{"id":18201,"date":"2017-01-29T01:02:45","date_gmt":"2017-01-29T01:02:45","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=18201"},"modified":"2017-01-29T01:02:45","modified_gmt":"2017-01-29T01:02:45","slug":"weekend-links-345","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2017\/01\/29\/weekend-links-345\/","title":{"rendered":"Weekend links 345"},"content":{"rendered":"<p><a href=\"https:\/\/www.behance.net\/gallery\/46686401\/Wasted-Alice\" target=\"_blank\"><img decoding=\"async\" alt=\"lazo.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2017\/01\/lazo.jpg\" \/><\/a><\/p>\n<p><em>Wasted Alice (2017) by <a href=\"https:\/\/www.behance.net\/gallery\/46686401\/Wasted-Alice\" target=\"_blank\">Sonia Lazo<\/a>.<\/em><\/p>\n<p>\u2022 <a href=\"https:\/\/www.theguardian.com\/music\/2017\/jan\/23\/brian-eno-not-interested-in-talking-about-me-reflection\" target=\"_blank\">Brian Eno<\/a>: &#8220;We&#8217;ve been in decline for 40 years\u2014Trump is a chance to rethink.&#8221; An equivocal headline, and the usual misinterpretation from the hard-of-thinking, prompted Eno to issue <a href=\"https:\/\/m.facebook.com\/brianenomusic\/posts\/1570528932961292\" target=\"_blank\">a clarification<\/a>. More Trumpery: <a href=\"http:\/\/www.spectator.co.uk\/2017\/01\/if-trump-were-to-build-it-what-sort-of-wall-would-the-wall-be\/\" target=\"_blank\">Jonathan Meades<\/a> wonders what kind of wall &#8220;The Lout&#8221; might want to build. Related: almost all of Meades&#8217; smart and witty television essays may be viewed at <a href=\"http:\/\/meadesshrine.blogspot.co.uk\/p\/shrine.html\" target=\"_blank\">MeadesShrine<\/a> (click through to Vimeo for download links).<\/p>\n<p>\u2022 &#8220;Once you&#8217;ve turned entire buildings into instruments as on <em>Medium<\/em>, and then you&#8217;ve made the ionosphere itself an instrument as on <em>Signal<\/em>, where do you go next?&#8221; <a href=\"http:\/\/thequietus.com\/articles\/21619-emptyset-interview\" target=\"_blank\">Emptyset<\/a> discuss their forthcoming album, <em>Borders<\/em>, and a change in their working methods.<\/p>\n<p>\u2022 <a href=\"http:\/\/weirdfictionreview.com\/2017\/01\/interview-weird-fiction-valancourt-books\/\" target=\"_blank\">Christopher Burke &amp; David Davis<\/a> at Weird Fiction Review talk to <a href=\"http:\/\/www.valancourtbooks.com\/\" target=\"_blank\">Valancourt Books<\/a> about reprinting neglected works of horror and gay fiction.<\/p>\n<p>\u2022 At the BFI this week: All about <a href=\"http:\/\/www.bfi.org.uk\/news-opinion\/news-bfi\/lists\/jim-jarmusch-leading-actors-tom-waits-bill-murray\" target=\"_blank\">Jim Jarmusch&#8217;s leading men<\/a>, from Tom Waits to Bill Murray, and <a href=\"http:\/\/www.bfi.org.uk\/news-opinion\/news-bfi\/lists\/john-hurt-10-essential-films\" target=\"_blank\">John Hurt<\/a> (RIP): 10 essential films.<\/p>\n<p>\u2022 &#8220;Claude Arnaud&#8217;s biography of Jean Cocteau shows how the artist lived a life nourished by infinity,&#8221; says <a href=\"https:\/\/www.thenation.com\/article\/jean-cocteau-a-life-book-review\/\" target=\"_blank\">Ricky D&#8217;Ambrose<\/a><\/p>\n<p>\u2022 <a href=\"https:\/\/www.apollo-magazine.com\/berger\/\" target=\"_blank\">Sukhdev Sandhu<\/a> on John Berger: &#8220;a pathfinder who was alive to the present&#8221;.