![\"zaidenberg02.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2017\/05\/zaidenberg02.jpg\")
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Arthur Zaidenberg’s Masereel-like renderings of Decadent icon\u00a0Des Esseintes appear here for the second time courtesy of a recent upload at the Internet Archive<\/a>. Zaidenberg’s illustrations were for a 1931 edition of Huysmans’ novel, and the copies I linked to back in 2008 were rather fuzzy and low-res compared to these scans. The earlier collection does, however, include an additional illustration<\/a> not present in the Internet Archive copy, possibly the result of the plate theft that plagues old illustrated volumes. The 1931 edition isn’t the best illustrated \u00c0 Rebours<\/em> by any means\u2014the illustrations aren’t even on a par with Zaidenberg’s other work\u2014but this is one cult novel whose treatment in any medium is liable to attract my attention.<\/p>\n <\/p>\n Elsewhere on { feuilleton } Previously on { feuilleton } Arthur Zaidenberg’s Masereel-like renderings of Decadent icon\u00a0Des Esseintes appear here for the second time courtesy of a recent upload at the Internet Archive. Zaidenberg’s illustrations were for a 1931 edition of Huysmans’ novel, and the copies I linked to back in 2008 were rather fuzzy and low-res compared to these scans. The earlier collection does, … Continue reading “Arthur Zaidenberg\u2019s \u00c0 Rebours revisited”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,48],"tags":[8853,7167],"class_list":["post-18296","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-illustrators","tag-arthur-zaidenberg","tag-jk-huysmans"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4L6","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18296","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=18296"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18296\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=18296"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=18296"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=18296"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"zaidenberg01.jpg\"](\"http:\/\/www.banger.com\/art\/zaid\/ZAID11.JPG\")
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\n\u2022 The illustrators archive<\/a><\/p>\n
\n\u2022 In the Key of Yellow<\/a>
\n\u2022 Against Nature in New York<\/a>
\n\u2022 \u00c0 Rebours illustrated<\/a>
\n\u2022 Arthur Zaidenberg\u2019s \u00c0 Rebours<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"