{"id":18470,"date":"2017-09-24T01:06:41","date_gmt":"2017-09-24T00:06:41","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=18470"},"modified":"2017-09-24T01:06:41","modified_gmt":"2017-09-24T00:06:41","slug":"weekend-links-379","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2017\/09\/24\/weekend-links-379\/","title":{"rendered":"Weekend links 379"},"content":{"rendered":"

\"horst.jpg\"<\/a><\/p>\n

Male Nude, Leg Up (1952) by Horst. From a series of photo prints at Wessel + O’Connor Fine Art<\/a> until 5th November.<\/em><\/p>\n

\u2022 At Bandcamp: “Tuareg guitar mixed with traditional rural folk”: Eghass Malan<\/em><\/a> by\u00a0Les Filles de Illighadad; “Pan dimensional spacecraft hover over ancient pyramids on worlds undreamed of”: Lemurian Dawn<\/em><\/a> by Memnon Sa.<\/p>\n

\u2022 Songs of Discomposure<\/a>: Quietus writers pick their most disturbing pieces of music. Also at The Quietus: John Foxx<\/a> on his collaborations with Harold Budd and Ruben Garcia.<\/p>\n

\u2022 Eros In Arabia<\/em>, the first album by Richard Horowitz, has been deleted since 1981, and is consequently very difficult to find. Freedom To Spend<\/a> are reissuing it next month.<\/p>\n

\u2022 JG Ballard\u2014The Interview Concordance<\/a>. A companion to the concordance of Ballard’s published works<\/a>. Some of the interviews may be found here<\/a>.<\/p>\n

\u2022 At Dangerous Minds: The Male Figure: Bruce of Los Angeles<\/a> and the perfection of midcentury beefcake.<\/p>\n

\u2022 Mixes of the week: XLR8R Podcast 508 by Jennifer Cardini<\/a>, and Secret Thirteen Mix 231 by Alex XIII<\/a>.<\/p>\n

\u2022 Post Punk<\/a>: a set of postage stamp designs by Dorothy for punk and post-punk bands.<\/p>\n

\u2022 At Spoon & Tamago: Kanban: The exquisite art of historic Japanese store signs<\/a>.<\/p>\n

\u2022 At Greydogtales: Photography of the Folk Horror Revival<\/a>.<\/p>\n

\u2022 The Spomenik Database<\/a><\/p>\n

\u2022\u00a0The Secret Life Of Arabia<\/a><\/em> (1977) by David Bowie | Arabian Knights<\/a><\/em> (1981) by\u00a0Siouxsie And The Banshees | Arabiant<\/a><\/em> (2002) by Radar<\/p>\n","protected":false},"excerpt":{"rendered":"

Male Nude, Leg Up (1952) by Horst. From a series of photo prints at Wessel + O’Connor Fine Art until 5th November. \u2022 At Bandcamp: “Tuareg guitar mixed with traditional rural folk”: Eghass Malan by\u00a0Les Filles de Illighadad; “Pan dimensional spacecraft hover over ancient pyramids on worlds undreamed of”: Lemurian Dawn by Memnon Sa. \u2022 … Continue reading “Weekend links 379”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,42,4,29,5,22,3,12,20],"tags":[9098,9096,1301,9099,7744,802,9093,9097,137,1295,9103,9095,9102,1640,9094,7269,9101,9100,2439,4260],"class_list":["post-18470","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-design","category-electronica","category-gay","category-horror","category-music","category-photography","category-science-fiction","tag-alex-xiii","tag-bruce-of-los-angeles","tag-david-bowie","tag-dorothy-design","tag-greydogtales","tag-harold-budd","tag-horst","tag-jennifer-cardini","tag-jg-ballard","tag-john-foxx","tag-les-filles-de-illighadad","tag-memnon-sa","tag-radar-group","tag-richard-horowitz","tag-ruben-garcia","tag-siouxsie-and-the-banshees","tag-spomeniks","tag-spoon-tamago","tag-the-quietus","tag-wessel-oconnor"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4NU","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18470","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=18470"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18470\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=18470"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=18470"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=18470"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}