{"id":18216,"date":"2017-02-12T01:08:24","date_gmt":"2017-02-12T01:08:24","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=18216"},"modified":"2017-02-12T01:08:24","modified_gmt":"2017-02-12T01:08:24","slug":"weekend-links-347","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2017\/02\/12\/weekend-links-347\/","title":{"rendered":"Weekend links 347"},"content":{"rendered":"

\"kubin.jpg\"<\/a><\/p>\n

Dream Animal (1903) by Alfred Kubin<\/a>.<\/em><\/p>\n

\u2022 The week in Finland: A set of Finnish emojis includes icons for notable cultural exports such as Tom of Finland<\/a> and Moominmamma<\/a>. Tove Jansson’s creations have received fresh attention this month with the debut release of the electronic soundtrack music<\/a> for The Moomins<\/em><\/a>, an animated TV series made in Poland in 1977, and first broadcast in the UK in 1983. Andrew Male<\/a> talked to Graeme Miller and Steve Shill about creating Moomins music with rudimentary instrumentation.<\/p>\n

\u2022 Russian company Mosfilm has made a new copy of Andrei Tarkovsky’s science-fiction masterpiece, Stalker<\/em> (1979), available on their YouTube channel<\/a>. Tarkovsky’s films have been blighted by inexplicable flaws in their home releases, as Stalker<\/em> was when reissued on a Region B Blu-ray last year. The new Mosfilm upload looks better than my old DVD so for the moment this is the one I’ll be watching.<\/p>\n

\u2022 Before straight and gay: the discreet, disorienting passions of the Victorian era. Deborah Cohen<\/a> reviews A Very Queer Family Indeed<\/em> by Simon Goldhill. Related: Kevin Killian<\/a> reviews Murder in the Closet: Essays in Queer Clues in Crime Fiction Before Stonewall<\/em>, edited by Curtis Evans.<\/p>\n

\u2022 “How many graphic designers owe their introduction to typography to a teenage encounter with the typefaces and lettering found on album covers?” asks Adrian Shaughnessy<\/a>.<\/p>\n

\u2022 Mixes of the week: Secret Thirteen Mix 210 by Ascion<\/a>, FACT Mix 587 by Seekersinternational<\/a>, and The S\u00e9ance, 4th February 2017<\/a>.<\/p>\n

\u2022 Pankaj Mishra<\/a> on V\u00e1clav Havel\u2019s lessons on how to create a “parallel polis”. Related: The Power of the Powerless<\/em><\/a> by V\u00e1clav Havel.<\/p>\n

\u2022 Hans Corneel de Roos<\/a> on Dracula<\/em>‘s lost Icelandic sister text: How a supposed translation proved to be much more.<\/p>\n

\u2022 “I live outside the world in a universe I myself have created, like a madman or a holy visionary.” \u2014 Michel de Ghelderode<\/a>.<\/p>\n

\u2022 The Metropolitan Museum of Art makes 375,000 images of public art freely available<\/a> under Creative Commons Zero.<\/p>\n

\u2022 Richard H. Kirk<\/a> on Thatcherite pop and why Cabaret Voltaire were like The Velvet Underground.<\/p>\n

\u2022 Emily Gosling<\/a> on what David Lynch’s use of typography reveals (or doesn’t).<\/p>\n

\u2022 White Noise Sounds of Frozen Arctic Ocean with Polar Icebreaker Idling<\/a>.<\/p>\n

\u2022 John Gray<\/a> on what cats can teach us about how to live.<\/p>\n

\u2022 At Dennis Cooper’s<\/a>: Day of the Mellotron (Restored).<\/p>\n

\u2022 The Warburg Institute Iconographic Database<\/a>.<\/p>\n

\u2022 Sastan\u00e0qq\u00e0m<\/a><\/em> by Tinariwen.<\/p>\n

\u2022 Tanz Der Vampire<\/a><\/em> (1969) by The Vampires of Dartmoore | Dracula<\/a><\/em> (1983) by Dilemma | Vampires At Large<\/a><\/em> (2012) by John Zorn<\/p>\n","protected":false},"excerpt":{"rendered":"

Dream Animal (1903) by Alfred Kubin. \u2022 The week in Finland: A set of Finnish emojis includes icons for notable cultural exports such as Tom of Finland and Moominmamma. Tove Jansson’s creations have received fresh attention this month with the debut release of the electronic soundtrack music for The Moomins, an animated TV series made … Continue reading “Weekend links 347”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,4,29,7,5,22,3,14,20,15,10],"tags":[3092,1592,214,8471,8727,1172,150,8726,265,8723,3109,8734,977,8732,8720,8731,4835,3046,8725,1160,3356,2193,8722,7471,1254,8728,8724,1333,8721,8729,8733,8533,2194,797,8730,190],"class_list":["post-18216","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-design","category-electronica","category-film","category-gay","category-horror","category-music","category-politics","category-science-fiction","category-technology","category-typography","tag-adrian-shaughnessy","tag-alfred-kubin","tag-andrei-tarkovsky","tag-andrew-male","tag-ascion","tag-bram-stoker","tag-cabaret-voltaire","tag-curtis-evans","tag-david-lynch","tag-deborah-cohen","tag-dennis-cooper","tag-dilemma-group","tag-dracula","tag-emily-gosling","tag-graeme-miller","tag-hans-corneel-de-roos","tag-john-gray","tag-john-zorn","tag-kevin-killian","tag-mellotron","tag-michel-de-ghelderode","tag-moomins","tag-mosfilm","tag-pankaj-mishra","tag-richard-h-kirk","tag-seekersinternational","tag-simon-goldhill","tag-stalker","tag-steve-shill","tag-the-seance","tag-the-vampires-of-dartmoore","tag-tinariwen","tag-tom-of-finland","tag-tove-jansson","tag-vaclav-havel","tag-white-noise"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4JO","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18216","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=18216"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18216\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=18216"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=18216"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=18216"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}