{"id":18394,"date":"2017-07-23T01:10:17","date_gmt":"2017-07-23T00:10:17","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=18394"},"modified":"2017-07-23T01:10:17","modified_gmt":"2017-07-23T00:10:17","slug":"weekend-links-370","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2017\/07\/23\/weekend-links-370\/","title":{"rendered":"Weekend links 370"},"content":{"rendered":"

\"lai.jpg\"<\/a><\/p>\n

The Conjure (2016) by Jolene Lai<\/a>. Via Dangerous Minds<\/a>.<\/em><\/p>\n

\u2022 RIP George Romero, a proudly independent filmmaker who succeeded on his own terms. Kim Newman<\/a> remembers the man who remade horror cinema. Romero always referred to Powell & Pressburger’s Tales of Hoffmann<\/em> (1951) as a key cinematic influence, something he discussed with Marc Lee in 2005<\/a>.<\/p>\n

\u2022 Man Alive<\/em>\u00a0(BBC TV, 1967): Consenting Adults: 1. The Men<\/a> | Consenting Adults: 2. The Women<\/a>. Two documentaries about the British homosexual experience screened shortly before the House of Commons vote that decriminalised sex between men in England and Wales.<\/p>\n

\u2022 Dolente…Dolore: The Inferno of Malcolm Lowry<\/em><\/a> is the latest musical release from Larkfall: “a trembling, drunken dream with flashes of heaven and hell…”<\/p>\n

\u2022 Tom Harper<\/a> on The Klenke Atlas<\/em> (1660), one of the largest atlases in the world which is now available for viewing at the British Library.<\/p>\n

\u2022 Martin Jenkins<\/a> of Pye Corner Audio, The House In The Woods et al talks to Bandcamp about his own brand of sinister electronica.<\/p>\n

\u2022 RIP Peter Principle<\/a>, a musician whose up-front bass playing was always a key feature of the Tuxedomoon sound.<\/p>\n

\u2022 And RIP actor John Heard<\/a> talking to Will Harris in 2015 about some of his many roles in film and TV.<\/p>\n

\u2022 355 free copies of Galaxy Magazine<\/em><\/a> at the Internet Archive.<\/p>\n

\u2022 Google Maps goes inside the International Space Station<\/a>.<\/p>\n

\u2022 Good with a knife: The papercut art of Ivonne Carley<\/a>.<\/p>\n

\u2022 Mix of the week: FACT Mix 610 by Karen Gwyer<\/a>.<\/p>\n

\u2022 At Dennis Cooper’s: Yasujiro Ozu Day<\/a>.<\/p>\n

\u2022\u00a0L’alba Dei Morti Viventi<\/a><\/em> (1978) by Goblin | East\/Jinx\/\u2022\u2022\u2022\/Music #1<\/a><\/em> (1981) by Tuxedomoon | Martin<\/a><\/em> (1983) by Soft Cell<\/p>\n","protected":false},"excerpt":{"rendered":"

The Conjure (2016) by Jolene Lai. Via Dangerous Minds. \u2022 RIP George Romero, a proudly independent filmmaker who succeeded on his own terms. Kim Newman remembers the man who remade horror cinema. Romero always referred to Powell & Pressburger’s Tales of Hoffmann (1951) as a key cinematic influence, something he discussed with Marc Lee in … Continue reading “Weekend links 370”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,29,7,5,22,3,44,20,18,19],"tags":[3555,3109,2250,6022,8998,8996,8990,8999,1728,8994,8993,8992,6626,8991,714,4222,3066,6616,8995,1611,8997,6391],"class_list":["post-18394","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-electronica","category-film","category-gay","category-horror","category-music","category-painting","category-science-fiction","category-surrealism","category-television","tag-dangerous-minds","tag-dennis-cooper","tag-george-romero","tag-goblin-group","tag-ivonne-carley","tag-john-heard","tag-jolene-lai","tag-karen-gwyer","tag-kim-newman","tag-larkfall","tag-malcolm-lowry","tag-marc-lee","tag-martin-jenkins","tag-michael-powell-emeric-pressburger","tag-peter-principle","tag-pye-corner-audio","tag-soft-cell","tag-the-house-in-the-woods","tag-tom-harper","tag-tuxedomoon","tag-will-harris","tag-yasujiro-ozu"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4MG","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18394","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=18394"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18394\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=18394"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=18394"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=18394"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}