{"id":18423,"date":"2017-08-17T01:08:03","date_gmt":"2017-08-17T00:08:03","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=18423"},"modified":"2017-08-17T01:08:03","modified_gmt":"2017-08-17T00:08:03","slug":"john-aarts-lucifer","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2017\/08\/17\/john-aarts-lucifer\/","title":{"rendered":"John Aarts’ Lucifer"},"content":{"rendered":"

\"aarts01.jpg\"<\/p>\n

The Lucifer in question being the principal character in a play of the same name by Dutch poet and playwright Joost van den Vondel (1587\u20131679). I confess that I hadn’t heard of this work before even though it’s well-known in the Netherlands, and may also have influenced Paradise Lost<\/em>. The version linked here is an American reprint of an earlier edition from 1898 that was the first English translation of the play. The graphics by John Aarts appear to be wood engravings but I’m not certain of that, matters not being helped by the present invisibility of Mr Aarts. In addition to a suite of full-page illustrations there are many embellishments in the nascent Dutch Art Nouveau style. And unlike many books that repeat the same two or three vignettes there’s a lot of variation throughout so it’s worth seeing the book as a whole<\/a>.<\/p>\n

\"aarts02.jpg\"<\/p>\n

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\"aarts05.jpg\"<\/p>\n

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\"aarts07.jpg\"<\/p>\n

\"aarts08.jpg\"<\/p>\n

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\"aarts10.jpg\"<\/p>\n

\"aarts11.jpg\"<\/p>\n

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\"aarts13.jpg\"<\/p>\n

\"aarts14.jpg\"<\/p>\n

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\"aarts17.jpg\"<\/p>\n

\"aarts18.jpg\"<\/p>\n

\"aarts19.jpg\"<\/p>\n

\"aarts20.jpg\"<\/p>\n

Elsewhere on { feuilleton }
\n\u2022 The illustrators archive<\/a><\/p>\n

Previously on { feuilleton }
\n\u2022 LVCIFER<\/a>
\n\u2022 Lachman\u2019s Inferno<\/a>
\n\u2022 Hell, a film by Rein Raamat<\/a>
\n\u2022 Inferni<\/a>
\n\u2022 Mirko Racki\u2019s Inferno<\/a>
\n\u2022 Albert Goodwin\u2019s fantasies<\/a>
\n\u2022 Harry Lachman\u2019s Inferno<\/a>
\n\u2022 Melancholy Lucifers<\/a>
\n\u2022 Maps of the Inferno<\/a>
\n\u2022 A TV Dante by Tom Phillips and Peter Greenaway<\/a>
\n\u2022 The last circle of the Inferno<\/a>
\n\u2022 Angels 4: Fallen angels<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

The Lucifer in question being the principal character in a play of the same name by Dutch poet and playwright Joost van den Vondel (1587\u20131679). I confess that I hadn’t heard of this work before even though it’s well-known in the Netherlands, and may also have influenced Paradise Lost. The version linked here is an … Continue reading “John Aarts’ Lucifer”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,48,31],"tags":[9035,9036,9034,461,164],"class_list":["post-18423","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-illustrators","category-religion","tag-john-aarts","tag-john-milton","tag-joost-van-den-vondel","tag-lucifer","tag-tom-phillips"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4N9","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18423","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=18423"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18423\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=18423"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=18423"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=18423"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}