{"id":18498,"date":"2017-10-22T01:01:01","date_gmt":"2017-10-22T00:01:01","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=18498"},"modified":"2019-10-25T23:45:45","modified_gmt":"2019-10-25T22:45:45","slug":"weekend-links-383","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2017\/10\/22\/weekend-links-383\/","title":{"rendered":"Weekend links 383"},"content":{"rendered":"

\"nomata.jpg\"<\/a><\/p>\n

Arcadia-24 (1988) by Minoru Nomata<\/a>.<\/em><\/p>\n

\u2022 Dark Entries and Honey Soundsystem Records<\/a> release a video of edited moments from gay porn film Afternooners<\/em> to promote the release of the film’s electronic soundtrack by Patrick Cowley. The album, which is the third and final collection of Cowley’s porn soundtracks, is out now<\/a>.<\/p>\n

\u2022 Emily Temple<\/a> looks at some of the art inspired by Italo Calvino’s Invisible Cities<\/em>. I explored the same subject a couple of years ago in a week of Calvino art posts<\/a>. From 2014: Peter Mendelsund<\/a> on designing covers for Calvino.<\/p>\n

\u2022 Jim Downes<\/a> on the late Charley Shively, a gay liberation activist who wasn’t interested in equality. Not an uncommon attitude in some gay circles but it’s one you seldom see aired in the mainstream press.<\/p>\n

\u2022 Geeta Dayal<\/a> on A Little Electronic Milky Way of Sound<\/em> by Roland Kayn, a 14-hour composition of “cybernetic music” which has been released in a lavish 16-CD box set by Frozen Reeds<\/a>.<\/p>\n

\u2022 An introduction to Henri-Georges Clouzot in seven films by Adam Scovell<\/a>. Clouzot’s masterwork, The Wages of Fear<\/em> (1953), is released on blu-ray<\/a> by the BFI next week.<\/p>\n

\u2022 Ubu Yorker:\u00a0Menachem Feuer<\/a> interviews Kenneth Goldsmith, writer and the man behind Ubuweb.<\/p>\n

\u2022 Why Oscar-winning cinematographer Vittorio Storaro<\/a> thinks the film vs. digital debate is bullshit.<\/p>\n

\u2022 David Barnett<\/a> on supernatural fiction’s “best kept secret”, Robert Aickman.<\/p>\n

\u2022 Mich\u00e8le Mendelssohn<\/a> on how Oscar Wilde’s life imitates his art.<\/p>\n

\u2022 Mix of the week: Secret Thirteen Mix 233 by Mick Harris<\/a>.<\/p>\n

\u2022 Invisible Limits<\/a><\/em> (1976) by Tangerine Dream | Invisible Cities<\/a><\/em> (1990) by Jah Wobble’s Invaders Of The Heart | Invisible Architecture<\/a><\/em> (1995) by John Foxx<\/p>\n","protected":false},"excerpt":{"rendered":"

Arcadia-24 (1988) by Minoru Nomata. \u2022 Dark Entries and Honey Soundsystem Records release a video of edited moments from gay porn film Afternooners to promote the release of the film’s electronic soundtrack by Patrick Cowley. The album, which is the third and final collection of Cowley’s porn soundtracks, is out now. \u2022 Emily Temple looks … Continue reading “Weekend links 383”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,42,51,29,7,5,22,3,44,14,15],"tags":[7444,3517,9145,8894,5726,9120,9147,1393,778,9143,8812,407,9151,9144,1295,2498,9148,9150,6625,4769,116,3697,2202,2947,10278,889,119,9149],"class_list":["post-18498","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-cities","category-electronica","category-film","category-gay","category-horror","category-music","category-painting","category-politics","category-technology","tag-adam-scovell","tag-bfi","tag-charley-shively","tag-dark-entries","tag-david-barnett","tag-emily-temple","tag-frozen-reeds","tag-geeta-dayal","tag-henri-georges-clouzot","tag-honey-soundsystem-records","tag-invaders-of-the-heart","tag-italo-calvino","tag-jah-wobbles-invaders-of-the-heart","tag-jim-downes","tag-john-foxx","tag-kenneth-goldsmith","tag-menachem-feuer","tag-michele-mendelssohn","tag-mick-harris","tag-minoru-nomata","tag-oscar-wilde","tag-patrick-cowley","tag-peter-mendelsund","tag-robert-aickman","tag-roland-kayn","tag-tangerine-dream","tag-ubuweb","tag-vittorio-storaro"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4Om","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18498","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=18498"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18498\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=18498"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=18498"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=18498"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}