{"id":18344,"date":"2017-06-04T01:20:52","date_gmt":"2017-06-04T00:20:52","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=18344"},"modified":"2021-12-10T15:14:01","modified_gmt":"2021-12-10T15:14:01","slug":"weekend-links-363","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2017\/06\/04\/weekend-links-363\/","title":{"rendered":"Weekend links 363"},"content":{"rendered":"

\"sommers.jpg\"<\/a><\/p>\n

The Constant Drumbeat of Terrible News (no date) by Allison Sommers<\/a>.<\/em><\/p>\n

\u2022 Nadia Khomami on Gay UK: Love, Law and Liberty<\/em><\/a>, an exhibition at the British Library. Related: Simon McCallum<\/a>‘s potted history of LGB characters on British screens. Elsewhere: writer and philanthropist Chuck Forester<\/a> on gay sex in the 1970s.<\/p>\n

\u2022 The Panic Fables: Mystic Teachings and Initiatory Tales<\/em><\/a> by Alejandro Jodorowsky. Finally available in English, a collection of all the comic strips written and illustrated by Jodorowsky when he was living in Mexico in the 1960s.<\/p>\n

\u2022 A trailer for the restored print of The Fabulous Baron Munchausen<\/em><\/a> (1961) by\u00a0Karel Zeman. Related: collage designs by Graphic Manipulator<\/a> for a Japanese collection of Zeman’s films.<\/p>\n

\u2022 “Whether divining ancient wisdoms or elevating the art of cold reading, Tarot is a form of therapy, much like psychoanalysis,” says James McConnachie<\/a>.<\/p>\n

\u2022 James Reith<\/a> on “the Icelandic publisher that only prints books during a full moon \u2013 then burns them”.<\/p>\n

\u2022 Mixes of the week: Wire 400 Mix #6 by Emptyset<\/a>, and Secret Thirteen Mix 223 by Constantine<\/a>.<\/p>\n

\u2022 Mud And Flame: Penda’s Fen<\/em><\/a> re-examined by Matthew Harle and James Machin.<\/p>\n

\u2022 Tilda Swinton<\/a> in a Leonora Carrington-inspired fashion shoot for i-D<\/em> magazine.<\/p>\n

\u2022 At Dennis Cooper’s: Spotlight on William Burroughs’ The Wild Boys<\/em><\/a>.<\/p>\n

\u2022 Applied Ballardianism: A Theory of Nothing<\/em><\/a> by Simon Sellars.<\/p>\n

\u2022 At Dangerous Minds: The Dark Rift<\/em><\/a> by Jim Jarmusch’s Sq\u00fcrl.<\/p>\n

\u2022 French Underground Rock: 1967\u20131980<\/a>; a Discogs list.<\/p>\n

\u2022 Suzanne Ciani<\/a>‘s favourite albums.<\/p>\n

\u2022 Infinite artwork: Untitled<\/em>, 2017<\/a><\/p>\n

\u2022 Rip, Rig And Panic<\/a><\/em> (1965) by The Roland Kirk Quartet | Panic<\/a><\/em> (1984) by Coil | Flash Of Panic<\/a><\/em> (1994) by Axiom Ambient<\/p>\n","protected":false},"excerpt":{"rendered":"

The Constant Drumbeat of Terrible News (no date) by Allison Sommers. \u2022 Nadia Khomami on Gay UK: Love, Law and Liberty, an exhibition at the British Library. Related: Simon McCallum‘s potted history of LGB characters on British screens. Elsewhere: writer and philanthropist Chuck Forester on gay sex in the 1970s. \u2022 The Panic Fables: Mystic … Continue reading “Weekend links 363”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[52,2,42,28,1029,9,4,29,21,57,7,5,3,16,44,18,19],"tags":[718,1360,8924,8916,2272,8919,3109,3188,8917,8922,8918,8920,4334,191,731,8921,8914,1117,8923,8915,1936,8682,3593,552,8947,1081,1190],"class_list":["post-18344","post","type-post","status-publish","format-standard","hentry","category-animation","category-art","category-books","category-burroughs","category-collage","category-comics","category-design","category-electronica","category-fantasy","category-fashion","category-film","category-gay","category-music","category-occult","category-painting","category-surrealism","category-television","tag-alejandro-jodorowsky","tag-allison-sommers","tag-axiom-ambient","tag-chuck-forester","tag-coil-group","tag-constantine-musician","tag-dennis-cooper","tag-emptyset","tag-graphic-manipulator","tag-james-machin","tag-james-mcconnachie","tag-james-reith","tag-jim-jarmusch","tag-karel-zeman","tag-leonora-carrington","tag-matthew-harle","tag-nadia-khomami","tag-pendas-fen","tag-roland-kirk","tag-simon-mccallum","tag-simon-sellars","tag-squrl","tag-suzanne-ciani","tag-tarot","tag-the-roland-kirk-quartet","tag-tilda-swinton","tag-william-burroughs"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4LS","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18344","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=18344"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18344\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=18344"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=18344"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=18344"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}