{"id":18417,"date":"2017-08-13T01:11:00","date_gmt":"2017-08-13T00:11:00","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=18417"},"modified":"2017-08-13T01:11:00","modified_gmt":"2017-08-13T00:11:00","slug":"weekend-links-373","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2017\/08\/13\/weekend-links-373\/","title":{"rendered":"Weekend links 373"},"content":{"rendered":"<p><a href=\"http:\/\/xhxix.tumblr.com\/post\/9884508768\" target=\"_blank\"><img decoding=\"async\" alt=\"YDKMorimoe.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2017\/08\/YDKMorimoe.jpg\" \/><\/a><\/p>\n<p><em>Untitled (2011) by <a href=\"http:\/\/xhxix.tumblr.com\/archive\" target=\"_blank\">YDK Morimoe<\/a>. Via <a href=\"http:\/\/denniscooperblog.com\/galerie-dennis-cooper-presents-guest-curator-jim-post-presents-paintings-of-disaffected-teenaged-boys-on-drugs-featuring-the-works-of-meghan-howland-and-morimoe-aka-hi\/\" target=\"_blank\">Jim Post<\/a> at Dennis Cooper&#8217;s.<\/em><\/p>\n<p>\u2022 <a href=\"http:\/\/www.milk-records.co.uk\/index.php?\/bands\/total-leatherette\/\" target=\"_blank\"><em>For The Climax Of The Night<\/em><\/a> by Total Leatherette is almost certainly the only album you&#8217;ll see this year with autofellatio cover art. <a href=\"https:\/\/www.youtube.com\/watch?v=QOl8iHQJVt0\" target=\"_blank\"><em>Faux Fox<\/em><\/a> gives a taste of the new album, while an earlier piece, <a href=\"https:\/\/www.youtube.com\/watch?v=bEceMIqG7ks\" target=\"_blank\"><em>Squeeze Hunk<\/em><\/a>, features a Tom of Finland-style video. And speaking of which, Dome Karukoski&#8217;s feature film, <a href=\"http:\/\/www.tof.fi\/en\" target=\"_blank\"><em>Tom of Finland<\/em><\/a>, is released in the UK this week. Related: <a href=\"https:\/\/www.pauligshop.com\/en_eu\/robert-paulig-roastery\/coffee\/art-roast-coffee-series\/tom-of-finland-coffees\/\" target=\"_blank\">Tom of Finland coffee<\/a>.<\/p>\n<p>\u2022 The death of playwright Joe Orton in 1967 prompted yet more 50th anniversary articles this week. Mentioned here before, and better value than all the textual appraisal, is the BBC&#8217;s 70-minute TV documentary from 1982, <a href=\"https:\/\/www.youtube.com\/watch?v=6p9gjoWHuuM\" target=\"_blank\"><em>A Genius Like Us: A Portrait of Joe Orton<\/em><\/a>, which includes interviews with family, friends, colleagues and Orton&#8217;s biographer, John Lahr.<\/p>\n<p>\u2022 Two skulls, 50,000 postcards and a book that took 50 years to finish: Stuart Jeffries visits artist <a href=\"https:\/\/www.theguardian.com\/artanddesign\/2017\/aug\/11\/tom-phillips-two-skulls-50000-postcards-and-a-book-that-took-50-years-to-finish\" target=\"_blank\">Tom Phillips<\/a>.<\/p>\n<p>\u2022 New at the Internet Archive: <a href=\"https:\/\/archive.org\/details\/georgeblood\" target=\"_blank\">25,000 78RPM records<\/a>. You can never go wrong with <a href=\"https:\/\/archive.org\/details\/78_a-duke-ellington-panorama_duke-ellington-and-his-famous-orchestra-ellington-miley-d_gbia0003362\" target=\"_blank\">Duke Ellington<\/a>.<\/p>\n<p>\u2022 <a href=\"https:\/\/www.youtube.com\/watch?v=wRy4D11qc8I\" target=\"_blank\"><em>Lock Your Door<\/em><\/a> and <a href=\"https:\/\/www.youtube.com\/watch?v=ATAOHgHJv3E\" target=\"_blank\"><em>The Reformation of St. Jules<\/em><\/a>: Algernon Blackwood filmed in 1949.<\/p>\n<p>\u2022 <a href=\"http:\/\/www.ushaw.org\/page\/exhibitions-fay-pomerance-\" target=\"_blank\"><em>Redemption<\/em><\/a>, an exhibition of art by Fay Pomerance (1912\u20132001) at Ushaw College, Durham.<\/p>\n<p>\u2022 At Dirge Magazine: <a href=\"http:\/\/www.dirgemag.com\/myth-sunken-city\/\" target=\"_blank\">Daniel Pietersen<\/a> on the myth of the sunken city.<\/p>\n<p>\u2022 Mix of the week: FACT Mix 613 by <a href=\"http:\/\/www.factmag.com\/2017\/08\/07\/fact-mix-613-aaron-dilloway\/\" target=\"_blank\">Aaron Dilloway<\/a>.<\/p>\n<p>\u2022 <a href=\"http:\/\/thequietus.com\/articles\/22992-laetitia-sadier-interview-stereolab-favourite-albums\" target=\"_blank\">Laetitia Sadier&#8217;s favourite albums<\/a>.<\/p>\n<p>\u2022 RIP <a href=\"http:\/\/www.bfi.org.uk\/news-opinion\/sight-sound-magazine\/comment\/obituaries\/hywel-bennett-obituary\" target=\"_blank\">Hywel Bennett<\/a><\/p>\n<p>\u2022 <em><a href=\"https:\/\/www.youtube.com\/watch?v=ROc79BOXFrg\" target=\"_blank\">Sunken City<\/a><\/em> (1961) by Les Baxter | <em><a href=\"https:\/\/www.youtube.com\/watch?v=nZdiwVTZbzA\" target=\"_blank\">Ys<\/a><\/em> (1971) by Alan Stivell | <em><a href=\"https:\/\/www.youtube.com\/watch?v=x67TgB7SZSI\" target=\"_blank\">Atlantis<\/a><\/em> (1971) by Deuter<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Untitled (2011) by YDK Morimoe. Via Jim Post at Dennis Cooper&#8217;s. \u2022 For The Climax Of The Night by Total Leatherette is almost certainly the only album you&#8217;ll see this year with autofellatio cover art. Faux Fox gives a taste of the new album, while an earlier piece, Squeeze Hunk, features a Tom of Finland-style &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2017\/08\/13\/weekend-links-373\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Weekend links 373&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,51,29,7,5,22,3,16,44,19,46],"tags":[9030,9032,182,8952,3109,9033,5183,1296,6060,1126,9027,2963,2965,9031,7531,9029,2194,164,9028,9026],"class_list":["post-18417","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-cities","category-electronica","category-film","category-gay","category-horror","category-music","category-occult","category-painting","category-television","category-theatre","tag-aaron-dilloway","tag-alan-stivell","tag-algernon-blackwood","tag-daniel-pietersen","tag-dennis-cooper","tag-deuter-musician","tag-dome-karukoski","tag-duke-ellington","tag-fay-pomerance","tag-hywel-bennett","tag-jim-post","tag-joe-orton","tag-john-lahr","tag-laetitia-sadier","tag-les-baxter","tag-stuart-jeffries","tag-tom-of-finland","tag-tom-phillips","tag-total-leatherette","tag-ydk-morimoe"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4N3","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18417","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=18417"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18417\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=18417"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=18417"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=18417"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}