{"id":18312,"date":"2017-05-14T01:10:22","date_gmt":"2017-05-14T00:10:22","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=18312"},"modified":"2017-05-14T01:10:22","modified_gmt":"2017-05-14T00:10:22","slug":"weekend-links-360","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2017\/05\/14\/weekend-links-360\/","title":{"rendered":"Weekend links 360"},"content":{"rendered":"

\"sasaki.jpg\"<\/a><\/p>\n

Threshold (2008) by Roku Sasaki<\/a>.<\/em><\/p>\n

\u2022 A previously unseen interview with Angela Carter<\/a> from 1979 in which she talks to David Pringle about her evolution as a writer, literary influences and genre fiction.<\/p>\n

\u2022 Among the highlights in the latest edition of Wormwood<\/em><\/a> there’s Doug Anderson on Panacea<\/em> by Robert Aickman, a “vast unpublished philosophical work”.<\/p>\n

\u2022 The London Review Bookshop podcast: Marina Warner and Chloe Aridjis<\/a> discuss Leonora Carrington.<\/p>\n

The prose works, conversely, read like surrealist poetry. They were written according to a compositional method Roussel called le proc\u00e9d\u00e9<\/em> (the procedure), in which a complicated system of puns rather than traditional narrative logic determines the progression of the story. In Locus Solus<\/em>, the mad scientist Martial Canterel takes his colleagues on a tour of his country estate\u2014\u201cthe lonely place\u201d of the title\u2014to show them the bizarre inventions generated by Roussel\u2019s proc\u00e9d\u00e9<\/em>. These include a device that constructs a mosaic made out of human teeth; a water-filled diamond in which a dancer, a hairless cat, and the head of Danton are suspended; and a series of corpses Cantarel has brought back to life with the fluid \u201cressurectine,\u201d which compels them to act out the most important event of their former lives, to the scientists\u2019 astonishment.<\/p>\n

Ryan Ruby<\/a> on Raymond Roussel, The Accidental Avant-Gardist<\/em><\/p><\/blockquote>\n

\u2022 The latest manifestation of paranormal electronica by The Electric Pentacle is entitled Black Ectoplasm<\/em><\/a>.<\/p>\n

\u2022 Sergey Bessmertny<\/a>‘s account of working as a camera technician on Andrei Tarkovsky’s Stalker<\/em>.<\/p>\n

\u2022 City Of Fallen Angels: The Bug vs. Earth. In conversation with Kevin Martin and Dylan Carlson<\/a>.<\/p>\n

\u2022 Sex and art by the Grand Canal:\u00a0Judith Mackrell<\/a> on Peggy Guggenheim in Venice.<\/p>\n

\u2022 A Guide Through the Darkened Passages of Dungeon Synth<\/a>.<\/p>\n

\u2022 Mix of the week: XLR8R Podcast 489 by Samuel Rohrer<\/a>.<\/p>\n

\u2022 The late Mika Vainio\/Panasonic<\/a> live in 1996.<\/p>\n

\u2022 Xan Brooks<\/a> on Cary Grant’s 100 acid trips.<\/p>\n

\u2022 Resurrection<\/a><\/em> (1968) by Steppenwolf | Resurrection<\/a><\/em> (1975) by Master Wilburn Burchette | Resurrection<\/a><\/em> (1987) by Demons Of Negativity<\/p>\n","protected":false},"excerpt":{"rendered":"

Threshold (2008) by Roku Sasaki. \u2022 A previously unseen interview with Angela Carter from 1979 in which she talks to David Pringle about her evolution as a writer, literary influences and genre fiction. \u2022 Among the highlights in the latest edition of Wormwood there’s Doug Anderson on Panacea by Robert Aickman, a “vast unpublished philosophical … Continue reading “Weekend links 360”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,851,29,21,7,3,44,17,20,18],"tags":[214,3053,1134,8808,8869,8876,8871,3317,3316,8873,5033,731,532,8875,7784,8822,2976,1054,2947,8868,7560,8874,8872,1333,7002,6404,5589,5511,8870,3055],"class_list":["post-18312","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-drugs","category-electronica","category-fantasy","category-film","category-music","category-painting","category-psychedelia","category-science-fiction","category-surrealism","tag-andrei-tarkovsky","tag-angela-carter","tag-cary-grant","tag-chloe-aridjis","tag-david-pringle","tag-demons-of-negativity","tag-doug-anderson","tag-dylan-carlson","tag-earth-group","tag-judith-mackrell","tag-kevin-martin","tag-leonora-carrington","tag-marina-warner","tag-master-wilburn-burchette","tag-mika-vainio","tag-panasonic-group","tag-peggy-guggenheim","tag-raymond-roussel","tag-robert-aickman","tag-roku-sasaki","tag-ryan-ruby","tag-samuel-rohrer","tag-sergey-bessmertny","tag-stalker","tag-steppenwolf-group","tag-the-bug-musician","tag-the-electric-pentacle","tag-wilburn-burchette","tag-wormwood-magazine","tag-xan-brooks"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4Lm","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18312","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=18312"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18312\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=18312"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=18312"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=18312"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}