{"id":18132,"date":"2016-11-27T01:09:37","date_gmt":"2016-11-27T01:09:37","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=18132"},"modified":"2016-11-27T01:10:44","modified_gmt":"2016-11-27T01:10:44","slug":"weekend-links-337","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2016\/11\/27\/weekend-links-337\/","title":{"rendered":"Weekend links 337"},"content":{"rendered":"<p><a href=\"http:\/\/davidavery.net\/prints\/post-trauma.html\" target=\"_blank\"><img decoding=\"async\" alt=\"avery.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2016\/11\/avery.jpg\" \/><\/a><\/p>\n<p><em>A Post-traumatic History Lesson (2009) by <a href=\"http:\/\/davidavery.net\/\" target=\"_blank\">David Avery<\/a>.<\/em><\/p>\n<p>\u2022 Last week it was the teaser, this week it&#8217;s the full thing: <a href=\"https:\/\/www.youtube.com\/watch?v=oj6T2roaHe4\" target=\"_blank\"><em>When a New Trick Comes Out, I do an Old One \/ Exit Pantomime Control<\/em><\/a> by Moon Wiring Club, 29-minutes of woozy and degraded psychedelic VHS weirdness.<\/p>\n<p>\u2022 Over the summer I watched 32 Robert Altman films. When faced with such a diverse and unpredictable filmography it helps to have a guide; <a href=\"http:\/\/www.bfi.org.uk\/news-opinion\/news-bfi\/features\/where-begin-robert-altman\" target=\"_blank\">Geoff Andrew<\/a> suggests where to begin.<\/p>\n<p>\u2022 Some tools in the ongoing war against the Agents of the Control Virus: <a href=\"https:\/\/torrentfreak.com\/vpn-anonymous-review-160220\/\" target=\"_blank\">The Best Anonymous VPN Services of 2016<\/a>.<\/p>\n<blockquote><p><a href=\"http:\/\/www.skybluepress.com\/\" target=\"_blank\">Sky Blue Press<\/a> bills <em>Auletris<\/em> as a work that \u201cbreaks many taboos.\u201d Fans of [Ana\u00efs] Nin know that she has covered plenty of salacious territory before: tubercular nymphomaniacs, exhibitionists, voyeurs, orgies, gender bending, bondage, bestiality, incest, hermaphroditism, etc. Nin was a pioneer of women\u2019s sex writing in English, and all contemporary erotica authors are indebted to her, whether they realize it or not. In the 1940s, she wrote risqu\u00e9 stories for an anonymous private collector at the rate of a dollar a page. Despite how Nin downplayed her bespoke smut as \u201cliterary prostitution,\u201d compared to other explicit writing of her time in English, hers was revolutionary. The two steamy volumes, <em>Delta of Venus<\/em> and <em>Little Birds<\/em>, were not published for the public until the \u201970s, just after her death, but they were best sellers and set a new standard for erotica.<\/p>\n<p><em><a href=\"https:\/\/lareviewofbooks.org\/article\/third-rail-erotica\/#!\" target=\"_blank\">Laura Frost<\/a> reviewing Auletris, a book of rare fiction by Ana\u00efs Nin<\/em><\/p><\/blockquote>\n<p>\u2022 <a href=\"https:\/\/www.fedoganandbremer.com\/products\/h-p-lovecrafts-fungi-from-yuggoth-and-other-poems\" target=\"_blank\"><em>HP Lovecraft&#8217;s Fungi From Yuggoth and Other Poems<\/em><\/a>, a new collection of readings by William E. Hart.<\/p>\n<p>\u2022 <a href=\"https:\/\/www.kickstarter.com\/projects\/1387618382\/the-harlan-ellison-books-preservation-project\" target=\"_blank\">The Harlan Ellison\u00ae Books Preservation Project<\/a> is on the brink of achieving its Kickstarter target.<\/p>\n<p>\u2022 <em>The Haunted Ceiling<\/em>, a neglected ghost story by <a href=\"https:\/\/www.theguardian.com\/books\/2016\/nov\/24\/unseen-hg-wells-ghost-story-published-for-first-time\" target=\"_blank\">HG Wells<\/a>, is being published for the first time.