![\"taggart.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2017\/03\/taggart.jpg\")
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Table-Tipping Workshop at Rev. Jane\u2019s House, Erie, Pennsylvania, 2014 by Shannon Taggart<\/a>.<\/em><\/p>\n \u2022 Canadian electronic musician Sarah Davachi<\/a> talks to Erik Davis about analogue synthesizers, reverberating cathedrals, attention spans, and her ambient drone album All My Circles Run<\/em><\/a>.<\/p>\n \u2022 Orson Welles’ The Other Side of the Wind<\/em> may now be released by Netflix<\/a>. (I’m restraining my excitement for the moment since this one has been a long time arriving.)<\/p>\n \u2022 Mixes of the week: VF Mix 86: Jah Shaka by Roly Porter<\/a>, Secret Thirteen Mix 215 by Twins<\/a>, and What Good Is God? (1:11:11.111 Melon Collie Mix) by Gregg Hermetech<\/a>.<\/p>\n \u2022 Making sense of The Weird and the Eerie<\/em>: Roger Luckhurst<\/a> reviews the final book from the late Mark Fisher.<\/p>\n \u2022 Pye Corner Audio has been very productive this year (I’m not complaining); the latest release is The Spiral<\/a><\/em>.<\/p>\n \u2022 “I don’t like acceptance,” says Cosi Fanni Tutti<\/a>, “it makes me think I’ve done something wrong.”<\/p>\n \u2022\u00a0Jon Brooks<\/a> on the Continental inspiration for his next album, Autres Directions<\/em>.<\/p>\n \u2022 S\u00e9ance: Spiritualist Ritual and the Search for Ectoplasm<\/em><\/a> by Shannon Taggart.<\/p>\n \u2022 Corny and clich\u00e9d: Matthew Bown<\/a> on bad painting in the twentieth century.<\/p>\n \u2022 At Wormwoodiana: Douglas A. Anderson<\/a> on Borges and a forgotten book.<\/p>\n \u2022 At the BFI: Samuel Wigley<\/a> chooses 10 great films set in the jungle.<\/p>\n \u2022 Jungle Flower<\/a><\/em> (1951) by Les Baxter | Jungle Fever<\/a><\/em> (1973) by The Upsetters | The Jungle Dream<\/a><\/em> (1973\u20131980) by Patrick Cowley<\/p>\n","protected":false},"excerpt":{"rendered":" Table-Tipping Workshop at Rev. Jane\u2019s House, Erie, Pennsylvania, 2014 by Shannon Taggart. \u2022 Canadian electronic musician Sarah Davachi talks to Erik Davis about analogue synthesizers, reverberating cathedrals, attention spans, and her ambient drone album All My Circles Run. \u2022 Orson Welles’ The Other Side of the Wind may now be released by Netflix. (I’m restraining … Continue reading “Weekend links 352”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,27,29,7,22,3,16,44,12],"tags":[6268,8780,1686,8271,8777,1017,1483,7531,1405,8779,762,3697,4222,5072,2890,8413,8776,5177,8781,8778],"class_list":["post-18251","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-borges","category-electronica","category-film","category-horror","category-music","category-occult","category-painting","category-photography","tag-cosi-fanni-tutti","tag-douglas-a-anderson","tag-erik-davis","tag-gregg-hermetech","tag-jah-shaka","tag-jon-brooks","tag-jorge-luis-borges","tag-les-baxter","tag-mark-fisher","tag-matthew-bown","tag-orson-welles","tag-patrick-cowley","tag-pye-corner-audio","tag-roger-luckhurst","tag-roly-porter","tag-samuel-wigley","tag-sarah-davachi","tag-shannon-taggart","tag-the-upsetters","tag-twins-group"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4Kn","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18251","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=18251"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18251\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=18251"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=18251"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=18251"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}