{"id":18437,"date":"2017-08-27T01:09:07","date_gmt":"2017-08-27T00:09:07","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=18437"},"modified":"2017-08-27T01:09:07","modified_gmt":"2017-08-27T00:09:07","slug":"weekend-links-375","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2017\/08\/27\/weekend-links-375\/","title":{"rendered":"Weekend links 375"},"content":{"rendered":"

\"kanemaki.jpg\"<\/a><\/p>\n

Memento Mori (2012) by Yoshitoshi Kanemaki<\/a>.<\/em><\/p>\n

\u2022 Greydogtales<\/a>, home to “weird fiction, weird art and even weirder lurchers”, is two years old this month. An essential resource for interviews, reviews and art features.<\/p>\n

\u2022 Kim Morgan<\/a> on the paranoia at the heart of John Carpenter’s The Thing<\/em>. The film will receive a welcome Blu-ray reissue by Arrow Films (UK)<\/a> in November.<\/p>\n

\u2022 A third and final collection of Patrick Cowley’s soundtracks for gay porn films, Afternooners<\/em>, will be released in October by Dark Entries<\/a>.<\/p>\n

\u2022 Photos<\/a> of the exceptional eldritch art on display until the end of the month at the Ars Necronomica show in Providence, RI.<\/p>\n

\u2022 Barney Bubbles, Optics & Semantics<\/em>: an exhibition at Rob Tufnell<\/a>, London, from 31st August.<\/p>\n

\u2022 Dimitra Fimi<\/a> and Adam Scovell<\/a> on 50 years of The Owl Service<\/em> by Alan Garner<\/em>.<\/p>\n

\u2022 The Duality of Yoshitoshi Kanemaki\u2019s Wooden Sculptures<\/a>.<\/p>\n

\u2022 Tristan Bath on The Strange World of Keiji Haino<\/a>.<\/p>\n

\u2022 Mix of the week: XLR8R Podcast 504 by Curses<\/a>.<\/p>\n

\u2022 Photos of Ren\u00e9 Magritte<\/a>.<\/p>\n

\u2022 RIP Brian Aldiss<\/a><\/p>\n

\u2022 Grey Promenade<\/a><\/em> (1985) by Roger Eno | Grey Stripe<\/a><\/em> (1994) by Aphex Twin | Greyscale<\/a><\/em> (2008) by 2562<\/p>\n","protected":false},"excerpt":{"rendered":"

Memento Mori (2012) by Yoshitoshi Kanemaki. \u2022 Greydogtales, home to “weird fiction, weird art and even weirder lurchers”, is two years old this month. An essential resource for interviews, reviews and art features. \u2022 Kim Morgan on the paranoia at the heart of John Carpenter’s The Thing. The film will receive a welcome Blu-ray reissue … Continue reading “Weekend links 375”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,4,29,7,5,22,3,12,20,41,18],"tags":[4262,7444,634,5554,9054,86,2588,9056,8894,9055,7744,3811,9052,3697,115,7577,7309,6012,9051],"class_list":["post-18437","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-design","category-electronica","category-film","category-gay","category-horror","category-music","category-photography","category-science-fiction","category-sculpture","category-surrealism","tag-4262","tag-adam-scovell","tag-alan-garner","tag-aphex-twin","tag-arrow-films","tag-barney-bubbles","tag-brian-aldiss","tag-curses-musician","tag-dark-entries","tag-dimitra-fimi","tag-greydogtales","tag-keiji-haino","tag-kim-morgan","tag-patrick-cowley","tag-magritte","tag-roger-eno","tag-the-owl-service","tag-tristan-bath","tag-yoshitoshi-kanemaki"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4Nn","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18437","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=18437"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18437\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=18437"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=18437"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=18437"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}