<\/p>\n<p>\u2022 A Quietus Hour Radio Special: <a href=\"http:\/\/thequietus.com\/articles\/21377-shirley-collins-interview-radio-podcast-favourite-songs-lodestar\" target=\"_blank\">Shirley Collins<\/a> on her favourite songs.<\/p>\n<p>\u2022 <a href=\"http:\/\/www.dirgemag.com\/awe-ache-5-transgressive-horror-publishers\/\" target=\"_blank\">Kellie Woodson<\/a> recommends &#8220;5 transgressive horror publishers&#8221;.<\/p>\n<p>\u2022 <a href=\"https:\/\/www.theguardian.com\/books\/gallery\/2016\/nov\/26\/alice-in-wonderlands-engravings-a-forgotten-story-dalziel-brothers-in-pictures\" target=\"_blank\"><em>Alice in Wonderland<\/em>&#8216;s engravings<\/a>\u2014a forgotten story in pictures.<\/p>\n<p>\u2022 &#8220;Alan Moore\u2019s <em>Jerusalem<\/em> is a moveable feast,&#8221; says <a href=\"http:\/\/www.spectator.co.uk\/2016\/11\/alan-moores-epic-novel-is-a-moveable-feast\/\" target=\"_blank\">Alan Wall<\/a>.<\/p>\n<p>\u2022 <a href=\"https:\/\/musiceureka.wordpress.com\/\" target=\"_blank\">Musiceureka<\/a>: &#8220;collecting vinyl in a special way&#8221;.<\/p>\n<p>\u2022 At Dennis Cooper&#8217;s: <a href=\"http:\/\/denniscooperblog.com\/terrarium-makers-2\/\" target=\"_blank\">Terrarium makers<\/a>.<\/p>\n<p>\u2022 RIP <a href=\"http:\/\/www.sfgate.com\/music\/article\/Musical-experimentalist-Pauline-Oliveros-dies-at-10636774.php\" target=\"_blank\">Pauline Oliveros<\/a>.<\/p>\n<p>\u2022 <em><a href=\"https:\/\/www.youtube.com\/watch?v=8wrNL063Gys\" target=\"_blank\">Bye Bye Butterfly<\/a><\/em> (1965) by Pauline Oliveros | <em><a href=\"https:\/\/www.youtube.com\/watch?v=0at5DrXpJj8\" target=\"_blank\">Lear<\/a><\/em> (1989) by Pauline Oliveros \/ Stuart Dempster \/ Panaiotis | <em><a href=\"https:\/\/www.youtube.com\/watch?v=pOxupW8b7GE\" target=\"_blank\">Silence Echoes<\/a><\/em> (1997) by Pauline Oliveros &amp; Randy Raine-Reusch<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A Post-traumatic History Lesson (2009) by David Avery. \u2022 Last week it was the teaser, this week it&#8217;s the full thing: When a New Trick Comes Out, I do an Old One \/ Exit Pantomime Control by Moon Wiring Club, 29-minutes of woozy and degraded psychedelic VHS weirdness. \u2022 Over the summer I watched 32 &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2016\/11\/27\/weekend-links-337\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Weekend links 337&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,29,7,22,26,3,17,41,15],"tags":[103,3632,3405,8597,3109,8598,59,264,1687,8601,8600,1019,8603,7464,8604,924,5350,8599,8602,8605],"class_list":["post-18132","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-electronica","category-film","category-horror","category-lovecraft","category-music","category-psychedelia","category-sculpture","category-technology","tag-alan-moore","tag-alan-wall","tag-anais-nin","tag-david-avery","tag-dennis-cooper","tag-geoff-andrew","tag-harlan-ellison","tag-hg-wells","tag-hp-lovecraft","tag-kellie-woodson","tag-laura-frost","tag-moon-wiring-club","tag-panaiotis","tag-pauline-oliveros","tag-randy-raine-reusch","tag-robert-altman","tag-shirley-collins","tag-sky-blue-press","tag-stuart-dempster","tag-william-e-hart"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4Is","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18132","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=18132"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18132\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=18132"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=18132"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=18132"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}