{"id":18554,"date":"2017-12-10T02:07:02","date_gmt":"2017-12-10T01:07:02","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=18554"},"modified":"2025-09-21T12:13:11","modified_gmt":"2025-09-21T11:13:11","slug":"weekend-links-390","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2017\/12\/10\/weekend-links-390\/","title":{"rendered":"Weekend links 390"},"content":{"rendered":"

\"possession.jpg\"<\/a><\/p>\n

French poster by Basha (Barbara Baranowska) for Andrzej \u017bu\u0142awski’s extraordinary Possession<\/a> (1981).<\/em><\/p>\n

\u2022 “Alive from Off Center<\/em>, renamed Alive TV<\/em> in 1992, was an American arts anthology television series aired by PBS between 1984 and 1996. Each week, the series featured experimental short films by a mixture of up-and-coming and established directors. Notable episodes included As Seen on TV<\/em>, starring comic actor Bill Irwin as an auditioning dancer who becomes trapped in a television, wandering among daytime dramas, MTV, and PBS’s own Sesame Street<\/em> and the atmospheric puppet melodrama Street of Crocodiles<\/em>, adapted by the Brothers Quay from the Bruno Schultz story. [\u2026] Arguably the series’ best-known episode was What You Mean We?<\/em> a short film written by, directed by, and starring Laurie Anderson, which aired in 1986.” Alive from Off Center<\/em><\/a>, 11 episodes at Ubuweb.<\/p>\n

\u2022 “[Count] Stenbock was a homosexual convert to Roman Catholicism and owner of a serpent, a toad, and a dachshund called Trixie. It was said that toward the end of his life he was accompanied everywhere by a life-size wooden doll that he believed to be his son. His poems and stories are replete with queer, supernatural, mystical, and Satanic themes; original editions of his books are highly sought by collectors of recherch\u00e9 literature.” Of Kings and Things: Strange Tales and Decadent Poems<\/em><\/a> by Count Eric Stanislaus Stenbock will be published by Strange Attractor in March, 2018.<\/p>\n

\u2022 Music news of the week (in this house, anyway) is a new song, The Mysterious Vanishing of Electra<\/em><\/a>, by Anna von Hausswolff. A new album, Dead Magic<\/em>, is due in March, and I’m doubly-thrilled to read that Randall Dunn of Master Musicians of Bukkake (and producer\/engineer for Earth, Sunn O))), etc.) is involved.<\/p>\n

\u2022 “Why do Texas prisons ban Freakonomics<\/em> but not Adolf Hitler’s Mein Kampf<\/em>?” asks Lauren McGaughy<\/a>. On the banned list is the three-volume The Graphic Canon<\/em>, edited by Russ Kick, which includes my adaptation of The Picture of Dorian Gray<\/em><\/a>.<\/p>\n

\u2022 “To understand how other planets are made, exogeologists are synthesizing those planets in miniature in the earthbound equipment in their labs.” BLDGBLOG<\/a> on speculative mineralogy.<\/p>\n

\u2022 “What does the Bardo sound like?” Lauria Galbraith on \u00c9liane Radigue<\/a>‘s Trilogie de la Mort<\/em>, three hour-long electronic compositions based on The Tibetan Book of the Dead<\/em>.<\/p>\n

\u2022 And speaking of Earth, Joseph Stannard talked to Dylan Carlson (Earth) and Kevin Martin (The Bug)<\/a> about their recent collaboration.<\/p>\n

\u2022 Mixes of the week: FACT mix 630 by Hanz<\/a>, XLR8R Podcast 519 by Setaoc Mass<\/a>, and Secret Thirteen Mix 239 by Blush Response<\/a>.<\/p>\n

\u2022 The League’s seven deadly sins: Reese Shearsmith<\/a> on the cinematic influences behind The League of Gentlemen’s TV series.<\/p>\n

\u2022 Donnie & Laurie<\/a><\/em>, a jam from the late 1970s with Laurie Spiegel on Electrocomp 101 synthesizer, and Don Christensen on drums.<\/p>\n

\u2022 Guests and dates for the Dublin Ghost Story Festival<\/a> have been announced.<\/p>\n

\u2022 David Bowie sang for Devo<\/a>, and Mark Mothersbaugh might have the tapes.<\/p>\n

\u2022 The albums of the year according to The Quietus<\/a>.<\/p>\n

\u2022 At Dennis Cooper’s: Isabelle Adjani Day<\/a>.<\/p>\n

\u2022 Possessed<\/a><\/em> (1979) by MX-80 Sound | Possession<\/a><\/em> (1988) by Danzig | Possessed<\/a><\/em> (1992) by Balanescu Quartet<\/p>\n","protected":false},"excerpt":{"rendered":"

French poster by Basha (Barbara Baranowska) for Andrzej \u017bu\u0142awski’s extraordinary Possession (1981). \u2022 “Alive from Off Center, renamed Alive TV in 1992, was an American arts anthology television series aired by PBS between 1984 and 1996. Each week, the series featured experimental short films by a mixture of up-and-coming and established directors. Notable episodes included … Continue reading “Weekend links 390”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,9,29,7,5,22,3,14,13,19,23],"tags":[9243,6880,7805,3373,9242,9244,1841,9249,399,7093,9255,1301,3109,9252,9251,3317,3316,8275,9247,9254,2164,5033,9245,9246,1606,3853,9253,7887,6164,7888,4975,173,9248,98,2147,9250,2439,119],"class_list":["post-18554","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-comics","category-electronica","category-film","category-gay","category-horror","category-music","category-politics","category-science","category-television","category-work","tag-alive-from-off-center","tag-andrzej-zulawski","tag-anna-von-hausswolff","tag-balanescu-quartet","tag-barbara-baranowska","tag-bill-irwin","tag-bldgblog","tag-blush-response","tag-brothers-quay","tag-count-stenbock","tag-danzig","tag-david-bowie","tag-dennis-cooper","tag-devo","tag-don-christensen","tag-dylan-carlson","tag-earth-group","tag-eliane-radigue","tag-hanz","tag-isabelle-adjani","tag-joseph-stannard","tag-kevin-martin","tag-lauren-mcgaughy","tag-lauria-galbraith","tag-laurie-anderson","tag-laurie-spiegel","tag-mark-mothersbaugh","tag-master-musicians-of-bukkake","tag-mx-80-sound","tag-randall-dunn","tag-reese-shearsmith","tag-russ-kick","tag-setaoc-mass","tag-strange-attractor","tag-sunn-o","tag-the-league-of-gentlemen","tag-the-quietus","tag-ubuweb"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4Pg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18554","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=18554"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18554\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=18554"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=18554"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=18554"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}