{"id":18244,"date":"2017-03-12T01:10:41","date_gmt":"2017-03-12T01:10:41","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=18244"},"modified":"2017-03-12T01:12:00","modified_gmt":"2017-03-12T01:12:00","slug":"weekend-links-351","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2017\/03\/12\/weekend-links-351\/","title":{"rendered":"Weekend links 351"},"content":{"rendered":"<p><a href=\"http:\/\/www.ngv.vic.gov.au\/explore\/collection\/work\/42835\/\" target=\"_blank\"><img decoding=\"async\" alt=\"burgkmair.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2017\/03\/burgkmair.jpg\" \/><\/a><\/p>\n<p><em>Herald on Griffin (1516-1518) from The Triumphal Procession of Emperor Maximilian I series by <a href=\"http:\/\/www.ngv.vic.gov.au\/explore\/collection\/artist\/6972\/\" target=\"_blank\">Hans Burgkmair the Elder<\/a>.<\/em><\/p>\n<p>\u2022 My design and illustration work for <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2016\/11\/16\/pirate-utopia-by-bruce-sterling\/\"><em>Pirate Utopia<\/em><\/a> by Bruce Sterling continues to gain favourable comments, a novelty when reviewers often pass over the visual component of the books under their consideration. One of the most recent examples is in the latest edition of <a href=\"http:\/\/www.locusmag.com\/Magazine\/2017\/03\/table-of-contents-march-2017\/\" target=\"_blank\"><em>Locus Magazine<\/em><\/a>; this can only be read in full by subscribers but <a href=\"http:\/\/tachyonpub.tumblr.com\/post\/158232708078\/exquisite-pirate-utopia-packs-a-lot-of-power\" target=\"_blank\">the Tachyon Tumblr<\/a> has an extract.<\/p>\n<p>\u2022 <a href=\"http:\/\/www.newyorker.com\/books\/page-turner\/the-complicated-friendship-of-h-p-lovecraft-and-robert-barlow-one-of-his-biggest-fans\" target=\"_blank\">Paul La Farge<\/a> on the complicated friendship of HP Lovecraft and Robert Barlow. Related: <a href=\"http:\/\/www.hplovecraft.com\/writings\/texts\/fiction\/no.aspx\" target=\"_blank\"><em>The Night Ocean<\/em><\/a>, a short story by Barlow &amp; Lovecraft. Meanwhile, <a href=\"http:\/\/www.providencejournal.com\/entertainmentlife\/20170309\/lovecraft-fans-raising-money-for-providence-statue\" target=\"_blank\">Lovecraft enthusiasts are still raising money for a Providence statue<\/a> (spot my art and design work in the photo of the Lovecraft Art and Sciences Council).<\/p>\n<p>\u2022 At The Quietus this week: <a href=\"http:\/\/thequietus.com\/articles\/21945-children-of-alice-broadcast-interview\" target=\"_blank\">Children Of Alice<\/a> talk to Patrick Clarke about audio collage and English Surrealism, Lottie Brazier enters <a href=\"http:\/\/thequietus.com\/articles\/21949-annette-peacock-interview-2\" target=\"_blank\">The Strange World of Annette Peacock<\/a>, and <a href=\"http:\/\/thequietus.com\/articles\/21928-manuel-gottsching-interview-ash-ra-tempel-e2-e4\" target=\"_blank\">Manuel G\u00f6ttsching<\/a> tells Robert Barry how Ash Ra Tempel became the loudest band in Berlin.<\/p>\n<p>\u2022 &#8220;Mind the doors!&#8221; Eight reviewers pick <a href=\"http:\/\/www.bfi.org.uk\/news-opinion\/bfi-news\/tube-150-10-great-films-underground\" target=\"_blank\">ten films featuring the London Underground<\/a>. Not a bad list but choosing a Doctor Who film while ignoring the great <em>Quatermass and the Pit<\/em> (1967) is an error.<\/p>\n<p>\u2022 Mixes of the week: Swedenborgian Hobos by <a href=\"https:\/\/www.mixcloud.com\/acephale\/tmp-7-swedenborgian-hobos\/\" target=\"_blank\">acephale<\/a>, Secret Thirteen Mix 214 by <a href=\"http:\/\/secretthirteen.org\/fabio-perletta-music-mix\/\" target=\"_blank\">Fabio Perletta<\/a>, and a mix for NTS by <a href=\"http:\/\/www.nts.live\/shows\/guests\/episodes\/six-organs-of-admittance-22nd-february-2017\" target=\"_blank\">Six Organs Of Admittance<\/a>.