernard. \u2022 Playhouse 90 presents Heart of Darkness by Joseph Conrad. An American TV production from 1957 starring Boris Karloff, Roddy McDowall, Eartha Kitt and others; introduced by Sterling Hayden. It&#8217;s bizarre. Acidemic goes into the detail. \u2022 Erik Davis talks to occult writer and &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2018\/02\/18\/weekend-links-400\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Weekend links 400&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[52,8,2,42,851,7,22,3,16,17,41,19],"tags":[9351,9356,985,9355,9358,7780,117,6547,1686,9359,9352,9354,981,9350,9353,116,2823,9348,9349,7425,9357,9347],"class_list":["post-18625","post","type-post","status-publish","format-standard","hentry","category-animation","category-architecture","category-art","category-books","category-drugs","category-film","category-horror","category-music","category-occult","category-psychedelia","category-sculpture","category-television","tag-anna-aslanyan","tag-black-milk","tag-boris-karloff","tag-cao-shu","tag-cortex-group","tag-dellamorte-co","tag-dorian-gray","tag-eartha-kitt","tag-erik-davis","tag-foetus-inc","tag-haute-macabre","tag-heather-jean-skawold","tag-joseph-conrad","tag-julian-vayne","tag-michael-locascio","tag-oscar-wilde","tag-peter-ackroyd","tag-roddy-mcdowall","tag-sterling-hayden","tag-syd-straw","tag-the-spoodoir","tag-valere-bernard"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4Qp","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18625","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=18625"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18625\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=18625"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=18625"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=18625"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}