{"id":18164,"date":"2017-01-01T12:19:18","date_gmt":"2017-01-01T12:19:18","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=18164"},"modified":"2025-09-23T11:37:06","modified_gmt":"2025-09-23T10:37:06","slug":"weekend-links-341","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2017\/01\/01\/weekend-links-341\/","title":{"rendered":"Weekend links 341"},"content":{"rendered":"

\"fountaingod.jpg\"<\/p>\n

Fountain (1917) by R. Mutt (Marcel Duchamp), and God (1917) by Elsa von Freytag-Loringhoven.<\/em><\/p>\n

\u2022 “What is there left to know about David Bowie? What is there left to unearth?” asks Ian Penman<\/a> whose lengthy review of recent Bowie books is better by far than a shelf full of cash-in doorstops.<\/p>\n

\u2022 Str\u00e1zci z hlubin casu<\/em><\/a> is a collection of stories by HP Lovecraft and August Derleth from Czech publisher Volvox Globator. The book reprints artwork of mine on the cover and inside.<\/p>\n

\u2022 Mixes of the week: Through December by David Colohan<\/a>,\u00a0At Alien Altars: A Conjurer’s Hexmas by Seraphic Manta<\/a>, and Secret Thirteen Mix 204 by James Welburn<\/a>.<\/p>\n

\u2022 “Something vindictive resides in soot.” Timothy Jarvis<\/a> on the weird fiction of Stefan Grabi\u0144ski. From 2003: China Mi\u00e9ville<\/a> on Grabi\u0144ski.<\/p>\n

\u2022 Paintings by\u00a0Jakub Rozalski<\/a> of eastern European peasants with mechas and werewolves.<\/p>\n

\u2022 Colm T\u00f3ib\u00edn<\/a> on James Joyce\u2019s\u00a0A Portrait of the Artist as a Young Man<\/em>, 100 years on.<\/p>\n

\u2022 Jesse Singal<\/a> on why straight rural men (in the USA) have “bud-sex” with each other.<\/p>\n

\u2022 Mark Valentine<\/a> recommends books on tasseography, or divination by tea leaves.<\/p>\n

\u2022\u00a0\u201cNorthampton Calling: A Conversation with Alan Moore,\u201d by Rob Vollmar<\/a>.<\/p>\n

\u2022 Bill Schutt<\/a> at Scientific American<\/em> asks what human flesh tastes like.<\/p>\n

\u2022 Gwendolyn Nix<\/a> on the Tritone, aka The Devil’s Musical Interval.<\/p>\n

\u2022 At Dennis Cooper’s: _Black_Acrylic presents…Penda\u2019s Fen<\/em> Day<\/a>.<\/p>\n

\u2022 The latest Buddha Machine from FM3 is Philip Glass-themed<\/a>.<\/p>\n

\u2022 Listen to The Wire<\/em>\u2019s top 50 releases of 2016<\/a><\/p>\n

\u2022 Tritone (Musica Diablo)<\/a><\/em> (1980) by Tuxedomoon | Diabolus In Music<\/em>a<\/a> (1987) by The Foetus All Nude Review | Tritone (Musica Diablo)<\/a><\/em> (2016) by Aksak Maboul<\/p>\n","protected":false},"excerpt":{"rendered":"

Fountain (1917) by R. Mutt (Marcel Duchamp), and God (1917) by Elsa von Freytag-Loringhoven. \u2022 “What is there left to know about David Bowie? What is there left to unearth?” asks Ian Penman whose lengthy review of recent Bowie books is better by far than a shelf full of cash-in doorstops. \u2022 Str\u00e1zci z hlubin … Continue reading “Weekend links 341”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[2,42,29,5,22,26,3,16,44,20,41,19,23],"tags":[6172,103,2962,8665,143,1032,3401,1301,7160,3109,8657,2761,8666,1687,5107,8662,135,8659,8663,1200,2903,1117,3131,8664,5568,8661,8667,8660,1611,8658],"class_list":["post-18164","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-electronica","category-gay","category-horror","category-lovecraft","category-music","category-occult","category-painting","category-science-fiction","category-sculpture","category-television","category-work","tag-aksak-maboul","tag-alan-moore","tag-august-derleth","tag-bill-schutt","tag-buddha-machine","tag-china-mieville","tag-colm-toibin","tag-david-bowie","tag-david-colohan","tag-dennis-cooper","tag-elsa-von-freytag-loringhoven","tag-fm3","tag-gwendolyn-nix","tag-hp-lovecraft","tag-ian-penman","tag-jakub-rozalski","tag-james-joyce","tag-james-welburn","tag-jesse-singal","tag-marcel-duchamp","tag-mark-valentine","tag-pendas-fen","tag-philip-glass","tag-rob-vollmar","tag-seraphic-manta","tag-stefan-grabinski","tag-the-foetus-all-nude-review","tag-timothy-jarvis","tag-tuxedomoon","tag-volvox-globator"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4IY","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18164","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=18164"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18164\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=18164"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=18164"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=18164"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}