{"id":18571,"date":"2017-12-29T02:18:43","date_gmt":"2017-12-29T01:18:43","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=18571"},"modified":"2025-09-21T12:13:25","modified_gmt":"2025-09-21T11:13:25","slug":"the-weekend-artists-2017","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2017\/12\/29\/the-weekend-artists-2017\/","title":{"rendered":"The weekend artists, 2017"},"content":{"rendered":"

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Art by Twins of Evil for the forthcoming blu-ray from Arrow Academy<\/a>.<\/em><\/p>\n

The laziest post of the year is invariably a review of the artists\/designers\/photographers featured on the weekend posts, so here’s another end-of-year list for you. Scroll down to see what caught my attention over the past twelve months.<\/p>\n

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Mass<\/a> by Ron Mueck at the National Gallery of Victoria Triennial. Photo by Tom Ross.<\/em><\/p>\n

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French poster by Basha (Barbara Baranowska) for Andrzej \u017bu\u0142awski’s extraordinary Possession<\/a> (1981).<\/em><\/p>\n

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I Had Sweet Company Because I Sought Out None. Collage by Helen Adam.<\/em><\/p>\n

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Still of an Alive Painting by Akiko Nakayama<\/a>.<\/em><\/p>\n

<\/p>\n

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Japanese (?) poster for Liquid Sky (1982).<\/em><\/p>\n

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Lynd Ward again, and one of his illustrations for Frankenstein<\/a> (1934).<\/em><\/p>\n

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Sultans of Swing by Samantha Muljat<\/a>.<\/em><\/p>\n

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Arcadia-24 (1988) by Minoru Nomata<\/a>.<\/em><\/p>\n

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Raven (2015), a metal sculpture by Taiichiro Yoshida<\/a>.<\/em><\/p>\n

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States of Ecstasy 1 by K. Lenore Siner<\/a> some of whose work may be seen in Witch-Ikon: An Exhibition of Contemporary Witchcraft Imagery<\/a> at Mortlake & Company, Seattle.<\/em><\/p>\n

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Night Out, Shibuya, a photograph by Yoshito Hasaka. One of a remarkable series<\/a>.<\/em><\/p>\n

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Male Nude, Leg Up (1952) by Horst. From a series of photo prints at Wessel + O’Connor Fine Art<\/a>.<\/em><\/p>\n

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Outward Journeys<\/a> is the second album <\/em>on the Ghost Box<\/a> label<\/em> by The Belbury Circle (Belbury Poly with The Advisory Circle). As before, John Foxx is a guest vocalist, and as always, Julian House provides the graphic design.<\/p>\n

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Holger Czukay by Ursula Kloss, from the cover of Czukay’s Moving Pictures<\/a> (1993). (The painting is a pastiche of Holbein’s portrait of Georg Gisze<\/a>.)<\/em><\/p>\n

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The House by the Canal (1945) by Algernon Cecil Newton<\/a>.<\/em><\/p>\n

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Memento Mori (2012) by Yoshitoshi Kanemaki<\/a>.<\/em><\/p>\n

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Le Chasseur by Lupe Vasconcelos<\/a> who was profiled at Unquiet Things<\/a>.<\/em><\/p>\n

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Untitled (2011) by YDK Morimoe<\/a>. Via Jim Post<\/a> at Dennis Cooper’s.<\/em><\/p>\n

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Battistero della Basilica di Santa Maria Maggiore, Bergamo (2017) by Mattia Mognetti<\/a>.<\/em><\/p>\n

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The Conjure (2016) by Jolene Lai<\/a>. Via Dangerous Minds<\/a>.<\/em><\/p>\n

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Untitled painting by Serbian Surrealist Ljuba Popovic<\/a> (1934\u20132016). I missed the announcement of Popovic’s death last year<\/a>.<\/em><\/p>\n

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Piazzetta San Marco by Moonlight (no date) by Friedrich Paul Nerly.<\/em><\/p>\n

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Human Nature by Esther Sarto<\/a>.<\/em><\/p>\n

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Dandelion (2009) by Tomoko Kashiki<\/a>.<\/em><\/p>\n

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Il Fascino Della Morte (1988) by Albin Brunovsky.<\/em><\/p>\n

\"focusgroup.jpg\"<\/a><\/p>\n

Stop-Motion Happening with The Focus Groop is a new album by The Focus Group (now a Groop, apparently, \u00e0 la Stereolab) on the Ghost Box label<\/a>. Design, as always, by Julian House.<\/em><\/p>\n

\"sommers.jpg\"<\/a><\/p>\n

The Constant Drumbeat of Terrible News (no date) by Allison Sommers<\/a>.<\/em><\/p>\n

