{"id":18578,"date":"2018-01-06T02:00:40","date_gmt":"2018-01-06T01:00:40","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=18578"},"modified":"2018-01-06T02:00:40","modified_gmt":"2018-01-06T01:00:40","slug":"1918","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2018\/01\/06\/1918\/","title":{"rendered":"1918"},"content":{"rendered":"<p><img decoding=\"async\" alt=\"dardel.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2018\/01\/dardel.jpg\" \/><\/p>\n<p><em>The Dying Dandy by Nils Dardel.<\/em><\/p>\n<p>Wishing you all a happy new year with a small selection of art from a century ago.<\/p>\n<p><img decoding=\"async\" alt=\"baumann.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2018\/01\/baumann.jpg\" \/><\/p>\n<p><em>Schicksal by Fritz Baumann.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"blumenfeld.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2018\/01\/blumenfeld.jpg\" \/><\/p>\n<p><em>Black Still Life by Genrich Matveevich Blumenfeld.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"dechirico.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2018\/01\/dechirico.jpg\" \/><\/p>\n<p><em>Two Heads by Giorgio de Chirico.<\/em><\/p>\n<p><!--more--><\/p>\n<p><img decoding=\"async\" alt=\"dulac35.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2016\/01\/dulac35.jpg\" \/><\/p>\n<p><em>Tanglewood Tales by Edmund Dulac.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"klee.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2018\/01\/klee.jpg\" \/><\/p>\n<p><em>Angelus Descendens by Paul Klee.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"salome5.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/01\/salome5.jpg\" \/><\/p>\n<p><em>Salom\u00e9 by Federico Ribas.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"morandi.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2018\/01\/morandi.jpg\" \/><\/p>\n<p><em>Metaphysical Still Life by Giorgio Morandi.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"picasso.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2018\/01\/picasso.jpg\" \/><\/p>\n<p><em>Harlequin With Guitar (If You Want) by Pablo Picasso.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"vandoesburg.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2018\/01\/vandoesburg.jpg\" \/><\/p>\n<p><em>Composition XII in Black and White by Theo van Doesburg.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"vanhout.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2018\/01\/vanhout.jpg\" \/><\/p>\n<p><em>J\u00fcngling in einer Phantasielandschaft by Oskar van Hout.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Dying Dandy by Nils Dardel. Wishing you all a happy new year with a small selection of art from a century ago. Schicksal by Fritz Baumann. Black Still Life by Genrich Matveevich Blumenfeld. Two Heads by Giorgio de Chirico.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,48,44],"tags":[286,5716,9282,9283,693,9284,9281,9287,9285,5028,165,9286],"class_list":["post-18578","post","type-post","status-publish","format-standard","hentry","category-art","category-illustrators","category-painting","tag-edmund-dulac","tag-federico-ribas","tag-fritz-baumann","tag-genrich-matveevich-blumenfeld","tag-giorgio-de-chirico","tag-giorgio-morandi","tag-nils-dardel","tag-oskar-van-hout","tag-pablo-salome","tag-paul-klee","tag-picasso","tag-theo-van-doesburg"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/sq7rV-1918","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18578","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=18578"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18578\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=18578"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=18578"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=18578"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}