{"id":18293,"date":"2017-04-30T01:08:22","date_gmt":"2017-04-30T00:08:22","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=18293"},"modified":"2017-04-30T01:08:22","modified_gmt":"2017-04-30T00:08:22","slug":"weekend-links-358","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2017\/04\/30\/weekend-links-358\/","title":{"rendered":"Weekend links 358"},"content":{"rendered":"

\"higuchi.jpg\"<\/a><\/p>\n

Painted beetle (2016) by Akihiro Higuchi<\/a>.<\/em><\/p>\n

\u2022 David Horbury<\/a>: The Tate’s Queer British Art exhibition ignores the pioneering scholarship of Emmanuel Cooper, author of The Sexual Perspective: Homosexuality and Art in the last 100 years in the West<\/em> (1986).<\/p>\n

\u2022 L’Androgyne Alchemique<\/em><\/a> is an exhibition at the Azzedine Ala\u00efa Gallery, Paris, by pascALEjandro, a collaboration between Pascale Montandon-Jodorowsky<\/a> and Alejandro Jodorowsky.<\/p>\n

\u2022 At Strange Flowers: an interview with DJ Sheppard, biographer of poet Theodore Wratislaw<\/a> (1871\u20131933), one of the models for Max Beerbohm’s hapless Enoch Soames.<\/p>\n

\u2022 Eloise or, the Realities<\/em><\/a> is a new 122-page comic book by\u00a0Ibrahim R. Ineke “inspired in part by Children of the Stones<\/em> and The Owl Service<\/em>“.<\/p>\n

\u2022 Cormac McCarthy hasn’t published a novel for over ten years now but this new piece of writing<\/a> addresses the mysterious origin of language.<\/p>\n

\u2022 “…she invented a kind of symbolic code that channelled the occult and the Renaissance masters”. Yo Zushi<\/a> on Leonora Carrington.<\/p>\n

\u2022 John O\u2019Reilly<\/a> on the\u00a0Samuel Beckett cover designs created by Russell Mills and Gary Day-Ellison for Picador.<\/p>\n

\u2022 Porter Ricks<\/a> (Thomas K\u00f6ner & Andy Mellwig) have announced their first album in 18 years.<\/p>\n

\u2022 At The Daily Grail: Alan Moore<\/a> on science, imagination, language and spirits of place.<\/p>\n

\u2022 All 66 issues of Performance Magazine<\/em><\/a> (1979\u20131992) are now available online.<\/p>\n

\u2022 The Throbbing Gristle<\/a> catalogue is being reissued (again).<\/p>\n

\u2022 Lost Soul In Disillusion<\/a><\/em> (1967) by The Power Of Beckett | Liquid Insects<\/em><\/a> (1993) by Amorphous Androgynous | Biokinetics 2<\/a><\/em> (1996) by Porter Ricks<\/p>\n","protected":false},"excerpt":{"rendered":"

Painted beetle (2016) by Akihiro Higuchi. \u2022 David Horbury: The Tate’s Queer British Art exhibition ignores the pioneering scholarship of Emmanuel Cooper, author of The Sexual Perspective: Homosexuality and Art in the last 100 years in the West (1986). \u2022 L’Androgyne Alchemique is an exhibition at the Azzedine Ala\u00efa Gallery, Paris, by pascALEjandro, a collaboration … Continue reading “Weekend links 358”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[2,42,9,47,4,29,5,43,3,16,44,18],"tags":[8840,103,718,8852,8850,4223,96,8841,8845,8842,4608,8654,6653,141,8848,731,1088,8844,8843,8851,8849,210,410,5940,8846,1011,512,8847],"class_list":["post-18293","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-comics","category-cormac","category-design","category-electronica","category-gay","category-magazines","category-music","category-occult","category-painting","category-surrealism","tag-akihiro-higuchi","tag-alan-moore","tag-alejandro-jodorowsky","tag-amorphous-androgynous","tag-andy-mellwig","tag-children-of-the-stones","tag-cormac-mccarthy","tag-david-horbury","tag-dj-sheppard","tag-emmanuel-cooper","tag-enoch-soames","tag-gary-day-ellison","tag-ibrahim-r-ineke","tag-insects","tag-john-oreilly","tag-leonora-carrington","tag-max-beerbohm","tag-pascale-montandon-jodorowsky","tag-pascalejandro","tag-performance-magazine","tag-porter-ricks","tag-russell-mills","tag-samuel-beckett","tag-the-power-of-beckett","tag-theodore-wratislaw","tag-thomas-koner","tag-throbbing-gristle","tag-yo-zushi"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4L3","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18293","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=18293"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18293\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=18293"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=18293"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=18293"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}