{"id":18108,"date":"2016-11-13T02:09:04","date_gmt":"2016-11-13T01:09:04","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=18108"},"modified":"2016-11-13T02:09:04","modified_gmt":"2016-11-13T01:09:04","slug":"weekend-links-335","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2016\/11\/13\/weekend-links-335\/","title":{"rendered":"Weekend links 335"},"content":{"rendered":"<p><a href=\"https:\/\/www.wikiart.org\/en\/richard-oelze\/the-expectation-1936\" target=\"_blank\"><img decoding=\"async\" alt=\"oelze.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2016\/11\/oelze.jpg\" \/><\/a><\/p>\n<p><em>The Expectation (1936) by Richard Oelze.<\/em><\/p>\n<p>\u2022 <a href=\"http:\/\/michaelwerner.com\/exhibition\/4348\/works\" target=\"_blank\"><em>Richard Oelze, 1900\u20131980<\/em><\/a> is an exhibition of paintings and drawings at the Michael Werner Gallery, London, which runs until January 2017. More Surrealist works by Oelze may be seen at <a href=\"http:\/\/butdoesitfloat.com\/The-squirming-facts-exceed-the-squamous-mind\" target=\"_blank\">But Does It Float<\/a> and <a href=\"http:\/\/www.ubugallery.com\/exhibitions\/richard-oelze-paintings-drawings\/\" target=\"_blank\">Ubu Gallery<\/a>.<\/p>\n<p>\u2022 <a href=\"http:\/\/theconversation.com\/we-translated-the-marquis-de-sades-most-obscene-work-heres-how-67743\" target=\"_blank\">Will McMorran<\/a> on the problems of translating the Marquis de Sade&#8217;s most obscene work. Related: <a href=\"http:\/\/www.dirgemag.com\/marquis-de-sade-lovecraft-literary-peers\/\" target=\"_blank\">Jay Sina<\/a> on Sexistential Horror: HP Lovecraft and the Marquis de Sade as perverse peers.<\/p>\n<p>\u2022 Mixes of the week: More Halloween horror at <a href=\"https:\/\/noconditionispermanent.org\/2016\/10\/30\/no-condition-is-permanent-halloween-episode-106-10-29-16\/\" target=\"_blank\">No Condition Is Permanent<\/a>, Secret Thirteen Mix 200 by <a href=\"http:\/\/secretthirteen.org\/jk-flesh-live-music-mix\/\" target=\"_blank\">JK Flesh<\/a>, and a mix for <em>The Wire<\/em> by <a href=\"http:\/\/www.thewire.co.uk\/audio\/tracks\/listen-to-an-exclusive-mix-by-botany\" target=\"_blank\">Botany<\/a>.<\/p>\n<p>\u2022 <em><a href=\"https:\/\/en.wikisource.org\/wiki\/The_Chronicles_of_Clovis\" target=\"_blank\">The Chronicles of Clovis<\/a><\/em> (1911), a story collection by Saki (HH Munro) who died 100 years ago this week.<\/p>\n<p>\u2022 &#8220;Jack is 24, sometimes he&#8217;s a drag queen named Sabrina.&#8221; <a href=\"https:\/\/www.youtube.com\/watch?v=AWjPfvkbCRE\" target=\"_blank\"><em>The Queen<\/em><\/a> (1968).<\/p>\n<p>\u2022 The Mindset of the Macabre: An interview with <a href=\"http:\/\/hautemacabre.com\/2016\/11\/the-mindset-of-the-macabre-an-interview-with-abigail-larson\/\" target=\"_blank\">Abigail Larson<\/a>.<\/p>\n<p>\u2022 &#8220;The world is full of bloviators,&#8221; says <em>MAD<\/em> cartoonist <a href=\"https:\/\/www.theguardian.com\/books\/2016\/nov\/09\/95-year-old-mad-cartoonist-al-jaffee-the-world-is-full-of-bloviators\" target=\"_blank\">Al Jaffee<\/a>.<\/p>\n<p>\u2022 <a href=\"http:\/\/www.bfi.org.uk\/news-opinion\/sight-sound-magazine\/features\/deep-focus\/french-film-noir\" target=\"_blank\">Ginette Vincendeau<\/a> on how the French birthed film noir.<\/p>\n<p>\u2022 How to throw a dinner party like <a href=\"http:\/\/www.anothermag.com\/art-photography\/9239\/how-to-throw-a-dinner-party-like-salvador-dal\" target=\"_blank\">Salvador Dal\u00ed<\/a>.