{"id":18300,"date":"2017-05-07T01:05:08","date_gmt":"2017-05-07T00:05:08","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=18300"},"modified":"2017-05-07T01:19:37","modified_gmt":"2017-05-07T00:19:37","slug":"weekend-links-359","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2017\/05\/07\/weekend-links-359\/","title":{"rendered":"Weekend links 359"},"content":{"rendered":"

\"azuma.jpg\"<\/a><\/p>\n

An urban scene from\u00a0Yotsuba&! by manga artist Kiyohiko Azuma<\/a>.<\/em><\/p>\n

\u2022 The resurgence of interest in Alice Coltrane’s music is very welcome even if she joins for the moment the list of those artists (usually women: see Leonora Carrington) tagged by editors as “lost”, “forgotten”, “unrecognised”, etc.\u00a0Alice Coltrane was only ever lost if you weren’t paying attention, and was notable enough fifteen years ago<\/a> to be given the cover of The Wire<\/em> magazine. Articles appearing this week have been prompted by a compilation of the devotional music<\/a> that Coltrane recorded for a series of self-released cassettes in the 1980s. Geeta Dayal<\/a> writes about the creation of the ashram recordings, while Stewart Smith<\/a> suggests starting points for new listeners.<\/p>\n

\u2022 Mentioned here before, but there’s now a page for the book: a new edition of Hashish<\/em> (1902) by Oscar Schmitz<\/a> will be published by Wakefield Press in November. “A collection of decadent, interweaving tales of Satanism, eroticism, sadism, cannibalism, necrophilia, and death”, illustrated by Alfred Kubin.<\/p>\n

\u2022 Mixes of the week: A Dark Entries<\/a> mix for the 400th issue of The Wire<\/em>, Procedure, LA, April 25, 2017 by Pinkcourtesyphone<\/a>, and Secret Thirteen Mix 220, a 4-hour epic by Ricardo Gomez Y De Buck<\/a>.<\/p>\n

\u2022 More off-the-beaten-path film lists: Sarah Lyons<\/a> for Dirge Magazine on three occult documentaries, and Terry Ratchett<\/a> for Dennis Cooper on 18 needlessly obscured avant-garde films.<\/p>\n

\u2022 An Island of Peace: James Conway<\/a> on Amanda DeMarco’s new translation of Walking in Berlin: A Fl\u00e2neur in the Capital<\/em> by Franz Hessel.<\/p>\n

\u2022 Ryuichi Sakamoto<\/a> talks to Aaron Coultate about overcoming cancer, The Revenant<\/em> and his new album, async<\/em>.<\/p>\n

\u2022 Ingrid D. Rowland<\/a> on Caravaggio: The Virtuoso of Compassion.<\/p>\n

\u2022 “I think I am<\/em> weirdly politically correct,” says John Waters<\/a>.<\/p>\n

\u2022 Mnemonic Generator<\/a><\/p>\n

\u2022\u00a0Berliner N\u00e4chte Part 1<\/em><\/a> (1990) by Seigen Ono | Berlinerstrasse<\/a><\/em> (1995) by Coco, Steel & Lovebomb | Berlin<\/a><\/em> (1998) by Pole<\/p>\n","protected":false},"excerpt":{"rendered":"

An urban scene from\u00a0Yotsuba&! by manga artist Kiyohiko Azuma. \u2022 The resurgence of interest in Alice Coltrane’s music is very welcome even if she joins for the moment the list of those artists (usually women: see Leonora Carrington) tagged by editors as “lost”, “forgotten”, “unrecognised”, etc.\u00a0Alice Coltrane was only ever lost if you weren’t paying … Continue reading “Weekend links 359”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,42,9,851,29,48,3,44,31,15],"tags":[8863,1592,637,8861,226,8864,8894,8857,3109,7740,8862,1393,8407,7922,1812,8854,8856,5162,8865,8858,1412,8859,6175,8855,8860],"class_list":["post-18300","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-comics","category-drugs","category-electronica","category-illustrators","category-music","category-painting","category-religion","category-technology","tag-aaron-coultate","tag-alfred-kubin","tag-alice-coltrane","tag-amanda-demarco","tag-caravaggio","tag-coco-steel-lovebomb","tag-dark-entries","tag-dark-entries-musician","tag-dennis-cooper","tag-dirge-magazine","tag-franz-hessel","tag-geeta-dayal","tag-ingrid-d-rowland","tag-james-conway","tag-john-waters","tag-kiyohiko-azuma","tag-oscar-schmitz","tag-pinkcourtesyphone","tag-pole-musician","tag-ricardo-gomez-y-de-buck","tag-ryuichi-sakamoto","tag-sarah-lyons","tag-seigen-ono","tag-stewart-smith","tag-terry-ratchett"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4La","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18300","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=18300"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18300\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=18300"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=18300"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=18300"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}