{"id":18475,"date":"2017-10-01T01:01:04","date_gmt":"2017-10-01T00:01:04","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=18475"},"modified":"2017-10-01T01:01:04","modified_gmt":"2017-10-01T00:01:04","slug":"weekend-links-380","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2017\/10\/01\/weekend-links-380\/","title":{"rendered":"Weekend links 380"},"content":{"rendered":"

\"hasaka.jpg\"<\/a><\/p>\n

Night Out, Shibuya, a photograph by Yoshito Hasaka. One of a remarkable series<\/a>.<\/em><\/p>\n

\u2022\u00a0Rixdorf Editions<\/a> is a new publishing venture from Strange Flowers’ James Conway which “…aims to cast light on an era which is misunderstood to the extent that it is thought of at all. I speak of the German Empire, specifically the Wilhelmine period from 1890 to 1918.” The first two titles, both translated by Conway himself, are Berlin’s Third Sex<\/em><\/a> (1904), a study of the city’s queer demi monde<\/em> by the pioneering Magnus Hirschfeld; and The Guesthouse at the Sign of the Teetering Globe<\/em><\/a> (1917), a collection of strange stories by Franziska zu Reventlow.<\/p>\n

\u2022 Patrick McGoohan’s enigmatic TV series, The Prisoner<\/em>, premiered 50 years ago this week. Among the series’ many stylistic hallmarks was the use of Berthold Wolpe’s Albertus typeface, as detailed at We Made This<\/a>.<\/p>\n

\u2022 Three of Bill Nelson’s home-produced instrumental albums from the 1980s\u2014Sounding The Ritual Echo<\/em>, Das Kabinet<\/em>, and La Belle Et La B\u00eate<\/em>\u2014are reissued in November<\/a>.<\/p>\n

\u2022 Photos by Heinrich Klaffs<\/a> of German group Faust performing live (for the first time?) in 1971. Klaffs’ other photos<\/a> are worth looking at as well.<\/p>\n

\u2022 Mixes of the week: XLR8R Podcast 509 by Laylla Dane<\/a>, and Secret Thirteen Mix 231 by New Hip Tiki Scene<\/a>.<\/p>\n

\u2022 At Spoon & Tamago: Altered landscapes meticulously rendered in pencil by Shinji Ogawa<\/a>.<\/p>\n

\u2022 “Why are UK and US book jackets often so different?”asks Danuta Kean<\/a>.<\/p>\n

\u2022 Samantha Manzella<\/a> on eight of the world\u2019s remaining gay bookstores.<\/p>\n

\u2022 At greydogtales: F. Marion Crawford & the Screaming Skull<\/a>.<\/p>\n

\u2022 Tunnel View<\/em><\/a>, a previously unheard demo by Broadcast.<\/p>\n

\u2022 Zealandia: Earth’s Hidden Continent<\/a><\/p>\n

\u2022 Seeland<\/a><\/em> (1975) by Neu! | Neu Seeland<\/a><\/em> (1992) by Terminal Cheesecake | Osprey’s Odyssey<\/a><\/em> (2010) by Seeland<\/p>\n","protected":false},"excerpt":{"rendered":"

Night Out, Shibuya, a photograph by Yoshito Hasaka. One of a remarkable series. \u2022\u00a0Rixdorf Editions is a new publishing venture from Strange Flowers’ James Conway which “…aims to cast light on an era which is misunderstood to the extent that it is thought of at all. I speak of the German Empire, specifically the Wilhelmine … Continue reading “Weekend links 380”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,42,4,29,5,22,3,12,13,19,10],"tags":[3064,2153,4158,9114,9116,5127,2935,9108,7744,9110,7922,9111,9107,976,9112,66,9106,9115,9117,9113,2419,8408,9109,9105],"class_list":["post-18475","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-design","category-electronica","category-gay","category-horror","category-music","category-photography","category-science","category-television","category-typography","tag-berthold-wolpe","tag-bill-nelson","tag-broadcast-group","tag-danuta-kean","tag-f-marion-crawford","tag-faust","tag-faust-group","tag-franziska-zu-reventlow","tag-greydogtales","tag-heinrich-klaffs","tag-james-conway","tag-laylla-dane","tag-magnus-hirschfeld","tag-neu","tag-new-hip-tiki-scene","tag-patrick-mcgoohan","tag-rixdorf-editions","tag-samantha-manzella","tag-seeland-group","tag-shinji-ogawa","tag-strange-flowers","tag-terminal-cheesecake","tag-we-made-this","tag-yoshito-hasaka"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4NZ","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18475","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=18475"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18475\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=18475"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=18475"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=18475"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}