{"id":18335,"date":"2017-05-28T01:14:23","date_gmt":"2017-05-28T00:14:23","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=18335"},"modified":"2017-05-28T01:14:23","modified_gmt":"2017-05-28T00:14:23","slug":"weekend-links-362","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2017\/05\/28\/weekend-links-362\/","title":{"rendered":"Weekend links 362"},"content":{"rendered":"

\"yoshi47.jpg\"<\/a><\/p>\n

A mural for Forest For The Trees, 2016, by Yoshi47<\/a>.<\/em><\/p>\n

\u2022 “Who’s the real cunt?” Andrew O’Hagan<\/a> on the Daily Mail<\/em>‘s hypocrisies, Little England bigotries and omni-outrage in a review of Mail Men: The Unauthorised Story of the \u2018Daily Mail\u2019, the Paper that Divided and Conquered Britain<\/em><\/a> by Adrian Addison.<\/p>\n

\u2022 Deutschlandspiegel 198\/1971<\/a>: a short film at the German Federal Archive which includes footage of Popol Vuh (still in their electronic phase) six minutes in.<\/p>\n

\u2022 A meeting of remarkable minds: a live radio discussion between Annea Lockwood and Pauline Oliveros<\/a> from December 1972.<\/p>\n

\u2022 The House In The Woods<\/a> (aka Martin Jenkins of Pye Corner Audio) at Rare Air, Seattle, 14th May 2017.<\/p>\n

\u2022 “Peaceful but not to be messed with.” Tony Naylor<\/a> on how the bee came to symbolise Manchester.<\/p>\n

\u2022 Mixes of the week: FACT Mix 602 by Deathprod<\/a>, and Secret Thirteen Mix 222 by Yuji Kondo<\/a>.<\/p>\n

\u2022 Emptyset and Mouse On Mars\u2019s Jan St Werner<\/a> on space, time and the evolution of sound.<\/p>\n

\u2022 At Indiegogo, a funding call for Subotnick: Portrait of an Electronic Music Pioneer<\/em><\/a>.<\/p>\n

\u2022 Shannon Taggart\u2019s Camera Fantastica<\/a>: an interview by Peter Bebergal.<\/p>\n

\u2022 Study finds mushrooms are the safest recreational drug<\/a>.<\/p>\n

\u2022 Mary Anne Hobbs<\/a>‘ favourite albums.<\/p>\n

\u2022 Bumble Bee Bolero<\/a><\/em> (1957) by Harry Breuer | Bee Stings<\/a><\/em> (1998) by Coil | The Bees Made Honey In The Lion’s Skull<\/a><\/em> (2008) by Earth<\/p>\n","protected":false},"excerpt":{"rendered":"

A mural for Forest For The Trees, 2016, by Yoshi47. \u2022 “Who’s the real cunt?” Andrew O’Hagan on the Daily Mail‘s hypocrisies, Little England bigotries and omni-outrage in a review of Mail Men: The Unauthorised Story of the \u2018Daily Mail\u2019, the Paper that Divided and Conquered Britain by Adrian Addison. \u2022 Deutschlandspiegel 198\/1971: a short … Continue reading “Weekend links 362”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,851,29,7,3,16,44,12,14],"tags":[8905,8904,3513,2272,1906,3316,3188,4837,8908,517,6626,8909,4115,2300,7464,1018,1900,4222,5177,6616,8906,8903,8907],"class_list":["post-18335","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-drugs","category-electronica","category-film","category-music","category-occult","category-painting","category-photography","category-politics","tag-adrian-addison","tag-andrew-ohagan","tag-annea-lockwood","tag-coil-group","tag-deathprod","tag-earth-group","tag-emptyset","tag-harry-breuer","tag-jan-st-werner","tag-manchester","tag-martin-jenkins","tag-mary-anne-hobbs","tag-morton-subotnick","tag-mouse-on-mars","tag-pauline-oliveros","tag-peter-bebergal","tag-popol-vuh","tag-pye-corner-audio","tag-shannon-taggart","tag-the-house-in-the-woods","tag-tony-naylor","tag-yoshi47","tag-yuji-kondo"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4LJ","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18335","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=18335"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18335\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=18335"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=18335"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=18335"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}