<\/p>\n<p>\u2022 <a href=\"https:\/\/www.youtube.com\/watch?v=2I3PLVuKNtw\" target=\"_blank\"><em>Sastan\u00e0qq\u00e0m<\/em><\/a>, another new song by Tinariwen.<\/p>\n<p>\u2022 At <a href=\"http:\/\/ayearinthecountry.co.uk\/week-4552-quatermass-finds-and-ephemera-from-back-when\/\" target=\"_blank\">A Year In The Country<\/a>: more Quatermass.<\/p>\n<p>\u2022 Photographs by <a href=\"https:\/\/www.theguardian.com\/artanddesign\/gallery\/2016\/nov\/11\/klaartje-lambrechts-belgian-photographer\" target=\"_blank\">Klaartje Lambrechts<\/a>.<\/p>\n<p>\u2022 <a href=\"https:\/\/www.theguardian.com\/film\/2016\/nov\/12\/pasolini-lost-boys-translation-ragazzi-di-vita\" target=\"_blank\">Paul Bailey<\/a> on Pasolini&#8217;s lost boys.<\/p>\n<p>\u2022 <a href=\"http:\/\/www.theparisreview.org\/blog\/2016\/11\/11\/leonard-cohen-1934-2016\/\" target=\"_blank\">Adam Shatz<\/a> on Leonard Cohen.<\/p>\n<p>\u2022 <a href=\"https:\/\/www.theguardian.com\/cities\/ng-interactive\/2016\/nov\/10\/subterranean-london\" target=\"_blank\">Subterranean London<\/a><\/p>\n<p>\u2022 <em><a href=\"https:\/\/www.youtube.com\/watch?v=H0-fW1dZ0EY\" target=\"_blank\">Joan Of Arc<\/a><\/em> (1986) by Jennifer Warnes with Leonard Cohen | <em><a href=\"https:\/\/www.youtube.com\/watch?v=XDteoj-jDpE\" target=\"_blank\">Who By Fire<\/a><\/em> (1986) by Coil | <em><a href=\"https:\/\/www.youtube.com\/watch?v=DsdAnYLvGe4\" target=\"_blank\">The Future<\/a><\/em> (1992) by Leonard Cohen<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Expectation (1936) by Richard Oelze. \u2022 Richard Oelze, 1900\u20131980 is an exhibition of paintings and drawings at the Michael Werner Gallery, London, which runs until January 2017. More Surrealist works by Oelze may be seen at But Does It Float and Ubu Gallery. \u2022 Will McMorran on the problems of translating the Marquis de &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2016\/11\/13\/weekend-links-335\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Weekend links 335&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,42,9,7,5,22,48,26,3,44,12,18,19],"tags":[6350,8562,8482,8563,8561,3567,2272,8564,1687,8559,8567,8560,8566,918,4840,8565,1493,3048,3566,133,87,8533,8507],"class_list":["post-18108","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-comics","category-film","category-gay","category-horror","category-illustrators","category-lovecraft","category-music","category-painting","category-photography","category-surrealism","category-television","tag-a-year-in-the-country","tag-abigail-larson","tag-adam-shatz","tag-al-jaffee","tag-botany-musician","tag-but-does-it-float","tag-coil-group","tag-ginette-vincendeau","tag-hp-lovecraft","tag-jay-sina","tag-jennifer-warnes","tag-jk-flesh","tag-klaartje-lambrechts","tag-leonard-cohen","tag-marquis-de-sade","tag-paul-bailey","tag-pier-paolo-pasolini","tag-quatermass","tag-richard-oelze","tag-saki","tag-salvador-dali","tag-tinariwen","tag-will-mcmorran"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4I4","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18108","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=18108"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18108\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=18108"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=18108"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=18108"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}