<\/p>\n<p>\u2022 <a href=\"http:\/\/www.dirgemag.com\/doll-part-art-visual-feasts-made-of-plastic-bodies\/\" target=\"_blank\">Theodore Carter<\/a> on Doll Part Art: Visual Feasts Made of Plastic Bodies.<\/p>\n<p>\u2022 Count Backwards from Ten: <a href=\"http:\/\/thefanzine.com\/count-backwards-from-ten-peter-bebergals-top-10-occult-in-media\/\">Peter Bebergal<\/a>&#8216;s Top 10 Occult in Media.<\/p>\n<p>\u2022 Books from <a href=\"http:\/\/strangeattractor.co.uk\/news\/sap-mit-press\/\" target=\"_blank\">Strange Attractor<\/a> will now be distributed by MIT Press.<\/p>\n<p>\u2022 <a href=\"http:\/\/www.metafilter.com\/164690\/Eero-Saarinen-The-Architect-Who-Saw-the-Future\" target=\"_blank\">Eero Saarinen<\/a>, the architect who saw the future.<\/p>\n<p>\u2022 Mix of the week: FACT Mix 585 by <a href=\"http:\/\/www.factmag.com\/2017\/01\/23\/niagara-fact-mix-585\/\" target=\"_blank\">Niagara<\/a>.<\/p>\n<p>\u2022 RIP <a href=\"https:\/\/www.nytimes.com\/2017\/01\/21\/arts\/music\/maggie-roche-dead-singer-songwriter.html\" target=\"_blank\">Maggie Roche<\/a>.<\/p>\n<p>\u2022 <em><a href=\"https:\/\/www.youtube.com\/watch?v=09ypwCN9FDc\" target=\"_blank\">Hammond Song<\/a><\/em> (1979) by The Roches | <em><a href=\"https:\/\/www.youtube.com\/watch?v=5MtQscjlciI\" target=\"_blank\">Losing True<\/a><\/em> (1982) by The Roches | <em><a href=\"https:\/\/www.youtube.com\/watch?v=JRXSk_9IrOE\" target=\"_blank\">Keep On Doing What You Do \/ Jerks On The Loose<\/a><\/em> (live, 1990) by The Roches<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Wasted Alice (2017) by Sonia Lazo. \u2022 Brian Eno: &#8220;We&#8217;ve been in decline for 40 years\u2014Trump is a chance to rethink.&#8221; An equivocal headline, and the usual misinterpretation from the hard-of-thinking, prompted Eno to issue a clarification. More Trumpery: Jonathan Meades wonders what kind of wall &#8220;The Lout&#8221; might want to build. Related: almost all &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2017\/01\/29\/weekend-links-345\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Weekend links 345&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,42,29,7,5,22,3,16,14,41,19],"tags":[3517,2233,145,6529,8619,6755,2765,3188,132,4334,1744,5396,4059,8710,8709,1018,8708,8707,98,4031,3601,8529,2425,8500,3530],"class_list":["post-18201","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-electronica","category-film","category-gay","category-horror","category-music","category-occult","category-politics","category-sculpture","category-television","tag-bfi","tag-bill-murray","tag-brian-eno","tag-christopher-burke","tag-claude-arnaud","tag-david-davis","tag-eero-saarinen","tag-emptyset","tag-jean-cocteau","tag-jim-jarmusch","tag-john-berger","tag-john-hurt","tag-jonathan-meades","tag-maggie-roche","tag-niagara-group","tag-peter-bebergal","tag-ricky-dambrose","tag-sonia-lazo","tag-strange-attractor","tag-sukhdev-sandhu","tag-the-roches","tag-theodore-carter","tag-tom-waits","tag-valancourt-books","tag-weird-fiction-review"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4Jz","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18201","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=18201"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18201\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=18201"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=18201"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=18201"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}