<\/p>\n<p>\u2022 More Surrealism: <a href=\"https:\/\/www.treadwells-london.com\/event\/leonor-fini-surrealist-sorceress\/\" target=\"_blank\">Leonor Fini, Surrealist Sorceress<\/a>, a lecture by Dr Sabina Stent, will take place at Treadwell&#8217;s Bookshop, London, on 19th May.<\/p>\n<p>\u2022 &#8220;Michael Chapman&#8217;s road-weary guitar resonates with a new generation,&#8221; says <a href=\"http:\/\/www.npr.org\/2017\/03\/07\/518797679\/michael-chapmans-road-weary-guitar-resonates-with-a-new-generation\" target=\"_blank\">Joel Rose<\/a>.<\/p>\n<p>\u2022 <a href=\"http:\/\/publicdomainreview.org\/collections\/a-journey-round-my-room-1794-1871\/\" target=\"_blank\"><em>A Journey Round my Room<\/em><\/a> (1794), a book by Xavier de Maistre.<\/p>\n<p>\u2022 <a href=\"https:\/\/www.youtube.com\/watch?v=ahzZjwjdaM0\" target=\"_blank\"><em>Lyrical Nitrate<\/em><\/a> (1991), a film by Peter Delpeut.<\/p>\n<p>\u2022 <em><a href=\"https:\/\/www.youtube.com\/watch?v=hGyCGvu5BMc\" target=\"_blank\">The Sorcerer<\/a><\/em> (1967) by Miles Davis | <em><a href=\"https:\/\/www.youtube.com\/watch?v=zzOTucpBKa4\" target=\"_blank\">Impressions Of Sorcerer<\/a><\/em> (1977) by Tangerine Dream | <em><a href=\"https:\/\/culturalapparati.bandcamp.com\/track\/venom-sorcerer\" target=\"_blank\">Venom Sorcerer<\/a><\/em> (2014) by Cultural Apparati<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Herald on Griffin (1516-1518) from The Triumphal Procession of Emperor Maximilian I series by Hans Burgkmair the Elder. \u2022 My design and illustration work for Pirate Utopia by Bruce Sterling continues to gain favourable comments, a novelty when reviewers often pass over the visual component of the books under their consideration. One of the most &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2017\/03\/12\/weekend-links-351\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Weekend links 351&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,4,29,7,5,22,26,3,16,41,18,23],"tags":[8768,2731,4660,2503,8686,8773,193,8769,8763,1687,730,8767,8766,4682,1334,1515,8740,8764,8772,8290,3048,8765,1607,8770,3932,383,889,2439,8771],"class_list":["post-18244","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-design","category-electronica","category-film","category-gay","category-horror","category-lovecraft","category-music","category-occult","category-sculpture","category-surrealism","category-work","tag-acephale","tag-annette-peacock","tag-ash-ra-tempel","tag-bruce-sterling","tag-children-of-alice","tag-cultural-apparati","tag-doctor-who","tag-fabio-perletta","tag-hans-burgkmair","tag-hp-lovecraft","tag-leonor-fini","tag-lottie-brazier","tag-lovecraft-art-and-sciences-council","tag-manuel-gottsching","tag-michael-chapman","tag-miles-davis","tag-patrick-clarke","tag-paul-la-farge","tag-peter-delpeut","tag-pirate-utopia","tag-quatermass","tag-robert-barlow","tag-robert-barry","tag-sabina-stent","tag-six-organs-of-admittance","tag-tachyon-publications","tag-tangerine-dream","tag-the-quietus","tag-xavier-de-maistre"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4Kg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18244","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=18244"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18244\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=18244"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=18244"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=18244"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}