{"id":18190,"date":"2017-01-22T01:20:08","date_gmt":"2017-01-22T01:20:08","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=18190"},"modified":"2017-01-22T01:23:06","modified_gmt":"2017-01-22T01:23:06","slug":"weekend-links-344","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2017\/01\/22\/weekend-links-344\/","title":{"rendered":"Weekend links 344"},"content":{"rendered":"<p><a href=\"https:\/\/www.discogs.com\/Various-Axiom-Dub-Mysteries-Of-Creation\/master\/185032\" target=\"_blank\"><img decoding=\"async\" alt=\"axiomdub.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2017\/01\/axiomdub.jpg\" \/><\/a><\/p>\n<p><em>Axiom Dub \u2013 Mysteries Of Creation (1996), a Bill Laswell production. Art by <a href=\"http:\/\/www.koehnline.com\/\" target=\"_blank\">James Koehnline<\/a>.<\/em><\/p>\n<p>\u2022 As noted earlier, the great Bill Laswell has made some of his sprawling back catalogue available at <a href=\"https:\/\/billlaswell.bandcamp.com\/\" target=\"_blank\">Bandcamp<\/a>, news of which has prompted <a href=\"http:\/\/thevinylfactory.com\/features\/introduction-bill-laswell-10-records\/\" target=\"_blank\">Vinyl Factory<\/a> to put together a recommended listening guide. Judging by the comments I&#8217;m not the only Laswell-head deploring the absence of the masterpiece from Material, <em>Hallucination Engine<\/em>. Linked here before, and happily still being updated, the comprehensive Bill Laswell discography at <a href=\"http:\/\/www.silent-watcher.net\/billlaswell\/discography\/\" target=\"_blank\">Silent-Watcher<\/a>. Related: An ESP-Disk Primer by <a href=\"https:\/\/daily.bandcamp.com\/2017\/01\/18\/esp-disk-primer\/\" target=\"_blank\">Marc Masters<\/a>.<\/p>\n<p>\u2022 <a href=\"https:\/\/www.eventbrite.com\/e\/listen-to-the-voice-of-fire-alchemy-in-sound-art-tickets-26844033226\" target=\"_blank\"><em>Listen to the Voice of Fire<\/em><\/a>, a symposium concerning alchemy in sound art, takes place at the National Library of Wales at the beginning of March. <a href=\"https:\/\/larkfall.wordpress.com\/2017\/01\/20\/listening-for-the-voice-of-fire\/\" target=\"_blank\">Phil Legard<\/a> offers some thoughts on alchemy, music and John Dee.<\/p>\n<p>\u2022 The guilty cinematic pleasures of <a href=\"http:\/\/www.oocities.org\/j_nada\/carp\/interview\/filmcom.html\" target=\"_blank\">John Carpenter<\/a>. Related: Director and actor <a href=\"http:\/\/thequietus.com\/articles\/21614-alice-lowe-horror\" target=\"_blank\">Alice Lowe<\/a> chooses seven favourite horror films.<\/p>\n<p>\u2022 <a href=\"http:\/\/www.broomway.org.uk\" target=\"_blank\">The Broomway<\/a>, Essex, a tidal path known as &#8220;<a href=\"http:\/\/www.bldgblog.com\/2017\/01\/the-doomway\/\" target=\"_blank\">The Doomway<\/a>&#8221; for its reputation as the most dangerous walk in Britain.<\/p>\n<p>\u2022 Mixes of the week: <a href=\"http:\/\/pontone.pl\/k-punk-presents-return-to-the-fourth-world\/\" target=\"_blank\">K-Punk<\/a> presents Return to the Fourth World, and FACT Mix 584 by <a href=\"http:\/\/www.factmag.com\/2017\/01\/16\/lawrence-english-fact-mix-584\/\" target=\"_blank\">Lawrence English<\/a>.<\/p>\n<p>\u2022 &#8220;There was more to the late John Berger than <em>that<\/em> TV series and art book&#8221;, says <a href=\"http:\/\/www.the-tls.co.uk\/articles\/public\/john-berger-beyond-obituaries\/\" target=\"_blank\">Richard Turney<\/a>.<\/p>\n<p>\u2022 &#8220;Music&#8217;s cassette-tape revival is paying off,&#8221; says <a href=\"https:\/\/www.fastcompany.com\/3067073\/musics-weird-cassette-tape-revival-is-paying-off\" target=\"_blank\">John Paul Titlow<\/a>.<\/p>\n<p>\u2022 <a href=\"http:\/\/www.factmag.com\/2017\/01\/19\/avant-garde-icon-diamanda-galas-announces-two-new-albums\/\" target=\"_blank\">Diamanda Gal\u00e1s<\/a> announces two new albums.<\/p>\n<p>\u2022 <a href=\"http:\/\/diamondgeezer.blogspot.co.uk\/2017\/01\/painted-by-bob-dylan.html\" target=\"_blank\">Bob Dylan paints a Blackpool pier<\/a>.<\/p>\n<p>\u2022 Pixel art by <a href=\"https:\/\/unomoralez.com\/\" target=\"_blank\">Uno Moralez<\/a><\/p>\n<p>\u2022 <a href=\"http:\/\/www.oneletterwords.com\/\" target=\"_blank\">One Letter Words<\/a><\/p>\n<p>\u2022 <em><a href=\"https:\/\/www.youtube.com\/watch?v=LlFE6NOC5ks\" target=\"_blank\">Reduction<\/a><\/em> (1980) by Material | <em><a href=\"https:\/\/www.youtube.com\/watch?v=qF39f6XIplE\" target=\"_blank\">Ghost Light\/Dread Recall<\/a><\/em> (1996) by Material | <em><a href=\"https:\/\/www.youtube.com\/watch?v=DSaXMbT13EM\" target=\"_blank\">No Guts No Galaxy<\/a><\/em> (1999) by Material\u00a0(feat. Ramm Ell Zee &amp; phonosycographDISK)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Axiom Dub \u2013 Mysteries Of Creation (1996), a Bill Laswell production. Art by James Koehnline. \u2022 As noted earlier, the great Bill Laswell has made some of his sprawling back catalogue available at Bandcamp, news of which has prompted Vinyl Factory to put together a recommended listening guide. Judging by the comments I&#8217;m not the &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2017\/01\/22\/weekend-links-344\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Weekend links 344&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,1029,7,3,16,44,15,19],"tags":[559,8695,466,8699,418,1392,7234,6355,1744,680,766,8698,1615,8696,8694,2595,4428,5746,8701,8697,8700],"class_list":["post-18190","post","type-post","status-publish","format-standard","hentry","category-art","category-collage","category-film","category-music","category-occult","category-painting","category-technology","category-television","tag-alchemy","tag-alice-lowe","tag-bill-laswell","tag-blackpool","tag-bob-dylan","tag-diamanda-galas","tag-esp-disk","tag-james-koehnline","tag-john-berger","tag-john-carpenter","tag-john-dee","tag-john-paul-titlow","tag-k-punk","tag-lawrence-english","tag-marc-masters","tag-material-group","tag-phil-legard","tag-phonosycographdisk","tag-ramm-ell-zee","tag-richard-turney","tag-uno-moralez"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4Jo","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18190","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=18190"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18190\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=18190"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=18190"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=18190"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}