{"id":18622,"date":"2018-02-17T02:01:38","date_gmt":"2018-02-17T01:01:38","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=18622"},"modified":"2018-02-17T02:01:38","modified_gmt":"2018-02-17T01:01:38","slug":"a-view-from-a-hill","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2018\/02\/17\/a-view-from-a-hill\/","title":{"rendered":"A view from a hill"},"content":{"rendered":"<p><a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2018\/02\/f1-big.jpg\" target=\"_blank\"><img decoding=\"async\" alt=\"f1.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2018\/02\/f1.jpg\" \/><\/a><\/p>\n<p>This week I&#8217;ve been rushing to complete a series of illustrations so there&#8217;s been no time to write the post I had in mind. In its place, here&#8217;s a preview of another series I was working on in September which I&#8217;m told should be published soon. More about that later, and yes, the similarity to Friedrich&#8217;s <a href=\"https:\/\/en.wikipedia.org\/wiki\/Wanderer_above_the_Sea_of_Fog\" target=\"_blank\"><em>Wanderer above the Sea of Fog<\/em><\/a> was intentional.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This week I&#8217;ve been rushing to complete a series of illustrations so there&#8217;s been no time to write the post I had in mind. In its place, here&#8217;s a preview of another series I was working on in September which I&#8217;m told should be published soon. More about that later, and yes, the similarity to &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2018\/02\/17\/a-view-from-a-hill\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;A view from a hill&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,23],"tags":[103,5096,4018,151],"class_list":["post-18622","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-work","tag-alan-moore","tag-camille-flammarion","tag-david-lindsay","tag-savoy-books"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4Qm","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18622","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=18622"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18622\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=18622"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=18622"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=18622"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}