{"id":18140,"date":"2016-12-04T01:07:17","date_gmt":"2016-12-04T01:07:17","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=18140"},"modified":"2023-01-28T15:09:34","modified_gmt":"2023-01-28T15:09:34","slug":"weekend-links-338","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2016\/12\/04\/weekend-links-338\/","title":{"rendered":"Weekend links 338"},"content":{"rendered":"

\"lee.jpg\"<\/a><\/p>\n

At the mountains of madness, fragment I (2014\u201316) by C\u00e9li Lee<\/a>.<\/em><\/p>\n

\u2022 Spirits of Place<\/em><\/a>, edited by John Reppion: new writings from Brynd\u00eds Bj\u00f6rgvinsd\u00f3ttir, Vajra Chandrasekera, Maria J. P\u00e9rez Cuervo, Warren Ellis, Alan Moore, Silvia Moreno-Garcia, Kristine Ong Muslim, Dr. Joanne Parker, Mark Pesce, Iain Sinclair, Gazelle Amber Valentine and Damien Williams.<\/p>\n

\u2022 “Are we wrong to neglect [Jean Cocteau]? We are.” Kevin Jackson<\/a> reviews Jean Cocteau: A Life<\/em>, a biography by\u00a0Claude Arnaud that’s finally available in an English edition (translated by Lauren Elkin & Charlotte Mandell). Related: Jean Cocteau<\/a> speaks to the year 2000.<\/p>\n

\u2022 Void Beats \/ Invocation Trex<\/em><\/a> by Cavern of Anti-Matter has been one of my favourite music releases this year. Tim Gane<\/a> talks about the inadvertent origin of the group, and there’s also the welcome news of a reissue for the scarce first album, Blood Drums<\/em>.<\/p>\n

\u2022 Pauline Oliveros: 1932\u20132016; Geeta Dayal<\/a> looks back on the life of US composer Pauline Oliveros, including reflections from, amongst others, Betsey Biggs, Fred Frith, Terry Riley, and Morton Subotnick.<\/p>\n

\u2022 The relaunched Jayde Design website<\/a> is selling copious Moorcock publications and ephemera<\/a>, back issues of New Worlds<\/em> magazine<\/a>, and much else besides, including rare works of my own<\/a>.<\/p>\n

\u2022 New from Mute Records<\/a>: Richard H. Kirk #7489 (Collected Works 1974\u20131989)<\/em> and Sandoz #9294 (Collected Works 1992\u20131994)<\/em>.<\/p>\n

\u2022 Drawings by Austin Osman Spare are on display for the next two weeks at the Atlantis Bookshop<\/a>, London.<\/p>\n

\u2022 The Architecture of the Overlap<\/a>: Sir John Soane’s Museum, London, scanned in three dimensions.<\/p>\n

\u2022 Mixes of the week: Secret Thirteen Mix 201 by F\u00e9licia Atkinson<\/a>, and\u00a0FACT mix 579 by Jenny Hval<\/a>.<\/p>\n

\u2022 “No one has the slightest idea what is and isn\u2019t cultural appropriation,” says Fredrik deBoer<\/a>.<\/p>\n

\u2022 I’m never keen on end-of-year lists but I’ll read any list that John Waters<\/a> writes.<\/p>\n

\u2022 “The Driller Killer<\/em><\/a> and the humanist behind the blood and sickening crunch”.<\/p>\n

\u2022 More Lovecraft: Stories to make you say UGH!<\/em><\/a> by Pete Von Sholly.<\/p>\n

\u2022 Alan Moore talks to Stewart Lee<\/a>.<\/p>\n

\u2022 At The Mountains Of Madness<\/a><\/em> (1968) by H.P. Lovecraft | Mountains Falling<\/a><\/em> (2001) by Bluebob | Mountains Crave<\/a><\/em> (2012) by Anna von Hausswolff<\/p>\n","protected":false},"excerpt":{"rendered":"

At the mountains of madness, fragment I (2014\u201316) by C\u00e9li Lee. \u2022 Spirits of Place, edited by John Reppion: new writings from Brynd\u00eds Bj\u00f6rgvinsd\u00f3ttir, Vajra Chandrasekera, Maria J. P\u00e9rez Cuervo, Warren Ellis, Alan Moore, Silvia Moreno-Garcia, Kristine Ong Muslim, Dr. Joanne Parker, Mark Pesce, Iain Sinclair, Gazelle Amber Valentine and Damien Williams. \u2022 “Are we … Continue reading “Weekend links 338”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,42,9,29,7,22,3,16,14,15],"tags":[3430,103,7805,8626,2469,8623,8629,8609,7997,8608,8621,8619,8617,8614,5843,8624,8627,8616,1393,8628,1687,218,8625,132,6212,6486,3378,1812,8618,8613,8620,8611,8615,65,4115,346,7464,8594,1254,8612,3142,352,8030,8610,6485],"class_list":["post-18140","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-comics","category-electronica","category-film","category-horror","category-music","category-occult","category-politics","category-technology","tag-abel-ferrara","tag-alan-moore","tag-anna-von-hausswolff","tag-atlantis-bookshop","tag-austin-osman-spare","tag-betsey-biggs","tag-bluebob","tag-bryndis-bjorgvinsdottir","tag-cavern-of-anti-matter","tag-celi-lee","tag-charlotte-mandell","tag-claude-arnaud","tag-damien-williams","tag-dr-joanne-parker","tag-felicia-atkinson","tag-fred-frith","tag-fredrik-deboer","tag-gazelle-amber-valentine","tag-geeta-dayal","tag-h-p-lovecraft-group","tag-hp-lovecraft","tag-iain-sinclair","tag-jayde-design","tag-jean-cocteau","tag-jenny-hval","tag-john-reppion","tag-john-soane","tag-john-waters","tag-kevin-jackson","tag-kristine-ong-muslim","tag-lauren-elkin","tag-maria-j-perez-cuervo","tag-mark-pesce","tag-michael-moorcock","tag-morton-subotnick","tag-new-worlds","tag-pauline-oliveros","tag-pete-von-sholly","tag-richard-h-kirk","tag-silvia-moreno-garcia","tag-stewart-lee","tag-terry-riley","tag-tim-gane","tag-vajra-chandrasekera","tag-warren-ellis"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4IA","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18140","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=18140"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18140\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=18140"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=18140"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=18140"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}