{"id":18522,"date":"2017-11-12T02:07:29","date_gmt":"2017-11-12T01:07:29","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=18522"},"modified":"2017-11-12T02:07:29","modified_gmt":"2017-11-12T01:07:29","slug":"weekend-links-386","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2017\/11\/12\/weekend-links-386\/","title":{"rendered":"Weekend links 386"},"content":{"rendered":"

\"ward.jpg\"<\/a><\/p>\n

Lynd Ward again, and one of his illustrations for Frankenstein<\/a> (1934).<\/em><\/p>\n

\u2022 “Julio Mario Santo Domingo was a collector and visionary who filled his homes and warehouses with the world\u2019s greatest private collection related to the subjects of drugs, sex, magic, and rock and roll: a library of more than 50,000 items…” Altered States: The Library of Julio Santo Domingo<\/em> by Peter Watts<\/a> catalogues some of the artefacts.<\/p>\n

\u2022 “His vision of Gay Liberation was deeply, and uniquely, inflected by his study of, and belief, in anarchism.” More on the late Charles Shively<\/a>: Michael Bronski remembers a pivotal figure in the gay liberation movement.<\/p>\n

\u2022 William Friedkin’s Sorcerer<\/em> was released on region-free blu-ray a couple of years ago but it’s being reissued again in the UK for its fortieth anniversary. Julian House<\/a> has created a series of designs for the insert.<\/p>\n

\u2022 Electronic musician and podcaster Marc Kate<\/a> talks to Erik Davis about nihilism, horror movies, New Age music, and transmuting Nazi black metal into the ambient soundscapes of his latest album, Deface<\/em>.<\/p>\n

\u2022 “Beware the polished little man<\/a>“: an extract from The Guesthouse at the Sign of the Teetering Globe<\/em> by Franziska zu Reventlow which is available now from Rixdorf Editions.<\/p>\n

\u2022 Another welcome blu-ray release, Sergei Parajanov’s The Colour of Pomegranates<\/em><\/a> appears later this month in a special edition from Second Sight.<\/p>\n

\u2022 Mixes of the week: FACT mix 626 by Sharp Veins<\/a>, XLR8R Podcast 515 by Sammy Dee<\/a>, and Secret Thirteen Mix 236 by Beta Evers<\/a>.<\/p>\n

\u2022 The Witch Wave<\/a> with Pam Grossman is a podcast for bewitching conversation about magic, creativity, and culture.<\/p>\n

\u2022 Call me by the wrong name: Benjamin Lee<\/a> on Hollywood’s perennial attempts to straight-wash gay films.<\/p>\n

\u2022 At Dennis Cooper’s: Spotlight on…Ronald Firbank<\/a> Concerning the Eccentricities of Cardinal Pirelli<\/em> (1926).<\/p>\n

\u2022 Zo\u00eb Lescaze reviews Frankenstein: The First Two Hundred Years<\/em> by Christopher Frayling<\/a>.<\/p>\n

\u2022 Angry Optimism in a Drowned World: A Conversation with Kim Stanley Robinson<\/a>.<\/p>\n

\u2022 Stewart Smith on The Strange World of…Linda Sharrock<\/a>.<\/p>\n

\u2022 Colors<\/a><\/em> (1969) by Pharoah Sanders | Frankenstein<\/a><\/em> (1972) by The Edgar Winter Group | Pomegranate<\/a><\/em> (2001) by Transglobal Underground<\/p>\n","protected":false},"excerpt":{"rendered":"

Lynd Ward again, and one of his illustrations for Frankenstein (1934). \u2022 “Julio Mario Santo Domingo was a collector and visionary who filled his homes and warehouses with the world\u2019s greatest private collection related to the subjects of drugs, sex, magic, and rock and roll: a library of more than 50,000 items…” Altered States: The … Continue reading “Weekend links 386”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,4,7,5,22,3,16,14,20],"tags":[7986,9191,9186,2739,3109,1686,250,9108,954,9184,7194,9193,9188,9187,3552,9185,9194,640,9106,2049,9190,400,9189,8855,9195,6024,3225,9192],"class_list":["post-18522","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-design","category-film","category-gay","category-horror","category-music","category-occult","category-politics","category-science-fiction","tag-benjamin-lee","tag-beta-evers","tag-charles-shively","tag-christopher-frayling","tag-dennis-cooper","tag-erik-davis","tag-frankenstein","tag-franziska-zu-reventlow","tag-julian-house","tag-julio-mario-santo-domingo","tag-kim-stanley-robinson","tag-linda-sharrock","tag-marc-kate","tag-michael-bronski","tag-pam-grossman","tag-peter-watts","tag-pharaoh-sanders","tag-pharoah-sanders","tag-rixdorf-editions","tag-ronald-firbank","tag-sammy-dee","tag-sergei-parajanov","tag-sharp-veins","tag-stewart-smith","tag-the-edgar-winter-group","tag-transglobal-underground","tag-william-friedkin","tag-zoe-lescaze"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4OK","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18522","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=18522"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18522\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=18522"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=18522"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=18522"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}