\"yoshi47.jpg\"<\/a><\/p>\n

A mural for Forest For The Trees, 2016, by Yoshi47<\/a>.<\/em><\/p>\n

\"f1x-2.jpg\"<\/a><\/p>\n

The Future Vol.2 (2016) by f1x-2<\/a>.<\/em><\/p>\n

\"sasaki.jpg\"<\/a><\/p>\n

Threshold (2008) by Roku Sasaki<\/a>.<\/em><\/p>\n

\"azuma.jpg\"<\/a><\/p>\n

An urban scene from Yotsuba&! by manga artist Kiyohiko Azuma<\/a>.<\/em><\/p>\n

\"higuchi.jpg\"<\/a><\/p>\n

Painted beetle (2016) by Akihiro Higuchi<\/a>.<\/em><\/p>\n

\"brzezanska.jpg\"<\/a><\/p>\n

Ruth St Denis (2010) by Agnieszka Brzezanska<\/a>.<\/em><\/p>\n

\"toitoitoi.jpg\"<\/a><\/p>\n

Im Hag by ToiToiToi<\/a> is Ghost Box 027. Poster and album design, as always, by Julian House.<\/em><\/p>\n

\"carrington.jpg\"<\/p>\n

Quer\u00eda ser p\u00e1jaro (1960) by Leonora Carrington.<\/em><\/p>\n

\"diment.jpg\"<\/p>\n

The Dolly, Dolly Spy (1968).<\/em><\/p>\n

\"tuke.jpg\"<\/a><\/p>\n

The Critics (1927) by Henry Scott Tuke<\/a>.<\/em><\/p>\n

\"taggart.jpg\"<\/p>\n

Table-Tipping Workshop at Rev. Jane\u2019s House, Erie, Pennsylvania, 2014 by Shannon Taggart<\/a>.<\/em><\/p>\n

\"burgkmair.jpg\"<\/a><\/p>\n

Herald on Griffin (1516-1518) from The Triumphal Procession of Emperor Maximilian I series by Hans Burgkmair the Elder<\/a>.<\/em><\/p>\n

\"eaton.jpg\"<\/a><\/p>\n

Transition H50 (2016) by Jessica Eaton<\/a>.<\/em><\/p>\n

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Cover art by Wilson McLean, 1969.<\/em><\/p>\n

\"wright.jpg\"<\/a><\/p>\n

The Masque of the Red Death (1932) by John Buckland Wright<\/a>.<\/em><\/p>\n

\"kubin.jpg\"<\/a><\/p>\n

Dream Animal (1903) by Alfred Kubin<\/a>.<\/em><\/p>\n

\"brocklehurst.jpg\"<\/a><\/p>\n

Red Queen (no date) by Jo Brocklehurst<\/a>.<\/em><\/p>\n

\"lazo.jpg\"<\/a><\/p>\n

Wasted Alice (2017) by Sonia Lazo<\/a>.<\/em><\/p>\n

\"axiomdub.jpg\"<\/a><\/p>\n

Axiom Dub \u2013 Mysteries Of Creation (1996), a Bill Laswell production. Art by James Koehnline<\/a>.<\/em><\/p>\n

\"carrington.jpg\"<\/p>\n

Sidhe, the white people of the Tuatha D\u00e9 Danann (1954) by Leonora Carrington.<\/em><\/p>\n

\"zarraga.jpg\"<\/p>\n

La femme et le pantin (1909) by \u00c1ngel Z\u00e1rraga.<\/em><\/p>\n

\"fountaingod.jpg\"<\/p>\n

Fountain (1917) by R. Mutt (Marcel Duchamp), and God (1917) by Elsa von Freytag-Loringhoven.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Art by Twins of Evil for the forthcoming blu-ray from Arrow Academy. The laziest post of the year is invariably a review of the artists\/designers\/photographers featured on the weekend posts, so here’s another end-of-year list for you. Scroll down to see what caught my attention over the past twelve months. Mass by Ron Mueck at … Continue reading “The weekend artists, 2017”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,30,42,1029,4,29,21,7,5,22,48,3,16,44,12,17,20,41,18],"tags":[466,250,172,8468,8763,9027,1295,954,9119,9197,1223,8234,9257,8957,4221,8815,4260],"class_list":["post-18571","post","type-post","status-publish","format-standard","hentry","category-art","category-black-white","category-books","category-collage","category-design","category-electronica","category-fantasy","category-film","category-gay","category-horror","category-illustrators","category-music","category-occult","category-painting","category-photography","category-psychedelia","category-science-fiction","category-sculpture","category-surrealism","tag-bill-laswell","tag-frankenstein","tag-ghost-box","tag-ghost-box-label","tag-hans-burgkmair","tag-jim-post","tag-john-foxx","tag-julian-house","tag-k-lenore-siner","tag-liquid-sky","tag-ljuba-popovic","tag-lupe-vasconcelos","tag-ron-mueck","tag-the-belbury-circle","tag-the-focus-group","tag-toitoitoi","tag-wessel-oconnor"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4Px","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18571","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=18571"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18571\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=18571"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=18571"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=18571"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}